I'm an Olympics enthusiast, at least the winter Olympics. I was like a pig in shit when I went to Lake Placid last summer with a group of friends that played on my recreational ice hockey team. I got to see where the Miracle On Ice was played in 1980 at the Olympic Center Arena and even got to skate on it for a half hour. I toured the Olympic Museum and the Training Center. However, despite my hockey background what I was most interested in seeing was the Olympic Jumping Complex. I could never believe that those crazy ass guys and gals would fly through the air like birds.
We got to the complex about an hour before expected closing leaving less time than I wanted, but the day had been hectic and I had to accommodate what my friends wanted to do. We quickly took a chair lift up past the kids' training areas to a first plateau. From there we took an elevator that seemed to be as tall as many NYC office buildings [actually it's twenty six stories, but old technology so it took as long as a seventy story elevator ride would have in a modern building]. When we got to the top the view was breathtaking.
The ninety meter jump was frightening enough; when I climbed to the top of the 120 meter jump I almost had vertigo. As I went back down to the 90 meter jump another large group arrived - including a redhead. "Looks like Jessica Chastain," I chuckled to myself. "Don't I wish," I sighed.
I sat at the lowest point near the 90 meter jump as my mind went over thousands of different things. Somehow being in this mesmerizing place caused my brain to take an inventory of my life; the good decisions, the bad events, my present circumstances, all seemed to sort themselves out, and then by some means meld together.
A powerful gust of wind brought me back to reality. I looked around and couldn't see anyone else. "What the hell?" I murmured. Then I looked at my watch. It was past closing time.
I jumped up, walked back up to the elevator entrance, and looked around. I pushed the call button, sure that I was alone, until I heard a feminine voice behind me "Don't leave without me."
I turned; there was the redhead I had gotten a fleeting look at earlier. "Shit she looks like Jessica Chastain," I chuckled to myself.
"I'm just hoping that we can leave at all," I replied with a smile.
We were wondering how we had gotten left behind and where our friends had taken off to - at least I was one of two drivers in my group so I could leave once we got down, but the redhead apparently had been left without transportation, apparently not missed by her much larger group.
After a few minutes the elevator door opened. When we rode up there was an operator; there wasn't one now.
"Where's the dude?" the redhead asked.
"Beats me," I said, sticking my arm against the safety bar to prevent the door from closing. "I can operate it though - there's nothing complicated about it," I assured her as I held the door for her to enter. Once we were both inside I operated the lever - really old technology - just like I saw the operator do, now more than an hour earlier. When we started moving the redhead chuckled "Maybe we won't be stranded after all."
I chuckled back. I had almost convinced myself that things were going all right when suddenly the elevator car came to an abrupt stop, almost knocking both of us over, accompanied by a screeching sound that seemed like it could almost perforate my eardrums.
"Eek," the redhead squealed covering her ears.
Once the sound ceased it was apparent that we were stuck, probably about halfway down.
"Bummer," I understated.
"Shit," the redhead exclaimed, then covered her mouth and chuckled "sorry."
"I've never heard that before - my virgin ears are now damaged more by your expletive than by the screech," I retorted trying to act serious.
It didn't fool her. "Yeah, right, doofus," she laughed.
"How do we get help," she continued, mirth gone from her tone.
"Let's try our cell phones," I suggested.
After five minutes of trying we both realized that inside this steel elevator within a concrete tower that we were not ever going to get reception. Fortunately, we had overlooked a land-line type phone under the operating lever.
"Maybe this will work," I optimistically said as I picked it up. There was no dial tone. The redhead, however, knelt down by the receiver receptacle and read off some instructions.
"I'll push the buttons," she ordered, "while you listen in."
Shortly there was ringing on the other end. "It's ringing!" I excitedly uttered.
My optimism turned to pessimism when there was no answer after the first twenty or thirty rings, but I held on. Finally someone answered: "Lake Placid Fire Department."
I gave the guy on the other end a synopsis of our situation. "That elevator should have been shut down a half hour ago," he grumbled.
"We're desperate; we need help," I pleaded.
"Hold on a minute," he retorted - like I had someplace else to go.
He came back on after ten or fifteen minutes. "A crew including elevator technicians, the Jumping Complex Administrator, and a couple of my guys are on the way. The estimate I have been given is that without complications it will take about two hours before they can get you out. We can't call you, but you can call on the phone in the car the same way you did this time and I can give you updates," he announced, with a tone that indicated that he wasn't too happy.
I reported the conversation to the redhead as soon as I hung up. Both of us sighed. "Since we're stuck we should introduce ourselves," I said. "I'm Sean Sterling," I continued, extending my hand.
"I'm Jessica Smith," she replied, but with an evil grin.
As I shook her hand I got a really good look at her for the first time; previously I hadn't wanted to be impolite and stare. "No you're not," I snickered. "You're Jessica Chastain."
"I get that a lot," she smirked, "probably because of my hair, but I'm better looking than she is."
I was still holding onto her hand. I finally let go. I pulled the day's Lake Placid Sun newspaper from my back pocket. "Listen, Jessica; admit to me who you are or I'll use the whole newspaper myself to sit on the dirty floor of this sardine can, and you'll have to stand or get disgustingly filthy."
We both grinned. I took half of the newspaper, laid it on the floor, and sat down. I waved the other half at her. "OK, doofus; I'm Jessica Chastain - happy?"
"Very," I chuckled as I handed her the other half. When she laid it out and sat down I continued "You know that you're my favorite actress."
"Bullshit," she laughed, "I'll bet that you say that to all of the actresses that you get stranded with."
"I can prove it."
"How?"
"By telling you everything there is to know about your best performance ever in 'Miss Sloane,'" I snickered.
"That movie bombed at the box office," she cringed. "It made only $10,000,000 worldwide and cost $13,000,000 to make. If you saw it you were probably only one of a few dozen people."
"I don't care what it did at the box office; I loved it, and the main reason was because you were so great in it; and the story was awesome too," I gushed.
After we bantered a while longer she asked "OK; if you're such an expert on Miss Sloane, what was your favorite scene?"
"Well, I'll tell the funniest part first. When your character is talking to her staff after accepting the job fighting the gun lobby she tells this story:
'A priest is giving a young nun a lift home from church one day... and as he's shifting gears, he rests his hand on the nun's knee... The young nun looks up at the priest and says: 'Father, remember Luke 14:10.'
The priest withdraws his hand, embarrassed. Next time they stop at a light, he places his hand a little higher up on her thigh. The nun says: 'Remember Luke 14:10, Father.'
The priest apologizes: 'The flesh is weak', he says... So he drops her off and when he gets home, he reaches for his Bible and he flips to Luke 14:10. Anyone know what it says?'" We both smiled when I paused before I continued.
"Then one of your staff asked 'What does it say?'" I persisted.