One year ago to this very day we met for the first time in the bar at the Hotel Intercontinental in London, and now we're back, in a suite on the ninth floor. The dΓ©cor is quintessentially English: flocked wallpaper and oils of hunting scenes on the walls, over-stuffed wing chairs, a quilted loveseat on either side of a tall oak armoire, and a king-sized, canopied four-poster against the far wall. The velvet curtains around the bed are a deep red, sharply contrasting the soft white of the cotton duvet covering the bed. A half-dozen candles throw a soft, rosy glow around the room.
As I enter I see that you're wearing one of my work shirts β a white button-down Oxford cloth. It looks quite appealing on you; certainly better on you than it does on me. I like the look, though. There's something very sensual about a woman in a man's shirt; something about the allure of white cloth against bare skin, the accessibility of buttons going down the front, or maybe it's just that fantasy of you grabbing the first thing you could find in my closet. Whichever it is, it's a great look on you.
Erik Satie's "Gymnopedies" is playing on the CD, a light piano backdrop wafting through the air. I lead you to a wing chair and beckon you to sit, to relax, to enjoy. Standing behind you, I run my hands through your hair, fingers spread, smoothing your thick blonde tresses as I caress your scalp. I massage your temples, gently play with your earlobes, and lightly run my fingertip over your lips. My fingers memorize each line I trace so that I can play it back in my thoughts later on. Reaching your shoulders, I firmly knead and press the strong muscles around the base of your neck and shoulders. I love that you work to keep yourself in shape; the feeling of your physical strength has always been a poignant counterpoint to your more submissive nature. I slide my hand under your chin and gently lift it, bringing your face to mine. I lightly brush my lips against yours as I hold your face to mine.
We kiss β gently, at first, then with growing intensity β lips parted, tongues dancing across teeth, mouths in perfect synchronization. My right hand slides down your neck, reaches the first fastened button on the shirt, and slowly undoes the button. I kiss you more deeply, biting at your lower lip and sucking it into my mouth. My hand moves down the shirt to the next button. My fingers brush through your cleavage as they find the closure; I feel a strong stirring of arousal deep within my groin. Your skin is so soft and I can feel your breathing lifting and expanding your ribcage under the shirt. I kiss your chin, your cheek and even the tip of your nose as I undo the next button down. My lips never leave your skin as I bring them down to your neck. I unbutton the next button, and then the next. As I kiss my way along the top of your shoulder I can see your firm breasts moving up and down under the soft white oxford cloth. With the shirt open nearly all the way, I can even see your stomach and diaphragm lifting and falling further down. As I reach the penultimate button I stop, come back around in front of you, and offer my hand. I escort you up and take you to the bed.
The Eroica Trio begin to play the opening movement of Beethoven's Sixth Symphony. You lay back on the duvet, the shirt open to your navel, and I tell you once again to relax. This is all about you, I whisper. This is my turn to play and your turn to enjoy. I position a soft goose-down pillow under your head, move your arms out to the sides, and slowly brush stray strands of your hair from your face. I open the penultimate button. Your taut stomach is as smooth as the skin on your cheek. It slowly moves up and down in time to your breathing. I run my fingertips lightly up your torso β as lightly as I possibly can, just barely grazing your skin β from your navel up through your cleavage to the nape of your neck. My own breathing picks up. My eyes are locked on yours, unable to stray or leave your gaze. I slowly push one side of the shirt to the side so that it rests directly over your nipple. The result is almost coy, yet powerfully arousing. I open the other side in the same manner and then trail my finger back down to that final button still clinging to respectability. I delicately unbutton the button and draw the shirttail to the side. My gaze shifts to your scrupulously trimmed triangle of dark hair at the very delta of your mound. I want so very much to touch, but hold myself back. Patience, I tell myself, patience. Your body shifts slightly, revealing full lips between strong, supple thighs. Patience will be difficult.
