I'd noticed her looking at me several times-often as we passed in the hallways and as we rode the elevators to and from classes where we were conservatory students. She was small--the top of her head barely came up to my chin, and I was only 5'11". But much more striking than her small stature were her eyes-- of a strange, mellow brown, suffused with a peculiar warm radiance--which seemed not only large for such a small girl, but aglow with a strange intensity that I had never seen in anyone before. I'm sure that it was those darkly luminous eyes that made me aware of her, and held my eyes in momentary embrace with hers.
There were lots of women in that small but prestigious institution who were better looking than this girl with the haunting eyes. She never wore clothes that emphasized her shape, and it was obvious that her endowments were modest, though still attractive. Nothing other than those eyes set her apart from other passing pairs and trios of quiet shy girls, nervously finding their way around the school, whose lists of distinguished alumni were intimidating, and through whose corridors there echoed intertwining flourishes of virtuoso music-making.
She had to be a first-year student, as everyone already knew everyone else. She carried a flute-- one of many who came to study with the great master here. She had to be one of the lesser lights, as everyone had already passed the word around about the freshman virtuosos, who quickly made themselves known in a school where talent reigned supreme. As a lesser light myself, I understood all too well the sense of shyness that one feels when you suddenly find yourself surrounded by musicians of world-class talent.
Having somehow survived the first year and its terrifying performance juries, I was a little more relaxed, but still far from bold enough to approach any of the super talents that I, like everyone else, was attracted to. (Women with such gifts have a natural attraction independent of their appearance; they radiate a brilliance that is dazzling in itself.) So my little brown-eyed girl took me by surprise, now that I had mustered enough self-confidence to look the female students in the eye. Here she was, making me uncomfortable with that look, and neither I nor any of the guys I hung around with even knew her name. She really must be somebody unusual!
Then one day, when I was checking my mail off the main corridor, she walked up and said. "Hi, Lou. I'm Elise" Her mouth curled into a mischievous grin as she recognized my unconcealable surprise, and to my unspoken question "How did you know who I am" she had a ready follow-on, "I've seen you in the halls and I asked some of my friends your name."
"Hmm, so much for shyness, " I thought, and fought back waves of stupid questions, whose answers were clear enough to anyone not so taken aback. Her quiet voice had, not a ring, but a kind of soft, slightly breathy resonance to it, like the flute itself in the low register, that joined her eyes in riveting me to the spot. To me it was pure sensuality. "Uh, yes, Elise, I've noticed you many times." ("True, but hardly good enough to make up for your not doing anything about it, you dope," I said to myself.) I finally managed to stammer out an invitation to the coffee shop next door, which she accepted, presumably having expected it with the same insouciance that greeted the rest of my predictable responses.
At any rate our conversation over coffee (this was a long time ago, when young people drank coffee) did nothing to break the invisible web that had encircled us. It was entangling me with stunning swiftness, and finally left me fully content to remain right there, where those eyes and that voice could play with my senses as long as the spell might last. She of course eventually did have to mention that she had other things to do, but we agreed that I would take her out to the local art film house on Saturday night. She seemed to have expected that invitation, as well.
When I met her in the foyer of the dorm Saturday night she was already bundled up against the Siberian climate that went along with admission to our famous school. We ran like a couple of Michelin tire men to my ancient hulk of a car whose only real virtue is that it would start no matter how cold it got. Elise unhesitatingly scooted right over next to me as I fumbled with gloves and keys to coax another of its miraculous starts from the elderly Pontiac. Well, I thought, either she needs what warmth I could offer her to stave off imminent death, or this is going to be a memorable evening. It was going to be memorable anyway, as this was the first date I had had since arriving from my native land, far-off Texas. Even there my Leporello would not even have had to time to clear his throat before his arioso listing this Don Giovanni's dates would have ended. Of conquests there were none at all.
Once inside the igloo of the theater, we began unswaddling ourselves. I lifted her coat off her shoulders (as was the custom in those antedeluvian times) and suddenly saw a good deal more of Elise than I would have thought possible on such a night. The dress was the basic little black thing, though not in those days hanging from spaghetti straps, but suspended from a cowl neckline that draped from shoulder to shoulder in a devastating catenary curve. The graceful complementary arc delimiting the (to me) stunning expanse of skin allowed a peek into the shadowed mystery of her back between her shoulder blades, as I stood transfixed behind this apparition. This wasn't the poet's ivory or marble or alabaster, but real, soft ever-so-slightly downy girl's skin. My gonads were already afire before I had time to realize it.
She turned around and caught me agape with those dark eyes. Though they were radiant from the heat of an invisible fire; her smile was well in the visible spectrum along with the rest of the bare skin that breathed above the mathematical perfection of the neckline. She had just the slightest gap between her smile-bared front teeth. I was so grateful for this tiny imperfection, as it allowed me to hold on to my sanity, and remember that this is Elise, a real girl. The perigee of the curve of the neckline also led my eyes to another gap-the gentle countours of the cleavage between her delectably small breasts. They rose and fell with the undulations of her flutist's deep drawn breaths, drawing my eyes along the slopes of their succulent curves and into the shadows of their darker sides. I'm sure I must have said something, but fortunately neither of us heard it.
We drank demi-tasse before the film-something quite noire from the French new wave. The surly black of the coffee set off dark eyes and dress and images from the film hanging about on wall-mounted black and white photographs. We two thorough un-sophisticates did our best to look as if we belonged in the art-film-savvy crowd, but all was overlaid with the images of her eyes, the slight figure sculpted in the black dress, the dress itself and the aforementioned skin. Her glowing gaze never left mine and seemed as if it would swallow me in as we stood there. The roar of the furnaces behind the eyeballs drowned out our perfunctory conversation.