"The buried soul and all its gems
This life's dim windows of the soul
Distorts the heavens from pole to pole
And leads you to believe a lie
When you see with not through the eye."
(William Blake)
I feel I must explain how this story came to be written. Firstly I was acquainted for a long period of time with most of the people involved and might even account myself a friend of some of them. A number of the events I personally witnessed; other information has come to me from things people have told me, and I have had the privilege of viewing some diaries that had been kept at the time.
Where there have been gaps in my knowledge of events I have written what I believe must have happened, and since the two main characters have viewed what I have written and have not contradicted it, I assume I must have guessed correctly.
I have changed the names of the people involved in order to preserve anonymity, and for the same reason I have not specified geographical locations.
The two people I am mainly concerned with now live abroad and others are dead.
* * * * * * * *
I had known Lucian Neil since we were children and accounted myself his best friend. From early years he showed signs of being the genius he was to become and it was not always easy to be his friend. He was selfish, apparently without conscience, and seemed unaware of the feelings of others, although he expected others to take account of his feelings. Yet in spite of this he had charm that seemed to draw people to him, especially women, and even after they had suffered through his careless treatment of them, most still held him in their affections.
Given what happened I often regret that it was I who introduced him to Irene Dempster. Irene was a gentle, attractive and warm hearted girl, and I'd had hopes in her direction for myself. I think almost from the first moment she met Lucian I knew all hope was lost for me.
Along with his ability to charm, Lucian was exceedingly good looking and he was just beginning to make his mark as a portrait painter of considerable talent and as I have said, genius.
Looking back I've often wondered whether it was Lucian the man or Lucian the painter of genius that Irene fell in love with; possibly it was both.
Even when she knew that Lucian was a notorious womaniser she was not deterred, in fact I think she saw him as a challenge and was utterly devoted to him.
Whether or not Lucian was ever really in love with her has always been something of a mystery to me, but in love or not he married her.
Right from the start I thought the marriage unsuitable and that Lucian was the sort of man who should never have got married. Brief affairs were more his style.
For a long time I seemed to have been proven wrong because the marriage had lasted and Lucian's reputation was such that he was able to keep them in considerable style. What I was later to learn was that Lucian had not ceased his affairs with other women but such was Irene's devotion to him she always took him back once the heat had gone out of the affair.
It would be true to say that Lucian's affairs were torrid but brief. His current girl or woman was always the most beautiful and fascinating he'd ever met, but the attraction rarely lasted more than a fortnight and he would be back in the marital bed. If a month later you happened to mention the woman's name he would look at you blankly as if he'd never heard of her.
It was the same with all his inamoratas except Irene, she was, metaphorically speaking, the fountain of love he would always return to, and although I pitied her for what she had to suffer, she never seemed to pity herself.
* * * * * * *
If I regretted having introduced Irene to Lucian, my next introduction was one that I was to regret even more deeply.
I have called it an introduction, but it was not a direct introduction.
I was acquainted with the parents of a young woman called Marion Leymare. After her eighteenth birthday they decided they wanted her portrait painted, and being immensely rich they could afford the best, and Lucian was undoubtedly that. It was I who recommended Lucian to Mr. and Mrs. Leymare.
The girl was exceedingly beautiful and she reminded me of one of those exquisitely made china dolls, with an almost round head poised on a long delicate neck, a short upturned nose, a small mouth with a full upper lip attractively bowed, and a mass of blonde hair cut evenly at just above her shoulders and a creamy complexion. I felt that her eyes was her loveliest feature, sea green and slanting slightly to give her an oriental appearance and sparkling with life.
When dressed casually she favoured expensive denims and T-shirts that displayed her pointed nipples and upturned breasts, usually unencumbered by a bra. She seemed to combine an appearance of fragility with sensuality and she had a radiant personality.
Having been brought up by wealthy and indulgent parents she was exceedingly self centred; what she wanted she had to have, and invariably she got it, whatever the cost to others.
A trait she undoubtedly shared with Lucian was the absence of any conscience. If through any action of hers someone suffered, then from her point of view it was their bad luck and they'd have to get over it.
At the time of first meeting her Lucian was thirty seven and there is no doubt he was infatuated with the girl. As for Marion, as she has told me, she was equally infatuated with Lucian. She wanted him and she was determined to have him at whatever the cost to Irene or anyone else.
Irene was alerted to the situation when she discovered that Lucian was painting two portraits of Marion; in the one for her parents she was dressed in a long red evening gown; the other was one he would keep; in it Marion was nude. It was then that Irene realised that she was not dealing with one of Lucian's usual affairs; this was something far more serious.