It had begun on the plaza -- a small oasis of concrete, dwarf trees and benches tucked down in the steel and glass towers. On crisp autumn days the women of the towers descended to the plaza to munch sandwiches, talk about obtuse bosses, suburbs soccer, Sex in the City, and obtuse husbands.
Elise noticed the small woman one day in late October. She sat apart from the others sketching at a pad cradled in one arm.
From a distance she looked like a child -- a flower child from another generation with straight dark hair parted at the center and a long cotton dress of tiny faded flowers. The women at lunch glanced curiously at her, but mostly ignored her.
One day Elise approached her.
"May I look?"
The woman smiled with small child's teeth. Her eyes were large, piercing gray, the skin dusky. Elise thought of gypsies.
"Sure."
She turned the pad. The sketch was a caricature of the women -- exaggerated jaws and noses, hiked skirts, knotted calves, outrageous breasts, broad bottoms, mouths in motion. A gaggle of absurdity.
Elise laughed.
Another woman drifted over, looked, shrieked. Soon a crowd gathered. The giggles overpowered the rustle of dry fall leaves. Pigeons on a ledge fluttered away.
The next day the woman -- her name was Micah -- sketched again, slimming a blousy secretary, arching her horn-rimmed glasses into alluring cat-eyes, and turning a large mole on the woman's cheek into a heart. The secretary was delighted. Micah tore it from the pad and gave it to her.
On Wednesday she gave a skinny paralegal gentle swells of breasts and huge fawn eyes.
A receptionist wanted a sketch for her boyfriend Thursday, but a copy editor had promised one to her husband. A twenty five dollar tip from the editor settled the dispute.
By Monday the going rate was fifty dollars.
"I played right into your hands, didn't I?" Elise said seven days into the enterprise. She had begun sitting with Micah each day, watching the lines and smudges spring to life.
The child-woman laughed as she sketched a stringy platinum attorney.
"If it hadn't been you, it would have been someone else. Curiosity always gets the best of somebody. Do you want a commission?"
"Of course not. Do you make much money?"
"It helps pay the electric bill."
"Do you do anything besides caricatures?"
"Sure. Look straight ahead."
"Oh, please don't," Elise demurred.
"Don't be bashful. Straight ahead."
Micah shifted toward her and began to draw.
"I'd never do you in caraciture. You're too good a subject," she said.
"I doubt that. My chin's too weak -- and I hate my eyes."
"You're chin is fine and your eyes are great. Very unusual."
"You're kind. One side of my family is French, the other is Turkish. The result is --"
"Whore's eyes," Micah said and smiled.
Elise flinched.
"That's a compliment. Maybe erotic would be more politically correct," Micah said.
Elise laughed, but she felt a prickle of heat at her throat.
"Hold still," Micah ordered.
The heat on her throat deepened as Elise became self-conscious of the little woman's eyes on her. The breeze picked up, scattering brittle leaves across the plaza.
"Winter's coming," Elisa said.
Micah sketched in silence.
"I have to get back to the office."
"Okay," Micah said. She tore the page from the pad and held it for Micah to see.
"Oh, my!"
The figure was unmistakable A few lines captured the highlights in the dark blonde hair, the apples of the rising cheekbones, the small straight mouth, the large light brown eyes with the thick dark lashes and the straight slash of brows.
"Like?"
"Very much," Elise said.
A strong gust caught the page and tore it from Micah's hands.
"Shit!"
The little woman ran after it. Elise grabbed at the pad as it tumbled from the bench. The wind riffled at the pages. She caught it and looked down at a drawing beneath her fingers. Heat rose on her cheeks.
"I got it!" Micah yelled in the wind, holding the sketch tightly.
Elise turned the pad to her.
Micah looked at the page, shrugged and smiled with her little teeth.
Elise dropped the pad onto the bench and walked away.
"Don't you want your picture?" Micah called.