πŸ“š becoming mistress: Part 6 of 8
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ADULT BDSM

Becoming Mistress Ch 6

Becoming Mistress Ch 6

by staci_lefevre
15 min read
3.73 (834 views)
adultfiction
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A Drawer I Wasn't Supposed to Open

It was called The Joy of Sex.

And it changed everything.

I wasn't snooping.

Not really.

I was looking for something practical--a pack of playing cards, or maybe Scotch tape. I opened the wrong drawer in a side table no one ever used, and that's where I saw it.

There was lint. A cracked cassette tape. A photo album with corners chewed soft. And resting beneath it, a soft-covered book with no dust jacket and a title that didn't try to be clever.

The Joy of Sex.

No hearts.

No lipstick font.

No pink.

Just a bearded man in an illustration that wasn't pornographic--but wasn't innocent either. And a woman beside him, half-turned, her eyes closed, lips parted, head tilted--not afraid. Not modest. Not giggling.

Just... there.

The book didn't hide what it was.

And neither did I.

I didn't gasp.

I didn't hesitate.

I picked it up like it was a textbook and sat cross-legged on the floor, like I was preparing for an exam I intended to ace.

Not a Joke, Not a Warning

The cover was cool under my fingers. Thicker than a paperback. Worn soft at the edges from use. Someone--one of my parents, presumably--had held this book many times. And that should have made me freeze.

But it didn't.

By then, I'd already read more than most girls my age. I'd studied longing in fiction, memorized tension in dialogue, highlighted confessions in the margins of books never meant for children. I'd read with reverence, with curiosity, with desire so quiet it barely breathed.

But this?

This was something else.

This wasn't hint.

This wasn't symbol.

This wasn't poetry.

This was instruction.

And from the first page, it was clear: I was being taken seriously.

The text didn't talk down.

It didn't warn me about danger.

It didn't try to scare me into chastity or dress arousal in metaphor.

It didn't even assume I was male.

It assumed I was human.

Sex as Design, Not Drama

Every page was an education.

Anal sex--really?

Bondage.

Blindfolds.

Mutual masturbation.

Slow masturbation.

Foreplay not as prelude--but as practice.

There were drawings, yes. But they weren't lewd. They were almost tender. Skin shaded like watercolor. Hands in motion. Bodies in positions that looked intimate, not acrobatic.

And I didn't blush.

I read.

And kept reading.

And did not stop.

Because this wasn't about titillation.

It was about truth.

This book wasn't just about sex--it was about being. It spoke in calm, confident sentences. It never once apologized. It simply offered:

Here.

Here's what pleasure looks like.

Here's what your body can do.

Here's what two people might choose together.

And I remember exactly how still I became.

Not frozen--absorbing.

Like my entire body was trying to download everything it could before someone came looking.

I hadn't even kissed anyone. I was maybe twelve. But that day, sitting on the carpet with the door cracked and the hallway silent, I read that book like I'd been waiting my whole life for someone to finally just tell me the truth.

What No One Else Had Given Me

I didn't know it then, but this was the first time I was being offered information without agenda.

No warnings.

No punishments.

No jokes.

Just... knowledge.

It didn't tell me what not to do.

It told me what was possible.

It didn't assume I was stupid.

Or scared.

Or in need of protection.

It assumed I was already someone who had a right to know what her body was capable of.

There was no talk of virginity as a prize.

No lines about saving myself.

No fear-based lists of what could go wrong.

Instead, it told me how to enjoy sex.

How to approach it with respect.

How to engage it with intent.

It broke everything down: techniques, positions, preferences, variations. Some parts were surprisingly clinical--terms I'd never heard aloud, let alone in polite company. Other parts read like poetry.

A paragraph on the curve of a neck.

An ode to slowness.

A diagram labeled the erotic zones of the inner thigh--not as anatomy, but as invitation.

And I didn't feel embarrassed.

I felt capable.

I was too young to understand most of it.

But I understood enough.

Enough to feel that this wasn't a joke.

This was a language.

And I was already fluent in the alphabet.

The Stillness That Spoke to Me

It made me feel known.

Not watched. Not evaluated.

Seen.

The book didn't ask me to be sexy.

It asked me to be present.

It didn't assume I'd one day be passive.

It suggested I could be creative. Curious. Honest. Bold.

It was the first text I ever read that made sex sound like art--not performance.

There were pages I returned to more than others. Not the most graphic ones, but the ones that gave shape to things I had already begun to feel. The ones about teasing. Restraint. Rhythm.

