__________ 19 __________
...Esther Barnhart ...is unavailable; please leave a message after the tone...
"Good morning Esther, my name is Tim Donavon; I am the oldest son of Lovisa Donavon. As I'm sure you're aware ...we lost Mom a little over a year and a half ago. We have since settled her estate, and while going through her personal effects have found your phone number listed in several places. I believe Mom knew you through the Al-Anon family group - Come As You Are. I was hoping that my significant other and I could sit down with you sometime and perhaps talk about Mom; we will be in Seattle in the near future. There are still some questions we have surrounding her personal life and we are seeking all of the friends, which she held dear, that may be able to enlighten us. I can be reached at ..." I then gave my phone number and ended with the words Thank You.
-- Worth a try I guess, I thought to myself as I hung up the phone.
I set down the Al-Anon schedule, which was dated two thousand seventeen, and began looking at the photograph of the girl once more as I continued to towel myself dry. I was currently sitting at Mom's antique vanity, which I had given to Andrea when Mom's house had been demolished the year before. Sipping my coffee now, I studied the girl in the photograph. This was the one photo that made absolutely no sense to any of us, whatsoever.
The photo was odd to begin with because it had been taken at the very beginning of the roll of film or at the very end of the roll and was more or less a three quarter frame. Sometimes with nineteen sixties and earlier rolls of thirty five millimeter film, a photo that was taken at the very beginning of the roll or at the very end would appear, more or less, somewhere between the next conjoining frame of the film itself. This occurrence was rare and usually only happened at one end of the roll. It wasn't a double exposure, per say, but really more of an involuntary "crop." Such was the case with this photograph.
The photograph showed a considerable amount of amateur talent on the part of the photographer and the subject, alike. The girl in the picture was stunning and knew how to present herself for the camera. Obviously Rick Sheffield had taken the photo; the angle and lighting were perfect and captured the girl's best features all at once. Taken at a forty five degree angle of her rear side, the girl had her head tilted back and her left hand perched upon her hip as she looked into the camera from over her left shoulder with a very seductive expression. She wore tall Go-Go Boots with heels and sported black leather short pants with a tiger striped vest. None of us had really paid much attention to this particular photo and there were no annotations associated with the picture either.
"The Wild Card, again, Tim?" Andrea asked, wrapping herself in a towel and emerging from the bathroom and sitting next to me.
"...(sigh)... yeah, where the hell does she fit into the scheme of things, Andrea?" I asked for the millionth time, referring to the "wild card," as we had since dubbed the photo.
"I don't know, Tim, but she's got legs clear up to her ass, that's for sure. What do you think, twenty seven?" Andrea asked sipping the coffee that I had set out for her, upon the vanity.
"I would dial her in somewhere around there yes, twenty six or twenty seven years old, I think. She's Korean ...pretty girl." I said sipping my own coffee and admiring the long black hair.
"Let me see" Andrea said reaching for the photo and studying it with the magnifying glass then.
"Why is there, only, just this one photo of her? Who is she?" I asked frustrated.
"I don't know but she's modeled before, that's obvious ...she's also blitzed out of her mind in this photo" Andrea replied studying the girl's eyes.
"I've noticed that ...anyone who can remember the sixties - wasn't there, Andrea" I replied with finality.
"I wish we knew which Seattle night club that she's standing in front of" Andrea replied.
"It's probably long gone by now, honey. Maybe someone will eventually recognize the band in that poster, Andrea" I said referring to the paper advertisement in front of the girl with "SEATTLE" in bold block letters at the top. The band and club's names were both blocked by the girl, herself
"There were probably thousands of them printed, Tim" Andrea replied.
"Maybe it's not even a nightclub that she's standing in front of, maybe it was a coffee shop or who knows what else" I concurred.
"There's such a deep sadness within her eyes, I wonder why? She's such a pretty girl; it's tragic that she should be so deeply saddened. Andrea observed, looking closely at the girl's eyes with the magnifying glass.
"Yes, I wonder if Rick was working for her or if she was modeling for him, perhaps, like a photo contest or something." I replied.
"...No, I don't think it was a professional relationship of any kind, Tim. There's, what I would call, yearning in her eyes as well as trust and those are very hard to fake, even for a top model. The girl in this photo is preening but she's preening for the cameraman which we know was Rick. Maybe she was a girlfriend at one time, which makes the most sense to me when I look at this photo." Andrea said, looking up at me.
"Yes the camera work is definitely Rick Sheffield's, no doubt about it" I said looking over at the photo.
"Tim, did it ever occur to you that maybe Rick and Lovey just simply broke-up and ended their relationship and that maybe he's even still alive?" Andrea suddenly asked.
"No way, Andrea, Mom would never have kept the letter or the jewelry box in that case. Nor would she have buried the photos within her garden either, her garden was sacred, Andrea. The more I think about it, the more I believe that Mom must have been close to a nervous breakdown after Rick's loss which would explain why she buried the photographs in her garden to begin with. If it had been a break-up, Mom would simply have returned the photos or thrown them away" I replied.
"Yeah, that makes more sense ...Did you call Esther?" Andrea asked, setting the photo down and standing.
"Left a message" I replied.
"Honey, let's leave the photos here and forget about them, for now, OK" Andrea suggested.
"Yes" I replied, also standing.
"C'mere, love you" Andrea said as she kissed me.
"Love you too, honey" I replied, smiling.
Andrea and I proceeded to get dressed and then refilled our coffee cups. Sitting at the kitchen bar we each chewed on a cinnamon roll in silence then. I was excited about going to Lake Havasu with Andrea and Hans this morning, a little time playing with antique vehicles would be a nice change of pace for us. Andrea had her camera equipment ready to go and she was now dressed in her tomboy clothes, she wanted to YouTube our little adventure with Hans and his grandson Owen, whom we had yet to meet.
Brenda had been helping Andrea establish a YouTube page and the two were always discussing video ideas, techniques and various camera equipment. Brenda, Andrea had informed me, actually made money on YouTube. Apparently this was done through something called "The Partner Program" and involved the advertisement banners at the beginning of each video which Brenda selected to "Monetize." The man Rick Sheffield would have loved YouTube I suddenly thought as the doorbell rang.
"That should be Hans; I'll get the door, Tim. Finish your cinnamon roll, honey" Andrea said as I started to rise up off the bar stool.
"Good morning, Hans, come in and have some coffee and a cinnamon roll with us, please" I heard Andrea say.
"Mornin', Andrea, thank you that would be nice." Hans replied.
"Good morning Hans" I said turning my head as Hans walked into the room.
"Hey Tim, good morning" Hans said, pulling up a dining room chair and sitting to my right.
I reached over the counter and handed the plate of cinnamon rolls to Hans as Andrea poured him a cup of coffee.
"Should be a nice day to do some work" I said, glancing out the window.
"Owen is really excited about this project, Tim, and I've already shown him the photos of the cars you've built over the years" Hans elaborated.
"This one is a nineteen fifty Chevy short bed, Hans?" I asked, in reference to Owen's truck.
"Fifty one, yes short bed with corner windows." Hans replied with a mouth full of cinnamon roll.