I walk up to the door retrieving my key from beneath my left breast. My fingertips like ice from the December air cut a chilling path along my skin. Nothing in this world ever feels as solid as this particular key. I break out in goose flesh as I place the key in the lock. My breath catches as I set my bag down in the snow.
It is the same every time. Key in the door, but do not turn the lock, place the bag on the ground next to me. Take down my hair and place the clips in the bag, then my jewelry. Watch first, wedding ring, bracelet, ear rings, and necklace, always in this order. Next comes my jacket, my blouse, my skirt, and I'm left in my underclothes standing in heels in the snow, on the front stoop of his house.
My master's rainbow has four colors, today's color is pink. Pink is the color of innocence. My bra is chaste, cotton of this hue with a delicate lace trim, as are the partnering cotton briefs and thigh high stockings. I am to change my shoes, heels aren't allowed today, patent leather flats will do. The steam from my skin fades as the weather steals the heat from my flesh.
Finished changing now, I stand, arms at my sides, the count is one hundred and twenty. Slowly I am to mouth the names of the numbers as I think them, a count down and zero matters. I am not allowed to react to the weather, although a desperate need to rub my arms with my hands is distracting. My nails are biting into my palms by the time I reach seventy five, I take a deep breath to calm myself into keeping the pace. By forty five my nipples harden to pebbles and the soft cotton of my bra feels like rough concrete against them. I fight to keep my jaw from chattering, the last ten are always the hardest, and at zero I am to take three deep breaths before reaching for the key in the door to turn the lock.
The harsh clicks of the tumblers followed by the hiss of the air being pulled through the opening door are sounds that, even in memories, quicken my pulse and send blood surging through my labia. I step in, leaving my things on the stoop for the duration, leaving that world in the cold as I am baptized in the wash of warm air that welcomes me, once more, to this place.
The laws state that I must step only on the black tiles to move through the hall. There are no electric lights here only a series of six foot candelabras placed every five feet or so to light the path. The third door on the left is the finishing room; before I enter I have to kneel, knees spread, at the threshold. The count is only thirty here, but I must place my right palm against my pussy and my left must twist behind my back and lay with fingers flat, first and pinky placed to touch each shoulder blade. These laws are in place whatever the color; it is always the same with this. I've grown to love the pull in my bicep as it stretches.
Entering the room and taking my place at the vanity I use the silver handled brush on the table. This too has a count, one hundred. Because today is pink I must use those hundred strokes to part my hair into low pig-tails and have them tied off with the fluffy hair ties he has set in my box. Pink isn't allowed make up, I use the removing wipes provided. I must now stare into the mirror and watch myself say aloud, "I am unworthy of my master's gifts, and he forgives me for asking." I must say this 5 times, before I move to the costuming rack. He has chosen for me a simple dress, a white jersey baby doll with large pink balloons. As always the dress is too small, it doesn't matter, slipping it on I imagine the cold metal of the scissors against my skin as he splits the fabric against the blades.
Finished changing, again I must kneel at the threshold, once more my knees are open, this time my hands must find my ankles, I am to remain this way until I hear his voice on the PA one word will caress my ears 'continue'.
My thighs begin to throb, my knees to ache. Shoulders stretched to feel like they will separate me at the breastbone, I must also keep my head thrown back, neck presented, soon that, too, will show me it's delicious pain.
In all this time I have never understood how Master knows just when to call to me. I find myself pondering this each time as I wait. I remain as still as stone, my mind begging for his voice, eyes locked at the camera lens in the corner above and behind me. My pigtails brush my calves lightly, as they swing in time with my pulse. There is a small rush that comes through my soul, like one moment of fear. I know it does not show physically, but somehow he can sense it.
"Continue." His voice is like velvet in my ears, deep round tones with a hint of salt. His accent speaks to me of subways and steaming grates, I've never seen. The small hairs all over my body stand at attention at the sound of it, my pussy moistens. Slowly, I am to drop my bottom to the floor, without releasing my ankles I must bring my breasts, also, the marble .As I place my shoulders and left cheek, against the cold stone, crossing my ankles as I release them, I bring my wrists together behind my back and let them rest.
Soon I will see The Shoes. Soundless on soft soles, they come in, two pairs of plain black loafers, men's. As always I find myself wishing I could tell shoe sizes, for any other seed of information, because within moments I am blindfolded. At the same time I feel the leather lace between my wrists and ankles. Next will be the lifting, a set of hands at my shoulders, another at my hips, with a single movement I am shifted. I have no idea what The Shoes place me on. Something smooth, warm, and flat, I imagine a serving trey, myself being delivered for him to devour.
In the darkness behind my blindfold I wait. My skin, on fire from want of sensation, picks up the even slightest movement in the air as I am carried. The feeling of floating both relaxes and excites me, because I know what is to come. I feel myself lowering, but softly, I know we must be moving downstairs, although try as I might I have never been able to feel the steps. It is so much more like traveling down a river than being carried; the movements are so smooth. As always I find myself wondering about The Shoes, and how it is they move this way, I imagine them as dancers.
I am set down. My only clue to this is the absence of movement. In a few moments I will again be lifted, my wrists and ankles then unbound, temporarily, as I am repositioned. They bring me to a chair of some sort and redo my binds lashing my arms at the wrists, forearms, and biceps. My legs are opened, and lashed at the ankle, calf and thigh. The leather pulled just tight enough to bite into my skin. My head is pulled back; a single tie running across my forehead completes my immobility.
The Shoes are no longer moving near me, I only know this from experience, but they are still here, silent witnesses to my master's pleasures. I sit, blind, waiting, never knowing how long it will be. My nipples harden, my breath grows shallow, and I again feel the small hairs all over me stand. Master knows the large part of my addiction is the anticipation; he pays me respect in this with the laws that bring me to him.
In the darkness behind my blindfold, I dream his face. The clean chestnut brown of his eyes, and the piercing way he uses them to rip into me. The soft look of his full lips contrasting with the hard words he forms with them. The relative smallness of his ears coupled with the intense way he listens. In my world of blackness my covered eyes release a single tear. The only thing I hate about pink is that innocence means I will not see him. This thought brings an exquisite stab into my heart.
Before that pain fades I hear his voice against my left ear, so close his lips brush the outer ridge. "Innocence" one word, but his tongue pulls on the consonants making it three, with a deep hiss trailing behind them. The very same moment his hands come to my breasts from behind cupping them, pressing me against the back of the chair, and disappearing just as suddenly.