I have finally weakened and written a follow on to 'The Rosebud'. If you are not familiar with this particular work, reading it first will add background and atmosphere.
* * * * *
Tennessee Williams has my condition described to a tee : 'A Cat On A Hot Tin Roof'. I have been like this for nearly a month. Plus, for the past six months I have alternated between euphoria when you call me and despair when you are a few days 'late'.
Adam has been getting quite testy with me. Today he is downright angry. Although he still refuses to contemplate speaking to your mother, he wanted to be here for your arrival. But I have sent him to the high tops to start work on the fencing for some new paddocks we are breaking in. I am being selfish, maybe childish, but I want you all to myself for these first precious minutes.
You get out of the car and make your way towards me carrying your bag. You came alone with Jules. Your mother is not with you, yet you still sat in the back seat. I see your slim, graceful form, but I cannot really believe you are here. You are even more beautiful than last time. You look wary, as if you are uncertain of your welcome. I meet you halfway. As Jules drives off I ask you where your mother is and you tell me that she is in Australia at a Women's Collective convention. Read 'Lesbian Fuckfest'
I think cruelly to myself. The wounds are still raw. Not from the reality, but from the manner in which the truth was revealed.
Hand in hand we go into the house. I desperately want to pick you up in my arms and crush you to me. But I too am unsure. Nearly seven months is a long time in the life of a young woman who is still shy of nineteen.
We kneel on the floor to go though our usual comforting ritual of unpacking your things in your room. You give me a swift peck on the cheek. My heart lifts. You have made up your mind that you are glad to be here. Most of your city clothes will stay in a drawer, unused until you go away again.
The physical changes in you since you were last here are astounding. Your breasts are full and rounded. They stir intriguingly under your sweat top as you pull things from your grip and stow them away. Are you wearing a bra? The skin-tight royal blue Lycra toreador pants you have on reveal how your hips have broadened, the subtle sweeping curves of your thighs and the perfect high, firm globes of your backside.
The pants are so tight I can see the outline of your underpants. They are so tiny! I am flustered. You still had a child-like quality when you went away in December. Now, in July, you are a young woman. Can so many profound changes really happen in so short a time span?
Suddenly you say that you want to get out of 'these horrible city clothes'. You stand up in front of me. In one fluid movement you strip off the toreador pants and throw them to one side, You strike a pose, feet apart, your right hip cocked with your hands clasped behind your back. You are smiling cheekily, your head is tilted to one side with your tongue protruding between your even, white teeth. Your fresh, young beauty is breathtaking. Your panties are royal blue to match the discarded Lycra.
They are indeed minute. They barely cover you. A few stray dark hairs peek above the 'waistband'; yet another sign of your advancing maturity.
I feel as though my heart has stopped dead in its tracks. I gulp audibly and suppress the temptation to say, "Don't stop there!" What would you do if I said that?
The rosebud on the inside of your thigh is the same though - a dark pink stigmata on your otherwise flawless skin.
"Am I as pretty as Brittney Spears?" You ask.
"She'd look like a carthorse beside you," I manage to gurgle.
You move right up to me. You lean over me and grasp both my ears with your hands.
I am mesmerised by the elusive swing of your breasts under your sweat top as you bend over. You tilt my face up to look into yours. "Tell the truth now, Daddy…who's Brittney Spears?"
I smile sheepishly, "I have absolutely no idea!"
"Oh, you are a real old fuddy-duddy aren't you! But I still love you to bits though."
I give you a playful smack on your delightfully rounded butt. "Hey, hey, hey! Less of the 'old fuddy-duddy', yer cheeky young flipperty-gibbit. You forget my collection of Jimi Hendrix and Santana… not to mention Eric Clapton and John Lee Hooker!"
"Oh, Daddy! Those old guys are so un-cool!"
Ouch! That puts firmly me in my place!
But then you kiss me. It is not the soft, sweet, young girl's kiss I am used to receiving from you. Your mouth opens. Your tongue enters my mouth seeking mine. Incredibly, I experience a surge of alarm at where this may lead us. Then I respond. My body responds. The kiss seems to last for hours, although in reality it is probably not more than a minute or two. Our tongues coil and writhe together frantically. We exchange our saliva, our very life breath.