I slide the palm of my hand back up your body and push the lapels of the shirt to either side. Your nipples are already hard, standing out nearly half an inch from your breasts like two erections. I move my hand over your entire breast, to the side and underneath, feeling the contrast in texture as my hand passes from your smooth skin to your hard nipple and then past. I note the subtle change in your expression as I slide over your nipple, so I retrace my path and smile at your show of pleasure. I take the very tip of my forefinger and lightly brush the tip of your nipple. I flick it gently back and forth, taking my own delight in the way it springs back. I press gently on it and hear a soft murmur escape your lips. Your pleasure is giving me pleasure as well; my cock grows hard as I continue to tease your nipple. Using two fingers, I roll your nipple around and gently pull on it, letting it snap back. I squeeze, and hearing you moan softly, squeeze harder. Your thighs press together, and I squeeze again, delighting in your response. I drag my fingers down the slope, between your breasts and up to the other nipple, where I repeat the same process. Each time I touch you and see your response I'm compelled to continue. I love your reaction, I love your pleasure, and I love arousing you.
The music changes again: "Adagio for Strings" by Samuel Barber comes on. The music is hauntingly harmonic, then discordant. My left hand continues to stimulate and arouse your nipple while my right hand starts slow, lazy circles down the center of your torso. When I reach your navel, I stop to trace concentric circles around and around, each getting larger then the previous one. My finger brushes through your short pubic hairs and I smile when I see your stomach contract slightly. I draw a very light line from the top edge of your hair up to your navel, and then re-trace it back down. This draws a low murmur from you. My left hand circles your nipple, pulls it up, and then releases it. I trace the line again, up and back, noting your same response. The next time I draw the line back down over your mound I don't stop when I reach your hair; my finger continues down between your thighs. Your lips are full, swollen, and slightly wet. I trace an exquisitely delicate line down over the top of your labia, down one side and back up the other, smiling as you spread your thighs apart a little more. I gently caress each side, touching the base, near your thigh, and then the tip. When I draw my finger directly up the center, I notice how your lips flare apart, as though asking for deeper penetration. When I reach the apex I see how your clitoris has grown erect and protrudes shyly from beneath its hood. I gently flick across the sensitive bud, increasing pressure minutely each time I go back and forth. Soft whispers escape your lips, urging me on. Patience, I remind myself. Using two fingers, I slide my fingertips back down the tops of your lips. On the way back up, I spread them wide apart, exposing your pink slit and erect clit. I reach the top again and press your lips together directly over your clit. Your response is immediate and satisfying: a moan that starts from deep within your body reaches the surface. I repeat the movement, spreading your lips wider and pressing harder at the top. On the next pass down between your thighs I spread your lips and then drag my middle finger directly down the middle.
When I reach your vaginal opening I stop to press my finger against the hole, pressing enough to fill the opening but not enough to penetrate. I release the pressure and hear a delicious sucking sound, feeling your muscles close around my finger. I press again and release with the same effect. I begin to methodically press and release, press and release, never penetrating inside but noticing how aroused it makes you. My finger is soon wet with your juices. I place my thumb down on your clit and apply pressure as I continue to press and release against your hole. My left hand never stops; I squeeze your nipple, pull it, extend it to its limit and then release it. It stays hard β harder than I can believe possible β and I ache to take it into my mouth, to suckle it, bite it, flick it with my tongue and hear your responses. My right hand moves faster against you, increasing in rhythm and pressure. My finger becomes soaked to the point of spilling over your lips and dribbling down the inside of your thigh. I hear your breathing quicken, feel your kegel muscles contract, and feel you press against my finger as I continue to rim you. You whisper for more, urge me to give you more of my finger. This, however, is merely the beginning; I am just getting started.
As the first strains of Bach's famous "Air on a G-String" begin, I slip my entire finger inside you. I can hear your breathing increase as I begin to slide my finger in and out. My own breathing quickens just watching my finger disappear and then re-appear, wet, warm, and sticky. My cock is hard and throbbing. My left hand massages your entire breast and flicks your nipple back and forth. Your thighs are beginning to tremble. I hear you urge me on, asking me to go faster and harder. My eyes are riveted to your sex. I finger fuck you harder, faster, deeper. Your lips β swollen, wet and flared wide open β drip with your juices. I want so badly to have you in every way. I want so much to replace my finger with my cock and feel your muscles grip my shaft. My finger pounds even harder, my palm slapping your lips each time I thrust in, my hand dripping each time my finger comes out. I ache to have you. I can feel your pussy closing around me.