The First Woman I Wanted to Become
I wasn't supposed to want to be her.
Not in the way I did.
Other girls wanted to be princesses. Actresses. Maybe dancers. Pretty things that glowed and waited to be noticed. They talked about weddings, about being chosen. Their daydreams were filled with horses and gowns and someone arriving to hand them a story.
Mine were... different.
I didn't want to be saved.
I wanted to be right.
I wanted to be the one who already knew what was behind the door. Who had the plan. Who let the man talk--then handed him the exact thing he needed before he even realized he'd forgotten it.
I wanted stillness, not chaos.
Command, not noise.
Cool, clean control.
And the first time I saw Agent 99, something in me snapped into place.
Her Silence Was Louder Than His Voice
I didn't have words for it then. But my body understood. My breath slowed. My shoulders pulled back. I went quiet--not because I was told to, but because I didn't want to miss a single flicker of her.
She wasn't loud.
She wasn't wild.
She wasn't dripping in diamonds or slapping men across the face.
She was calm.
Cool.
Unshakeably competent.
She moved through the world like it was already hers.
While everyone else watched Get Smart for the jokes, I watched her. Maxwell Smart was a clown--lovable, sure. But always fumbling. Always talking. Always wrong.
Next to him? A woman who didn't need to perform.
Agent 99.
She didn't roll her eyes. She didn't scold. She simply corrected. Seamlessly. Elegantly. And she always got it right.
She was the first woman I ever saw who had everything I wanted to become.
Yes, she was beautiful. That high-cheekboned, mod-perfect, 1960s kind of beautiful. But that wasn't the center of her power.
It was the clarity.
The Undressing
There's one scene I watched too many times.
It wasn't explicit--of course it wasn't. But I watched it like it was.
Max had been captured. Of course he had. He was locked in some ridiculous metal contraption, sputtering nonsense as the villains threatened him with a laser beam or a death ray or something equally absurd.
And then she arrived.
Tight black suit. Hair swept up. Calm as a surgeon.
She didn't burst in guns blazing. She picked the lock. Slipped through the shadows. Silenced a guard with a single blow to the ribs and a flick of her wrist.
And then, standing in the center of the frame, she unzipped the front of her suit--slowly, precisely--and pulled out the hidden transmitter she'd stored against her bare chest.
Max stammered. The camera cut to his face: stunned, slightly flushed. He couldn't speak.
Neither could I.
I didn't understand why I was holding my breath, but I was. Not because of the suit. Not because of the skin.
Because of the timing.
She didn't flaunt. She revealed. With purpose. With precision.
She reached between her breasts not to titillate--but to solve the problem.
And in that moment, I knew: this was what eroticism could be. Not performance. Not permission.
Execution.
The Hallway Interrogation
The setup was simple--routine, even.
A villain cornered Max in a back hallway. Tense music. Dim light. Max, flustered and forgetful, trying to bluff his way through. His hand reached for the wrong gadget. His voice cracked. The situation was about to spiral.
And then--
She appeared.
Agent 99 stepped from the shadows like she'd been waiting there all along.
Not rushed. Not panicked. Just... present. Entirely in control.
She didn't raise her voice. She didn't posture. She stood between Max and the attacker with nothing but posture and presence.
"Is there a problem?" she asked.
Her voice didn't rise. It dropped.
Low. Smooth. Slightly tilted, like a blade being turned--not brandished, just shown.
The man blinked.
Max kept talking, babbling some nonsense about shoe phones or explosive cufflinks, and 99 just... waited.
Her hands at her sides. Shoulders square. Head tilted in that subtle, feline way that made it clear she had already read the entire situation--and was simply letting everyone else catch up.
I remember the way her eyes moved.
Not fast. Not nervous.
Slow. Intentional.
A flick toward Max. A flick toward the man.
It was like watching someone do math without paper. You felt the calculation.
She took a single step forward--not big, not showy--and the man stepped back. Instinctively.
It wasn't a fight.
It was an adjustment.
Like the room itself was shifting to accommodate her presence.
I remember rewinding that moment. Over and over. Long before I understood what I was doing, I was using it as fuel.
In my mind, I turned the hallway into something darker. Longer. Private.
I imagined the man wasn't a villain, but a suitor. And I wasn't watching her.
I was her.
She walked forward. He backed up.
Not because she threatened him.
Because she unveiled herself as someone he couldn't outmaneuver.
She didn't seduce him.
She made him stand straighter.
Made him fix his tie.
Made him apologize without knowing what for.
And Max? Max was background noise.
This wasn't about rescuing him.
This was about demonstrating something.
That she could shift the power dynamic in any room--without raising a single hand.
And I... I felt it.
In the soft place between my thighs.
In the base of my spine.
In the held breath I didn't let go of until she had turned away.
That hallway was the first time I imagined being watched the way she was--reverently, nervously, with that hushed awareness that the most dangerous person in the room was the quietest one.
She didn't ask for fear.
She didn't demand desire.
She earned submission with a whisper.
And god, how I wanted to carry that.
The Hotel Room Switch
It was meant to be comedic.
One of those classic spy mix-ups where Max checks into the wrong hotel room, the wrong time, the wrong floor. He stumbles in, tuxedo wrinkled, tie askew, talking to a shoe he thinks is a walkie-talkie.
The camera pans to reveal Agent 99 already there--seated on the edge of the bed, ankles crossed, reading calmly through a mission dossier.
Her legs were long. Bare.
Her dress, black. Immaculate.
Her expression? Mildly amused.
Max launched into an apology. Of course he did. Some excuse about losing his key, about thinking it was his room.
She didn't flinch.
Didn't scold.
Didn't even stand.
She turned a page. Slowly.
Letting the silence stretch.
Letting him feel the awkwardness.
And then she looked up, tilted her head slightly, and said, "Are you done?"
It wasn't cruel.
It wasn't dismissive.
It was anchored.
Her tone wasn't sexual. But I rewrote it in my mind.
In my version, she stays seated on the bed.
She doesn't cover her legs.
She doesn't uncross them either.
She just looks at him--and the silence changes temperature.
I imagined myself in her body, feeling the brush of silk against thigh, the weight of authority resting behind my ribcage.
I wouldn't have had to say a word.
In my fantasy, Max trailed off mid-apology--not because he was embarrassed, but because he realized he'd entered a room he didn't deserve to be in.
Agent 99 in that moment became more than competent.
More than elegant.
She became sovereign.
In my version of the scene, I turned it darker. Slower.
I imagined myself standing--not quickly, not dramatically, just decisively.
Approaching him.
Closing the distance without hurry.
He'd start to speak again. I'd stop him with one glance.
And then? Just one line. Cool. Unbothered.
"Take off your shoes."
That was all.
Because in my fantasy, she didn't bark orders.
She offered instructions that already assumed obedience.
It wasn't sex. Not at first.
It was something more erotic than that.
Containment.
Control.