We break off as if a guardian angel has tapped us each on the shoulder. You stand upright, looking down at me. Your cheeks are flushed. Your eyes are huge, dark, serious pools. Your chest is heaving irregularly; mine is as well. Somehow, my hands have come to hold your hips. Your smooth flesh burns my palms. One small movement of my thumbs would hook the fragile elastic holding up those tiny bikinis and I could slide them down your legs, exposing the mysteries of your cleft to my hungry gaze. I know in my heart that you would not stop me.
The harsh, panting rasp of our breathing is the only sound to break the silence. You drop to your knees between my spread thighs. You kiss me again - another passionate lover's kiss. Your arms snake around my neck. You press your hot body hard into mine. Your breasts are supposed to be soft, yet they feel as though they are drilling holes into my chest. Not for one second do I consider that what I want, what we both want, is incest. My hands find the pliant cheeks of your bottom and I haul your groin against my rampant phallus. You moan something into my mouth. I don't understand what you are saying, but I do know that it isn't a plea that we should stop. I slide my hands up your smooth sides, up under your sweat top. The heels of my palms find the soft rounded sides of your naked breasts. You indeed wear no bra!
I am just about to cup your tender orbs in my rough palms, when the sound of a furiously revving farm bike and a loud whooping holler crashes into our consciousness. Adam has arrived home from stringing the fence line with Rueben and he is expressing his elation that you are here. There is an answering 'beep, beep, beep' of a car horn. Joanna too has arrived. She is a couple of hours early.
In a guilty, hurried panic, we break apart and you scramble for the pair of old riding pants you wear when exercising your pony. As I get to my feet you look below my waist at the thunderous tumescence inside my trousers. You reach up and kiss me swiftly, "Poor Daddy!" You murmur softly. "I'll hold them off for a little while. See you in a minute." And you rush of to greet your brother and cousin.
A quarter of an hour later, with my composure largely restored, I join the three of you in the kitchen. You are sitting around the table drinking tea. Exchanging personal news is the order of the day with the biggest item for you and Joanna that Adam is head over heels in love with the eldest of three daughters from a Dutch family who farm about 15 kilometres away. Like women relatives the world over, you two females want to extract all the tiniest details and are grilling him mercilessly. The poor fellow is desperately trying to repel your noisy demands that the three of you should go and visit Caroline right away, so that you and Joanna can check her out to see if she's a suitable candidate for his affections.
My entrance restores some order. I know, because he has told me in confidence, that
Adam is on the verge of asking Caroline to become his wife. I am pleased, because she is a lovely person and her family are also good people. Caroline would never make a Miss Universe, but Adam loves her and that is enough. It is also his prerogative to release the news, and he is trying to keep it from you for the time being. As soon as Joanna sees me she runs over and gives me a big hug and a wet smacking kiss. Joanna has always been well built, but now she can be accurately described as 'a comely wench'. As she presses her incredible pillows into my chest and literally grinds them against me, I glimpse a small expression of displeasure cross your features, followed by an appraising up-and-down look at Joanna's ample curves.
I disentangle myself from Joanna's embrace with some difficulty and suggest that, when you have all finished your mugs of tea, we should saddle up the horses and go for a ride around the farm. You look pointedly at my groin to see if I have reacted as physically to your cousin as I did with you. Don't you know that I am totally yours, my darling?
The four of us ride out to the high paddocks. It is sunny, but cool with high clouds moving in from the Northwest threatening rain later in the day. I am riding a very big old gelding of uncertain pedigree that Adam usually uses as a pack horse when he goes hunting in the back country. Even so, with my height, my feet are not far from the ground. We ride in pairs, Adam and Joanna constantly looking for wild pig sign and discussing the possibilities for a hunt if the weather holds; you and I, silent with our own thoughts. You spot Rueben about a kilometre away cutting out some steers to go to the abattoir and canter over to say "Gidday".