The ones that hinted--without fanfare--that withholding could be a kind of gift.

I didn't yet know the words dominance or control. But the sensation?

That I already recognized.

Equal, Intentional, Erotic

The passage on mutual masturbation stopped me.

Not because it was shocking.

But because it was equal.

There was no hierarchy.

No choreography designed to please one person while the other played assistant.

It was shared.

Active.

Intentional.

And then the section on bondage.

It wasn't long. Just a few pages. A drawing of a woman with her wrists tied. Another with a partner blindfolded. But it wasn't presented as novelty or taboo.

It was presented as practice.

Not what people do when they're perverted.

What people do when they trust each other.

When they want more than just friction.

When they want experience.

That stunned me.

Not because it was risquΓ©.

But because it was respectful.

It didn't say, "Some people are into this."

It said, "This is one of the ways people love."

And that stayed with me.

Because even then, before I'd been kissed, before anyone had looked at me in that way, I already knew:

When it was my turn, I didn't want to be small.

I didn't want to be the girl who asked for permission.

I wanted to be the one who understood what was happening--before it began.

And this book?

This book made me feel like that was possible.

A Page That Took My Breath

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I didn't rush.

I turned the pages like they might dissolve in my hands if I moved too fast.

Every few paragraphs, I'd pause.

Not because I was confused--

Because I was feeling something.

Something I didn't yet have words for.

But recognized as truth.

There was one page that made me freeze.

A small illustration--simple, almost delicate.

A woman, naked, her arms bound behind her back.

No whip.

No screams.

Just--restraint.

Her face wasn't fearful.

It was calm.

Certain.

Like this wasn't punishment.

Like it was something she'd asked for.

Like she knew something I didn't yet know.

And my breath caught.

Not because I was shocked.

Because I understood her.

Not her body.

Not her submission.

Her stillness.

It was the first time I saw an image of bondage that didn't look violent or silly.

It looked like trust.

And that trust had power in it--

Raw.

Silent.

Enormous.

I stared at the drawing until my eyes hurt.

I ran my fingers over the edge of the page.

Then I turned it like I was closing a curtain.

But I came back later. That night. The next day.

Always careful.

Always quiet.

But always returning.

Like a prayer I didn't need to say out loud.

Rhythm Was Already in My Body

There was another passage that made me ache.

It was about rhythm.

The text called it "sexual pacing."

How partners could learn each other's tempo.

How to stay attuned not just to reaction, but to response.

It described how too much, too fast, can feel invasive.

How too slow can feel like indifference.

And how the best kind of pleasure lives in the tease.

The language wasn't clinical.

It was intimate.

As if the author had personally watched a hundred couples and learned what happened in that one extra beat--

The hover.

The delay.

The touch that almost landed.

I read it and pressed my thighs together--

Not out of lust,

But alignment.

That rhythm?

I already knew it.

I had never touched another person like that.

But I had moved through rooms like that.

Held eye contact like that.

Delayed my response--on purpose--just to feel the silence hum.

That passage didn't teach me something new.

It told me: You've been doing this all along.

Arousal Without Chaos

Then came the section I kept returning to. Like ritual.

It was so gentle.

Just two people. Side by side.

Watching.

Touching.

Learning the exact pace, the precise pressure, of another body.

No shame.

No comedy.

It was framed as education.

As presence.

As one of the most honest ways to share desire.

And I remember thinking: That's what I want.

Not friction.

Not chaos.

Not "giving it up" or "going all the way."

But exchange.

Attention.

A body being worshipped by being understood.

It made me believe I wasn't weird for wanting intensity without frenzy.

For imagining slowness as more erotic than thrusting.

For craving control--not just over myself, but over the tempo of someone else's pleasure.

And maybe--someday--

For wanting someone to wait for me.

To ask before touching.

To watch my eyes instead of my breasts.

To follow my instructions before I ever spoke them.

That section made me feel powerful.

Not in the world yet.

But in myself.

Like I could take that idea--this erotic choreography--

And one day, set it in motion.

Pleasure, Built Like Architecture

Page after page, the book taught me something I already suspected:

That pleasure, for me, would never be passive.

It would be constructed.

Built with care.

Carried out with precision.

Experienced with full knowledge of what I was doing--

And what I was commanding.

After that day, I didn't move through the world quite the same.

I wasn't strutting.

I wasn't flaunting.

No one would've looked at me and said, She knows things.

But I did.

I carried the weight of that book like a secret crown.

