Chapter 15: Allessandro Fernasse
It's the middle of the night before La Contessa's gondola weaves its way through the torch-lit canals back to her palace. I'm exhausted, and I've only been an observer. Becky, the slave girl, must be aching all over after the attention she's received. Yet, I know from my own experience of La Contessa's domination that this extreme fatigue produces a euphoric feeling. She did well, and La Contessa is delighted with her performance, commenting on how good it is to have a girl slave who truly understands the meaning of submission. I can't wait to relate the exploits to Julia, as I usually describe the scenes La Contessa creates to her in great detail... and there's plenty to tell her about the night!
But it's a few days later when we get a chance to meet up. She comes to my room to inform me La Contessa will need me in her private sitting room later in the day. I'm ready to tell Julia about the torture of the Syrian merchant, and Il Padrino, but she's in an uncharacteristically strange mood. At the mere mention of Becky, she fires back an acerbic response.
"Yes, it's all I've heard from my mistress over the last couple of days. How perfectly submissive Becky is, how well she took her punishment, how lovely she is. I'm sick of hearing about her. And did you enjoy fucking her, Roberto?"
I pause to let the last comment sink in. Surely it must be a misunderstanding?
"But Julia, I only assisted La Contessa. I never joined in any of the play, and I never fucked Becky."
"That's not what La Contessa says. She's described in graphic detail how she let you take Becky whilst she was tied onto the rack, and the pleasure you got from it."
I'm confused now, and I can only think La Contessa is playing a game with Julia.
"I promise you, Julia. I didn't fuck the girl. Your mistress is messing with you. You've said yourself how manipulative she can be."
This remark causes her to reflect and temper her rage.
"Well, I don't know what to think," she mumbles.
"I didn't, but besides," I add, "if mistress ordered me to fuck her, I would have. You know that, Julia, it's what I'm here for. I'd have carried out her instructions to the letter. You explained this from the start."
"Yes, yes. I know, you're right Roberto. It's just that... since she's come to the palazzo all I hear about from La Contessa is her slave girl. She's so beautiful, she's so lovely... she's never called me these things in all my years of service. Do you think Becky's so pretty?"
I grasp Julia by the shoulders. I choose my words carefully.
"Yes, she may be Julia. I'd be lying if I said she wasn't attractive. But that's not the point. She's not as beautiful as you Julia and, believe me, I feel nothing for her. She's La Contessa's slave girl. Nothing more. And do you really expect La Contessa to praise you all the time. After all, Julia, you're her maid."
As soon as the words spill out, I know I've said the wrong thing. I see tears welling up in her eyes.
"I'm only a maid am I? You think that's all I am to her?"
Shit. I don't know how to respond. The honest answer, harsh as it may be, is yes. Whatever rapport they may have built up over the years, Julia's role will always be to serve La Contessa. What else can I say? I've seen the intimacy of the relationship she has with her mistress at first hand, but it's still one of mistress and servant... what more can Julia expect from it? What strikes me about this exchange is how jealous Julia is of Becky. Her presence seems to have exposed Julia's doubts... about her relationship with La Contessa, about me, and about her place in the household. I take her into my arms and console her.
"I can't guess why La Contessa wants to give the impression there might be something between me and Becky, but I promise you it's not true. I love you, Julia. Becky means nothing to me. I want you and wish you had time to stay with me now so we can make love."
I pull out a handkerchief and gently wipe the tears from Julia's eyes.
"Yes, I know you're right. I know my mistress plays mind games with people, but she's never done it with me before, not in such a hurtful way. It's upset me that she would treat me that way."
"Well, I know it's no consolation, but she treats everybody else the same," I say trying to make light of it. "Perhaps you shouldn't take it too much to heart, Julia."
"Anyway, I've got to be going. We'll meet up as soon as I can. And don't forget, madam's sitting room at 4pm. And naked, naturally!"
I have a few domestic chores to complete and the rest of the day goes quickly until I have to make my rendezvous with La Contessa. I knock on the door, and she invites me to enter.
I take in the scene before me. Given my recent conversation, the first thing to strike me is the presence of both Julia and Becky, the latter standing with her arms behind her back next to the chair where La Contessa sits. She's dressed plainly and modestly in a simple knee length cotton chemise buttoned all the way down the front with a leather belt around her waist. Well, I say modestly. You can see the outline of her nipples protruding from the material. She looks every bit the obedient submissive. She does, it must be said, look lovely. With each week serving at the palazzo she looks more and more ravishing. Her hair, a natural and striking blonde, so distinctive to see in Venice, is thick and rich. She has put on a bit of weight since being rescued from the hands of the Syrian merchant, but it's no bad thing as it's enhanced the voluptuousness of her curves. Julia, looking pensive, is serving La Contessa and her guest coffee from a silver pot engraved with naked nymphs.
