With my life drawing to a close, I want to make a confession. A long time ago I did something I'm not proud of. Maybe it did keep a family together. But as I look back, it was still wrong.
When World War II ended I was in good shape. I'd saved some money, and had a wife and job to come home to. The Army Air Force kept me in Germany until 1946, but then I was a free man.
I went back to work for my Uncle Plez. He owned 2500 acres of Oklahoma prairie, much of it good bottomland. As foreman, my job was to oversee our crops: winter wheat, cotton, and peanuts. And the people who actually did the work, the sharecroppers.
We had a dozen sharecropper families. They planted and harvested, worked like slaves, in return for a house, garden space, and a half share of their crops' sales value. The 'croppers had to buy everything they needed to grow their crop from Uncle Plez, usually on credit. If the crop failed or commodity prices were low, then they would end up in debt to him. Some had owed him money for years, and were legally bound to the land until the debt was cleared. He was neither the best nor the worst of landowners, just a man of the times.
I'd married Gloria in 1943. She and our boy Tommy, who was three, were waiting for me when I arrived home on the Tulsa Limited. It was the first time I ever saw the kid, and I thought with relief, yes, he's me all over again.
For a while I wore Gloria out in the bedroom, making up for lost time, never missing a night. Twice on Saturdays. But things cooled as time went by. After Gloria had Tommy she gained some weight, which she never lost. To make matters worse, she was raised a city girl, and could not get used to her man coming home with good honest dirt on his pants and under his fingernails. I really got tired of hearing, "No, not until you take a bath."
The day it all began was warm for mid-November. The hackberries and oaks along the creeks were in rich autumn color, a nice contrast to the emerald green fields of winter wheat that had been planted the month before.
With sharecroppers it's always something. They catch pneumonia, or sometimes just vanish into the night, no forwarding address. With the Jenkins family it was a hard-drinking husband who was now dead. Joe Jenkins had gotten into a fight outside a local tavern and was smashed in the back of the head with a Schlitz beer bottle. He fell and hit his temple on the grille of a 1942 DeSoto, which pretty much finished him off.
He lay in a coma for a week and then passed away. An ignominious yet somehow fitting end to the man's life. Today I had the task of throwing his widow and her children off the land.
I pulled my jeep into their front yard, scattering chickens, mostly Rhode Island Reds and a few bantams. The older boy Earl, six years old, was crouched on the ground shooting marbles.
"Mornin', Earl," I said, "your Mama home?"
"Reckon so," he replied, glancing up. "Don't know where else she'd be."
Alma Jenkins stood in the doorway of the clapboard house, which had once been painted white. "Mornin', Mr. Tillman," she smiled.
"Good mornin', Alma," I answered. She was trying to be friendly and casual, and not doing a good job of it. Anxiety was written on her face. Overseers don't make social calls on the 'croppers, so something was up, probably not good.
I entered the house, which had three rooms: a living room, a kitchen beyond that, and off to the right a single bedroom. In that room was Alma's bed and a crib for her other boy Donald, who was eighteen months old. Earl slept on a cot in the living room.
"Would you like some coffee?" Alma asked in a nervous voice. Sure, I thought. Give me some coffee and maybe I'll go away.
"No thanks."
"Have a seat over in that chair, Mr. Tillman," she said, still tense. I sat in an old stuffed chair, my back to the window. Alma sat in an equally worn sofa facing a cast iron stove that provided the only heat for the house.
Alma was about 25, I knew, of good pioneer stock. Her wavy hair was the color of sand, parted in the middle. She had a ruddy face from hours spent in the sun and wind. Like most countrywomen, she had muscular arms and legs. Being a housewife in those days meant hard work; there were no buttons in the kitchen to push. But with her full bosom and wide hips, you never forgot she was a woman.
I got to the point. "I was wondering, Alma, if you had any kinfolk you and these boys could go live with."
The woman slumped, heaving a deep sigh. "So you're putting us off the land?"
"Yes Ma'm, I'm afraid so. We've got the legal right if the head of the household dies."
"Look," she said, desperation in her voice, "there ain't much work to do around here for the next few months. Couldn't we stay through the winter?"
"I'm sorry, Alma, but no. Uncle Plez is already looking for another family to move in here. They need to settle in and start getting ready for next year's crops."
Alma got up and stared past me through the window, tears in her eyes. "All of mine 'n Joe's folks went out to California back when we had those dry years and the crops failed. We don't have nobody that could take us. I asked around at the funeral. Nobody a'tall."