Invisible.

Quiet.

Undeniable.

I moved slower.

Not with hesitation.

With intention.

I listened to my body differently.

My shoulders sat differently when I spoke.

My spine lengthened when I sat.

Not stiff.

Composed.

As if I'd been seen by someone important--

Even if no one in the room had noticed yet.

Watching the World Through a Different Lens

At school, I started watching the way people touched each other.

Casually. Thoughtlessly.

A hand on a shoulder.

A nudge with a pencil.

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A brush of hair behind an ear.

I wasn't interested in the gossip.

I was watching for precision.

For intimacy that wasn't loud.

For permission that wasn't verbal.

And every so often, I would imagine myself--

Not as the one being touched.

But the one allowing it.

Or not.

Writing My Vocabulary of Power

I started using words differently.

Not out loud.

On paper.

A small notebook, hidden between textbooks.

In it, I copied phrases from The Joy of Sex.

Not the technical ones.

The charged ones.

"Patience."

"Invitation."

"Mutual arousal."

"Held attention."

"Trust built in layers."

I wrote them slowly, like calligraphy.

Not for anyone else.

Just to feel their texture become mine.

I didn't fantasize yet--not the way I would later.

There were no full scenes.

No seductions.

No climaxes.

What I had instead were postures.

Vignettes.

A room.

A look.

A command given in silence.

I imagined walking into a room where someone waited for me--

Not to seduce me.

Not to surprise me.

But because I had asked them to wait.

Because I had allowed them to want.

Those were my fantasies.

Not kisses.

Compliance.

I Wasn't Even Thirteen

I wasn't even thirteen.

But I was already building the architecture of my future confidence--

And I didn't even know it yet.

There was one day, a few weeks after I'd found the book, that a boy stared at me during lunch.

Not in a cruel way.

Not even in a romantic way.

Just... watching.

Like I confused him.

Like there was something about me he couldn't name.

And instead of feeling nervous, I felt amused.

Because I had read things he hadn't.

I had felt things he hadn't.

I had a vocabulary he didn't even know existed.

He didn't know I'd seen a drawing of someone being blindfolded with silk.

That I understood how affection could be paced--on purpose--for connection.

That I knew the difference between physicality and presence.

He didn't know what I knew.

And that made me smile.

Knowledge That Becomes Direction

There's a moment when knowing becomes direction.

When everything you've read, everything you've absorbed, stops being curiosity--

And starts becoming identity.

That's what happened after The Joy of Sex.

It wasn't just a book I read.

It was a curriculum I absorbed.

And I didn't feel rebellious for reading it.

I felt prepared.

It gave me a way to think about intimacy that had nothing to do with pressure.

Nothing to do with shame.

And everything to do with structure.

It gave me a map.

Of what could be offered.

Of what could be requested.

Of what could be shared.

The Talk Came Too Late

So when my mother finally sat me down months later for The Talk--

Voice serious, hands folded, words lined up like a warning label--

I already knew she was too late.

She told me boys only want one thing.

That I should wait.

That I shouldn't make mistakes.

That I needed to make "good choices."

She spoke like someone reciting a script.

And I nodded.

Smiled.

Thanked her.

But inside?

Inside, I thought: If she only knew.

I didn't roll my eyes.

I didn't judge her.

I pitied her, a little.

Because what she gave me wasn't wrong.

It was just so... small.

And I had already held something much bigger.

By then, I already knew the language of possibility.

Of choice.

Of mutuality.

I knew that closeness didn't have to mean loss of control.

That care could be expressed through attentiveness, not expectation.

That agency could live in silence as much as in speech.

And more than that?

I didn't want to be someone who waited to be picked.

I wanted to be the one who chose.

The Doorway to Myself

It was the first time I ever felt a longing for confidence that wasn't about defiance.

It was about precision.

About knowing.

About walking into an experience with my eyes open and my voice steady.

And that feeling never left me.

I didn't have to act on it.

Not yet.

It was enough to carry it.

To hold it close.

To let it shape the way I moved, the way I listened, the way I waited.

Because I wasn't just curious anymore.

I was getting ready.

For something more.

For the life I would choose.

And years later, I would meet other women who had read that same book in the quiet of their bedrooms--

Backs against closet doors, lights low, hearts beating slow and sharp.

And we all said the same thing:

It wasn't shameful.

It was instructional.

It was revolutionary.

So yes. It was a book.

But it was also the first doorway I ever walked through.

And on the other side?

Was the woman I would become.

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