La Contessa gestures for me to take up a position at the opposite side of her from Becky.
She's dressed formally, in her wig, a rich embroidered gown, and as much make-up as I've seen her wear. She's dressed to impress, and when I see her guest, I understand why. His gown is grand, its hood lined with ermine. But it's the cane, capped with a silver winged lion, which provides the vital clue for me. Nobody would openly carry such an iconic symbol if they were not part of Venice's ruling elite. The ensuing conversation confirms my suspicions.
"May I speak frankly to you, Contessa?"
"Yes, these are my servants. I trust them not to allow any report of our conversation to go beyond this room. They know the severity of the punishment if they do."
"This is a delicate matter, Contessa. As you know the trade through Venice of late has declined, and the Doge and Council of Ten are, let me be frank, in straightened circumstances."
"Allessandro Fernasse, I'm perfectly aware the interest on my loans to the Doge is due for payment in a matter of days. No doubt you've been sent here to crawl on behalf of the Council of Ten to renegotiate the interest payments. And, knowing the perverse lecher you are, I don't doubt you'd also like to avail yourself of the entertainments I offer. You will see I have acquired a new slave and slave girl since you were last here. The girl is especially delicious don't you think... and very willing."
The corpulent representative of the Council of Ten squirms uncomfortably in his seat, sweat dripping from his forehead. I'm intrigued by this exchange. It explains a lot. Venice is a place where money rules. This must be the hold La Contessa has over the ruling elite of the city, making her untouchable in whatever she does.
"Yes, Contessa, on behalf of the Council I'm here to ask for a rescheduling of our debts."
La Contessa raises an eyebrow, "Ask? You mean beg, surely."
"Well, to discuss what mutually beneficial arrangements we might come to," splutters Fernasse.
"Ha! You mean beg. And yes, I will make you beg! Get out of the chair onto your knees and crawl towards me."
"But, Contessa, is it your intention to humiliate me?"
"Yes, indeed it is. Do as I say and get on your knees or there will be no negotiation. I will simply insist on the repayment of my loan. You know the consequences."
Offered no alternative, Fernasse heaves his body out of the chair and gets down on his knees. He crawls the short distance to where La Contessa sits, her hand outstretched ready for him. He takes it in his hand and kisses it. There is a pause.
"Yes?" prompts La Contessa.
"Contessa, I beg you on behalf of the Doge and the Council of Ten to extend the period of your loan to the city for six months. We are expecting a fleet of merchant ships to arrive from the Far East by then with goods we can trade. I beg you to grant us this favour."
"That's better. And tell the Doge, next time he wants to reschedule his debts, he must come himself, and I will make him get down on his knees and crawl. I am minded to agree to an extension but I do have further conditions; a few trifles to satisfy my whims."
"Yes, Contessa; let me know what they are. I'm confident we will be able to accommodate them," said Fernasse, still on his knees.
"The first stipulation is that, on the final day of Carnevale, I will expect my barge to lead the procession along the Grand Canal, and for the ball to be held in my palazzo."
"Why yes, Contessa, we would be honoured for you to host the Carnevale's masked ball," he says, relieved at the relative modesty of the request.
"Then there is the question of the travelling theatre troupe, the Gelossi. Their plays are lewd, and they have a rather good line in political satire too. They amuse me, and it would give me great pleasure to see their work performed in Venice. It appears they are having difficulties obtaining a licence. I trust this is a matter you can smooth over for them."
"Well, possibly Contessa." Fernasse replies with obvious discomfort. "Though the Doge may object to this stipulation as this theatre troupe are known for their bitter attacks on him and the Council of Ten. Their satire ferments discontent in the city."
La Contessa's eyes flash with anger. She leans down and lifts Fernasse's chin up with her finger so she can stare, unflinching, into his eyes. He tries to avert her gaze, but she grips his chin in her hand.
"So, Allessandro, are you not entrusted to negotiate on the Doge's behalf?"
"Yes, madam."
"Is it not clear to you what will happen if you do not accede? It amuses me that this theatre troupe ridicules the rulers of Venice, and I will have my way. I am sure you understand."
"Yes, Contessa."
"So, I can take it the matter is settled then."
"Yes, Contessa."