This story was created as part of a writing challenge. The goal was to write a story with the title "The Set" using the following ten words: Charity, Harmony, Lavender, Painting, Remote, Ribbon, Skulk, Sky, Solace, Transform
Now on with the story.
* * *
I've always loved movies. When I was a kid, my dad and I would go to a matinee every Saturday. I would sit in the front row and let the movie fill my vision completely. I can still remember exiting the theater into the cruelly bright light of day and feeling buoyed by the two hours I passed in bliss. Sometimes I couldn't even remember what I'd seen, only that I had seen it, and it was wonderful.
When I turned twenty, I abandoned a community college liberal arts program and moved to Hollywood. I had no delusions of being a big name actor, director or screen writer; I just wanted to be there when the magic was made. I worked in restaurants with people who claimed to be actors and actresses. None of them ever made it on screen, but they auditioned which to them made them actors and somehow better than me.
While taking my tenth tour of Universal studios, I got separated from the tour group by a giant painting of Dracula's castle. It was a recreation of the backdrop used in Bela Lugosi's Dracula and it was passing between me and the rest of the tour group. By the time the workers had finished moving the set piece, the tour group was long gone.
This being my tenth time on the tour, I knew where they had gone, but I felt no desire to rejoin them. This was my opportunity to snoop around the studio. If was caught, I'd explain how I'd gotten separated and was just trying to find my way back to the tour group.
I skulked around for the entire afternoon, drifting from one sound stage to the next. When I got hungry, I grazed on the craft services that were set out for various movies. I watched them assemble sets, I watched actors warming up their voices, I watched directors rant, and starlets flounce off the set. I was in heaven.
The next day, I returned to the studio and filled out applications for every open position they had, anything to get back in on a more permanent basis. I worked as a grip, a carpenter, and was even the best boy on a low budget picture. Eventually I found a home as a prop manager; I was in charge of the set.
* * *
I was working on a movie that was a modern retelling of the classic "Metropolis." The modern version has the poor working class living on the surface of a desolate earth, and the rich wealthy class living in luxurious subterranean abodes. They were using green screens which allowed them to fill the background with scenes from a distant future. The few set pieces were thin plywood walls and the props that I set up under the careful scrutiny of the computer geeks and the director.
The film was halfway through production when I first met Lisa. Aside from a few very minor independent movies, she was a virtual unknown. An unknown who had landed the female lead in what was sure to be the biggest movie of the year.
I arrived on set early to get things ready for the day's shooting. Lisa was sitting at the table meticulously placed in the middle of a sea of green. Once in the movie, the table would be transformed to be a hundred feet long with two score of place settings. But today, it was family sized with only three place settings.
She sat in place, touching the silverware and the table, and I noticed that she seemed on the verge of tears. I walked towards her, but she didn't seem to realize I was there. I cleared my throat and said, "Excuse me, Miss?"
Turning slowly towards me, I could see that her eyes were puffy and her cheeks were pale. She seemed a bit startled, but unlike the other actors and actresses she recognized me. "I'm sorry, I didn't mean to disturb your set. I..." She turned away without finishing her thought.
She started to stand, but I placed a hand on her shoulder. "That's alright, Miss. You can sit there for a while, I have other things to get to. Besides, the director will probably make me change it when he gets here anyway."
She cracked a faint smile and said, "You don't have to call me 'Miss,' you make me feel like I'm on a plantation or something. Please just call me Lisa."
"Sorry Miss Lisa, it's just that so many of the actresses... Well, they don't like us getting uppity. Some of them even have it in their contracts, so I hear."
"And what have you heard about me?" she asked with a quirked eyebrow. She glanced at my work badge and added, "Sir Kent."
I took the mild rebuke with a shy grin. "Sorry Mi... Lisa. Force of habit." I thought for a moment about her question and said, "Mostly no one knows what to think. But I haven't heard a bad word from anyone yet." She thought about my answer, and I couldn't help blurting out, "by the way, I loved you in 'Sacristy!'"
"I didn't think anyone had actually seen that movie. How did you happen to see it?"
"Well, I am a big movie fan. I have been since I was little." I paused and added more softly, "They're magic."
Her eyes which had been clearing as our conversation distracted her, reverted into sadness. She picked up the spoon and held it between us. "This spoon is real, and I can use it to eat real food. In a few hours, I will move this spoon to my lips, and it will be just as empty as it is now. But when you watch this movie in the theater, the spoon will be full of eggs, or soup, or something no chef has ever imagined. That isn't magic, that's trickery." As she spoke her voice grew more caustic, and she emphasized her last point by slamming the spoon to the table.
"Then why do you make movies?" I blurted out.