Pinning you down is my favorite part.
It's especially true when I telegraph that I'm going to do it. That I show you, tell you, that it's coming so that you can put up the biggest, best fight you have in you. So when your eyes narrow and your breath quickens and your muscles are bristling with all that extra strength and I sweep it away? Push you down into the position I want you in like you have no strength? That way you know that I own you. And we can call it whatever you'd like and we can pretend it doesn't happen, whatever it takes to soothe you, make you whole. Make you want it again.
But we both know the truth when I do it. As strong as you get, as smart as you are and as dedicated to the fight as you can beβthe moment I want to take you, I can.
So keep struggling, grunting, narrowing your eyes at me. I want that, too. I want to gaze into your fire with my perfect calm and demonstrate again that you're being taken. That you cannot clasp your legs together tight enough that I can't pry them apart. That you can't push your arms against mine to move them as I do.
You're mine.
Tonight is about what we are, who we are, to each other. And I am the monster that stands so tall above you that my shoulders are half your height. Whose hand is nearly the size of your face and could easily take the air from your mouth or neck despite every effort made to stop it.
I love you because you admit what others hide from. I love you because you'd deny every word of it to any other man or couple, any friend or relationship in your life, but as soon as you close our door you'll admit it's true. Even when infuriated. Even when defiant. I love you because you're the only girl I've met that isn't afraid.
My second favorite part is when you stop struggling. I never know if it's a feint or not, and that is alluring beyond my ability to state. Sometimes you run out of gas and others you're just looking for an opening.
So what's it going to be? Good girl or bad? I won't ask you to answer. I suspect you often don't know yourself.
I move my hands from your wrists and tilt my head as I look down, wondering what you'll do.
You simply breath heavily, eyes ignited, gazing up at me.
I rip your blouse open and it sends buttons off like rockets. You gasp and then narrow your eyes. "I liked that shirt..."
Why else would I do it?
I lean down to kiss and lick your stomach, to take a little of it between my teeth and clamp down. I want to hear you acknowledge me and sing my praises through the moans, the gasps. It's only when I feel your hand on the back of my neck that I know you're going to be a very good girl tonight and I am grateful for it. I love when you submit. It makes me up my game-anyone can dominate an opponent. It's a bit harder when they're playing along.
A quick jerk back, two hands on your hips and I flip you over to deliver a swat to your ass-I can never resist-and I pull the blouse off you. It tears, here and there, but it was already acknowledged in past tense.
I strip you down.
"You can't just do this when you like." You say it with your head still buried in the mattress. "What if I had a bad day at work? What if I wasn't in the mood?"
Which I assume is trying to draw me out of the moment because as much as you want this, you love making me concede even more. There isn't anything you could say though. I'm as much yours as you are mine. I am tied to this outcome with all my being. I need you to cum for me. I require it.
When the last of your clothing is off I push two fingers into your cunt without pretext or warning. If you aren't wet now then what are we even doing together?
I slide in with some ease, some groaning on your part.
"You're hurting me."
You start to say something else but the blood is rushing to my ears and I can't hear you, like I'm deep underwater. Sometimes your pussy does that to me, and just knowing that you're wet makes the drumbeat louder.
So I turn you over again and I push my lips against yours. The only difference between this kiss and strangling you is which part of my body I'm using. You go limp beneath me. I'm a verbal person by nature and so I hope you take it as the compliment it is that I refuse to speak to you in this.
That instead of telling you what I want I wrap my wrists around yours and pull you, pin you again the wall. I guide your hands above your head, your body a foot from the wall, like you're under arrest. Then I stroke you, run my hands over, you, cup your breasts and your neck.
I take special pains to play with the parts that I sometimes neglect. I run my knuckles down your spine. I stoke the side of your neck. I hold your hips in my hands to show you just how much bigger I am than you.
Then I spin you around and slam you against the wall to make you gasp for me. When you reach for my cock I slap the hand away.