Another romantic tale of a mother and son. If this type of relationship disturbs you, please read no further. This is not as ambitious nor as lengthy as "Beyond the Borderline," but is nevertheless a long story. As usual, the buildup is slow, so if you like your stories short, this will probably not be of interest. Your constructive comments and votes are appreciated as always. Thanks for looking.
All characters are over 18.
Thanks to LaRascasse for editorial assistance.
Home is the son, home from sea:
His far-flung journeys ended,
His desires pour burning on the shore
The plunder of his secret heart.
(with apologies to A.E. Housman)
Prologue
It's October 14th and the eagles are here. It's just now getting cool enough that you can see your breath when the sun slips behind the Takhinsha Range. There are still a few patches of residual seasonal greenery and flashes of explosive deciduous color left in the landscape, but everything is now slipping inexorably into the sere, muted palate of oncoming winter.
We've been living near Haines now for the better part of ten years and I still am awestruck by the arrival of those magnificent raptors, numbering in the hundreds, if not thousands. They're all over the shifting, complex, watery web of the Chilkat delta, perched in every available tree branch, on the rough gravel bars of the waterway and in amongst the deadfalls lining the banks of the river. The few Grizzlies which have not already slipped into hibernation are with us as well, their hulking, shaggy company a constant reminder of how truly wild this place is.
The eagles, the bears and I, we're all here for the same reason. It's the last salmon run of the year and the final chance to fill bellies and larders before the long winter. The Chum salmon are here for spawning, the final silvery visitors to the river this year. Serious snow could begin any day now and that means you have to hustle if you're going to be ready for the next cold, snowy six months.
I like coming out to the riverbank near dinnertime. Looking southwest, the Cathedral Peaks are backlit in brilliant orange and yellow as the sun drops below the ridge of the Takhinshas and if I turn around, I can see the early snow cover on the peaks of Mount Ripinski, extending along the ridge of the Takshanuk Range northwards to Tukgahgo Mountain. In the late afternoon, those newly born snowfields appear almost molten in the failing, late fall sun.
I doubt I'll ever tire of those sights, nor of the rhythm that the change of seasons and the pulsing flux of salmon in the river imposes on our lives. Such are the simple things I take the most pleasure from. I have everything I ever wanted or needed, right here in this unspoiled glacial valley.
It's at these times I often reflect on my journey to this place and count my blessings, being where I am and whom I'm with. I also often turn my thoughts to the dark times of my youth and how those shaped everything that followed.
I'm not terribly introspective by nature, enjoying the cycle of my simple, day-to-day life most of the time. But I do occasionally wonder how I can distill what's happened in my past into some coherent picture. It's probably a wasted effort, for as the saying goes, "Man plans and God laughs." If there is one underlying theme in my life, though, I think it is secrets.
I believe that it's our secrets that make us who we are. Secrets of our own and those others withhold from us as well. How can you know who you are if those around conceal the past from you, even for the most compassionate of reasons?
This story is about secrets and the power that they have, for good or ill. It's also about how sometimes, against all obstacles, the heart finds its way to the truth and how those secrets are then banished into darkness, rather than causing it.
My life began with dark mystery and was surrounded by unspeakable deception, but along the way, those black ramparts were broken down and I found myself.
I also found someone else, someone who I thought I knew, but that was only partly true. In that discovery though, the circle closed again and what started with secrets ended with one all over again.
But for me, the ending secret is a great goodness. Most would never understand it, but that is not my concern. In telling my tale, I will share with you my most carefully hidden confidence and you can judge for yourself if it should have stayed buried within my heart.
So, let us begin with the genealogy of concealment and deception...
Chapter 1
My name is Peter. Peter Heimdahl. Actually, It's Lars Peter Heimdahl, after my late, unlamented paternal grandfather. It was my Dad's idea and Lord knows, Dad always gets his way. Peter was the one concession to my Mom, Magda. That's the name of her late father, who she lost as a child. Magda Christine Heimdahl, nee Stenstrom, that's Mom.
Like me, she doesn't really like her first name, preferring to go by Chris. Dad also must not like it, because he's never used it to my knowledge. Come to think of it, I don't really recall him ever calling her by her middle name, either. I think he believes her name is "Get me another god damn beer!" Well, enough of that.
My so-called family has been living in or around Homer, Alaska since
bestefar
(grandfather) Lars' time, back in the late 40's and early 50's. While he was alive, he used to tell us about the times when there was no Highway 1 and what passed for the Seward Highway was a dirt track. This was back when Homer was a booming metropolis of around 350 souls.
My grandfather had a brother, Olaf, who came with him from the old country, but he perished in the Good Friday earthquake in '64, swept off the Homer Spit and out to sea by a tsunami. His body was never recovered.
My father's mother is a void, a complete cipher. Her memory is as insubstantial as blown snow, dispersed into swirling nothingness. Dad never, ever talks about her. Depending on how you read the family tealeaves, either she ran away from my grandfather when Dad was around 6 or 7 years old, or she just...vanished.
What I do remember from my own childhood is that while Dad simply refused to discuss her, the mere mention of her name was enough to send my grandfather into a towering rage, followed by the blackest, bleakest moods imaginable. In those states, I thing even Ingmar Bergman would have found
bestefar
Lars too depressing to be around.
Knowing my father's side of the clan the way I do, I don't envision my grandmother's happy escape from this family. I suspect her unremarked absence conceals a dark secret, a terrible mystery. Whatever her fate was, I hope my
bestemor
sees from on high that her grandchildren are not like the man she married or the beast her son has become.
For that, she would have my mother to thank.
Since all I can offer her is this mental cenotaph, my monument for my grandmother is to simply remember her name, so she is not forever erased from memory. Rest easy wherever you are, Ulla Marie Henriksen.
Beyond my paternal grandfather, I know next to nothing about my father's side of the family. Grandfather Lars and his brother, Olaf Heimdahl seemed to materialize in Alaska out of the arctic mist sometime after World War II and eventually found their way to Homer, of all places. It's been described in the past as "As far as you can go without a passport."
I don't think I'll ever know the full story of how they came to be here, but I have a suspicion that the choice of the brothers Heimdahl to settle here was by design rather than chance. I've spent more than my fair share of time trying to understand my roots, but all I can say with even a modicum of certainty is that the Heimdahls, well, they simply aren't.
I believe that the two brothers took the name of a town near their old stomping grounds as a surname of convenience. I suspect that, as the town of Heimdahl is slightly south of Trondheim near my mother's birthplace, that this is where the connection to her side of the family lies and where my name comes from.
My grandfather and great uncle must have left Trondheim for good reason, though. There have been a few disquieting, cryptic clues among my
bestefar's
belongings. There's the old Luger, which by itself isn't particularly damning. But then there are the daggers, black-handled, with the Nazi eagle on the grip and the inscriptions etched on the still-sharp, cruel blades. One says "
Blut und Ehre