Saroja's situation was really remarkable. She pondered the events leading to this day, when she was nursing three cocks at the same time. Nursing is the only word that could adequately describe what she was doing. It had not yet become an outright gang-bang and she couldn't say if it would become that. Yet, there was one cock in her mouth which she was lovingly kissing and pumping with her mouth, another in her fist which she was rewarding with strokes, and a third which she was consoling by caresses with the sole of her foot.
All three cocks were just being petted, caressed and fondled. None was a complete fuck. At least, not yet. Neither of three men was bold enough to react on their own to add to the chemistry. And that is because men don't open out to each other or in front of other men so easily.
Perhaps that is why gang-bangs don't happen so often or so easily in India. We don't have football locker rooms where could get comfortable with one another.
Or is it because men compete for the attentions of a woman and that doesn't come easily in our overfull houses and an approach that is actually fear rather than conservatism? Given a chance....
And due to the competitive and starved scenario no man really lets on about his sex life; they like to perpetuate the myth that each is a lothario.
And that is why the three young men with Saroja did not respond or participate fully in the initial period. They were unsure of each other and because the bullock cart in which they were traveling was shadowy inside in the evening light, they didn't know that Saroja was active with the others too.
Now it would have been completely different if it was more than woman. This scenario is, in any case, every man's ultimate fantasy, so he is likely to lead them on should anything start. Two women loving each other in the presence and in tandem with a man does happen. Two men loving each other with a woman joining in? No, not really.
Women know each other, talk about how their men are with them and talk about their bodies. They change in common rooms, help each other bathing and often discuss problems of the female variety with great confidence in one another. For one woman to see another in any state of undress is no big deal. In fact it happens all the time.
And that is why Saroja's situation with her three young relatives was remarkable. She was one woman and there were three of them.
The family wedding which Saroja was returning from is a typical example of how women talk to each other and are comfortable with each others bodies. Usually, in such events all the women shared the same room, bathing, changing and adorning themselves in the presence of the other women of the marriage party. The men do not get to sleep with their women; all the women cluster in one or more of a set of rooms.
It is a great chance to gossip and catch up with one another. As a herd they find comfort in one another. And usually this ensures they are never late for any of the important functions, because from the bride onwards everyone is getting ready in everyone else's presence.
Saroja had come for this wedding with her husband, his younger brother and two nephews. The younger brother was 27, and the two nephews were 18 and 19. Saroja and her husband ranked as seniors but they were not that much older than the others. Saroja's husband was 33 and she herself was an alluring 29.
Their branch of the family was city-bred and much of the rest of the family came from smaller towns and were not quite the same social class. Relations were excellent but the common ground for fun and games was not the same with the larger group as it was between this closed group of man and wife with brother-in-law and nephews in tow.
And so over days of travel by road and the three days of events the five them stayed closer to one another and the bonding grew. While Saroja knew her brother-in-law a bit better, the two nephews were just acquaintances to her. Over these days, the five of them had had a rollicking time together.
Their jokes made sense to one another and their tastes were similar too. For instance all of them secretly enjoyed eating chicken and had noticed the "Naidu's Military Hotel" on the way to the marriage hall. It seemed neat and likeable and like a bunch of adolescent brats, they sneaked out and ordered only the side-dishes. The server was amazed that no rice was eaten as accompaniment!
Saroja was utterly fun-loving. Even as their car journey into the rural hinterland commenced, she was the one who was constantly asking the car to stop to buy groundnuts, bananas, to drink coconut water and eat guavas.
The nineteen year old Gopi found his aunt completely exciting for the kind of personality he was. Completely uninhibited, she sat next to him in the car letting her thigh rest against his. He journeyed, very conscious of the fullness of the leg against his. And when she fell asleep she let her head rest fully on his shoulder. The soft, warmth of her womanliness was deeply satisfying.
As the car had jostled and she moved with it, her saree pallo slid and Gopi allowed his eyes to roam the gently swelling slopes her breasts. From where he was sitting, he was able to look right own the front of the blouse, where the sumptuous mountains of Saroja's fleshy breasts disappeared into a mysterious darkness. Her 'taali kodi' (necklace indicating married status) snaked over the hills and valleys of her flesh like a gleaming river. Her cleavage could well have been a gorge into which the river disappeared, hidden from the eyes of adventurous explorers. Like Gopi....
At every stop, they rearranged themselves in different seating orders. Soon enough, Gopi lost his vantage position. But his younger brother Sundar too had the same attraction to the alluring, buxom, playful Saroja mami (mother's brother's wife). She had her arm on the backrest of the car when Sundar fell asleep and soon his head had leaned into her armpit. He smelt her sweat which seemed aromatic. It disturbed his drowsiness and his senses became aware. As he slumped lower, his face came to rest against the breast itself.
Sundar had savored every moment he pretended to be asleep as his lips lay open against the swelling of her breast. Saliva dampened the breast and Saroja did not mind the boy drooling in his sleep; it was something that happens to everyone while asleep.
Ravi, the brother-in-law was older than the two youngsters and could not sidle up to be with Saroja but he felt the tug too. His sister-in-law was saucy and spontaneous and his brother Arvind was serious and introverted. Saroja found a companion in Ravi to respond to her jokes and some of her saucier ones were reserved for Ravi's ears; she couldn't be that risquΓ© with those two younger fellows. Ravi responded to her in the same spirit.
And then there was the afternoon when the 'nalang' ceremony was held. This ceremony is a hangover from olden times when the bride and groom, who traditionally marry o orders from the parents, used to get to know one another through a series of familiarization 'games' played in the presence of the entire family of both sides.
Songs are an integral part of this ceremony and it is normal for someone musically minded to render a film or popular song, replacing the names of the protagonists with that of the bride and groom.
During this song session, Saroja had made bold to break the taboo and sing raunchy film songs. She enhanced the raunchiness by dancing to the numbers, wiggling her hips and thrusting her breasts and jiggling the, as the dancers in the movie were want to do. And in the heat of the moment with a small crowd dancing along, Ravi had jumped, thrusting himself back at his 'manni' (sister-in-law) in rhythm also in the fashion of the film heroes.
This usually elicited a lot of laughs, including the older 'mamas' and 'mamis' being indulgent at what on another occasion would have invited retribution and recrimination. The ladies laughed, winking at one another, and making suggestive remarks to the bride, full of innuendo.
The older men took the opportunity to lech at all the younger women who were bold enough to dance.
What particularly added to the flirtatiousness in this case was Ravi, Gopi and Sundar's readiness to help by singing the lyrics along with Saroja. Whenever there came a particularly innuendo-laden stanza, Saroja would pretend not to know the words and hum along. Immediately the trio would offer the exact words, making Saroja blush initially.
Later she laughingly joined them, betraying the act she actually knew the lines herself. Radiant eyes met, hands touched and laughter resonated at a very personal level.
The three young men found that the woman they called "manni" (sister-in-law) was a sexual bombshell, ticking every minute. (They all called her manni though for Gopi and Sundar she was mami. This happened because the age difference was not significant.)
Now, while all of this raised the temperature, many of us will recognize that this happens in almost all weddings and would have happened to most.
But what was completely different and unusual in this case was when Saroja refused to share the rooms of the women-at-large because it was just too messy and a big jumble of people and things.