She went on, "We don't own nothin' except some furniture 'n tools. But at least it's a home. Earl 'n Donnie was born here. I like it here, especially in the fall 'n spring. It's so peaceful, 'n a farm's a good place to raise boys. They can roam here, and not get in trouble."
"Could you make it through the winter?" I asked, feeling a twinge of pity for the first time.
"Yes!" Alma said emphatically. "I canned lots o' tomatoes 'n beans last summer. And the root cellar is full of potatoes. Plus we got that hog out back. The Walkers said they'd help slaughter it soon as the weather turns cold."
"You got any money for coal oil, lard, corn meal? Winter clothes for these young'uns?"
She shook her head. "No, I spent our last dime on Joe's funeral, not that we had much before." She added bitterly, "Your Uncle Plez makes sure of that."
Alma sat back down on the sofa. Soon little Donnie, wearing only shorts and a flannel undershirt, crawled over to her. He rose up, clutching the hem of her dress, saying, "Hungry, Mama, hungry!"
"Not now, sugar, Mama's busy."
But the tot persisted. "Hungry, Mama!" he pleaded, speaking the only two words he knew.
Alma turned to me. "I'm sorry, but he won't quit 'til I nurse him. Do you mind?"
I shrugged. She took the little boy into her lap and began to unbutton the feedsack dress that she was wearing. She turned partly away from me, toward the bedroom. In a few seconds the child grew quiet and began to suckle his mother's breast.
Alma looked over her right shoulder to me. "I even thought maybe I could put out the peanut crop next summer myself. I ain't afraid o' hard work. And some of the other 'cropper families talked like they could help." After a pause she continued, "I really want to stay here and keep my family together; that's all I'm askin'. My little boys are all I've got now. They need their mother. Please, Mr. Tillman, please?"
I had turned away too, looking at the stove. "If you don't have any money, Alma, then you couldn't even buy seed next spring. There's no way you could put out a crop."
I glanced back to her and blinked in surprise. The woman had turned toward me, her dress unbuttoned to the waist. She had pulled it off her shoulders to reveal both breasts. They were large and turgid, pure cream in color where no sun had fallen on them. In the center of her right breast was a great dark areola, jutting out from which was a nipple almost an inch long. At the moment, mother's milk was oozing from it, trailing down the fullness of her breast and onto her stomach. Little Donnie contentedly suckled the other breast.
Alma did not try to look seductive. Blushing intensely, eyes damp with tears, she just gazed at me fiercely, saying with her eyes, this is what I have to offer you. It is all I have.
I watched her suckle the child for almost a full minute, glancing from her ripe breast to her face, then back to her breast. She returned my look, never wavering. A ray of pale sunlight fell upon the woman. Its radiance gave her skin and hair a warm glow. The house was dead silent except for the ticking of an oak wood mantel clock, the Jenkins' only possession of any value. To this day the ticking of such a clock brings to mind the impassioned look Alma gave me that moment so long ago. And I am filled with many strong emotions at the memory.
Finally I said, "Well, let me think it over. Maybe I'll come by Monday morning and we can talk about it some more."
"Best to come after noon," she said evenly. "Earl will be in school, 'n Donnie takes a long nap then."
*******
Monday was overcast, a wind keening around the corners of the Jenkins house when I pulled up. I was wearing a fedora and my leather bombardier's jacket. I had been a side gunner on a B-24 bomber, so had come by the jacket honestly.
Alma answered my knock at once. Today she had combed her hair carefully, and was wearing a flower print dress. It was not her best dress, not the one she wore to church, but one that she might wear to a movie.
"Brought some things I thought y'all could use," I said. From the back of the jeep I began to unload a large can of kerosene, two ten-pound bags of corn meal, and a country ham.
Without a word Alma helped me carry the goods to the kitchen and put them away. As promised, Donnie was sound asleep in his crib. The radio was playing softly. In between commercials for Clabber Girl and Brylcreem could be heard the music of Bob Wills and the Texas Playboys; then, an Eddy Arnold love song.
"Do you want to see the bedroom?" she asked. I arched a questioning eyebrow, but she said with a faint smile, "It's okay, he sleeps like a baby."
I sat in a rocking chair in the bedroom; Alma stood before me as we eyed each other nervously. Both of us had the same thought: can we do it? Should we? After this moment, there would be no turning back. Her face blushing crimson, Alma took a deep breath, reached back, and unzipped the dress. She let it fall from her arms; then, slid it over her hips and stepped out of it. Nude from the waist up, she was wearing large peach-colored panties. Underneath was a garter belt that held her tan hose.