[ Dear Readers:
If you prefer to read episodes of this series without their predecessors, that's fine and I hope you enjoy them that way. Just a heads-up, though: It's not meant to be an anthology. All the episodes (except the first) build on those before them, so you'll probably conclude some things differently from what was intended.
Some of our readers' public and private comments touch on unmentioned matters, just a few of which are safe sex, STDs and common real-world consequences of things and events in the story.
Two chief rules in theatre are, first, everything on stage must have a reason to be there, second, everything that the action requires must be present, whether explicitly or implicitly. It's not much different in written fiction. By the second rule, if a story does not get into some particular issue explicitly or implicitly (for example, indirectly through consequences) then it is irrelevant because the author deems it so and asks the reader to consider that issue adequately handled without mention. Sometimes action may be simplified a little from what is actually meant for the sake of smoothness and avoiding distracting details unnecessary for understanding the scene. A good author has respect for the reader's intelligence and imagination and does not feel compelled to paint every scene with photographic detail.
In short, if it ain't there, it don't matter. Please remember that this is a story, not a case study or the news.]
SECRET NO LONGER
Chapter 16
When the Body of Friendship Houses the Soul of Love
"Hi, Fred. I've been expecting your call."
Dumbfounded, I held the telephone receiver away from my ear and looked at it, like they do in movies. How Sammy might possibly have expected anything from me escaped me entirely. Shaking my head like someone trying to clear some confusion from it, I returned the receiver to its accustomed place.
"Sammy! You turned mind-reader now, or what?"
Under any normal circumstances I'd have joshed a bit at the parallel between this and Jannie's consistent prescience whenever she and Linda would get together over coffee. Right now, though, nothing associated with Linda was very interesting to me, at least, nothing I cared to touch even with the proverbial ten-foot pole.
"No, no, not that, Fred," he replied, not in the jovial fashion such an exchange might be expected to express, but in a tone serious, but meant to be comforting. For some reason.
"Then what?"
One of those long pauses.
"I know what happened. I was hoping you'd reach out to a friend. I have a pretty good sense you could use one."
"Oh, I see. Two days ago, mowing your lawn. You saw me leaving, right?"
"Right."
"And you knew something was up."
"Right again."
"Well, you won't believe what it was. I saw..."
"Fred, I do know. I know exactly what it was."
At this news I fell silent, stunned, for quite a long time.
"What? You've known about this."
"Yes, I have. We have."
"How long have you known about it?"
"Pretty much since it started."
"And you did nothing about it?" I shouted in fury, "Well thanks a whole fucking lot, pal!" Fierce rage waxed and then just as quickly waned in my heart. As the dust settled I steeled myself for the click from a phone hanging up. It did not happen.
"I'm sorry, Sammy. That was dumb. There's nothing you could have done. Forgive me."
"Nothing to forgive, Fred. That's exactly why I'm here on the line. I'm quite prepared to hear you out, even if what I hear runs into high numbers of decibels--and high levels of anger."
"You're more than a pal, Sammy."
"I know. Just be glad I don't put you on a couch and charge you by the hour."
"Well, I hope you have a lot of time right now, because I have a lot to say."
"Actually, Fred, I'm not going to listen right now."
"Huh?"
"I have a ticket for a flight to D.C. I've been waiting until you were ready. I'll be there before noon tomorrow. Then we can talk--face to face. I don't need a degree in psychology to figure out that's what you really need."
"Oh, wait a minute Sammy! That's really too much. You don't have to do that!"
"I know. But I want to."
Probably for the first time, I felt a true, deep sense of what it means to have the kind of friend Linda had always said Jannie was to her--and an even deeper sense of gratitude. A whispered farewell and the phone returned to its cradle.
"You know well how Jannie and Linda help each other through tough times. Now it's our turn."
"Thanks, Sammy, but I'd appreciate it if you'd mention Linda the very least you can."
Calmly, Sammy looked down to the rather ragged patch of grass beneath the picnic table in the park we had chosen for lunch, then returned his gaze back into my eyes.
"I know you do, but that ain't gonna happen. Freddy, you have my ear and whatever I might be able to say back to you that's worthwhile. But don't think I'm gonna spoon-feed you just what you wanna hear. And don't expect me to stuff a sock in it when there's something you don't wanna hear, either. If I think you need it you can expect a good-sized dose of tough love now and then. I would be less than a friend if I didn't call you on a few things. You're in pain; you've been sorely wounded, and sometimes healing a wound means applying medicine that stings at first."
I sighed deeply.
"This whole mess is about Linda--Linda and Jason," he went on, "When you say don't talk about them, what you really mean is, I don't want to think about them. And as long as you don't think about them, this problem is going to just get worse, not better."
"Well, let's just play this out," I replied, wearily. "You are right, in principle, I can see that. I just..." I really didn't know how to complete that thought.
"Good. So now, let's talk about Linda," he said. His tone had the compelling force of a command barked by a drill-sergeant.
"Right. Linda. Linda, the whore, the perverted bitch who sucked me dry of my love, respect, caring, and then paid me back with lies, the Jezebel of Jezebels, who doesn't care about one damned thing in the world but what makes her body thrill, and managed to hide it all from me for twenty-odd years. Yeah, let's talk about her. Really talk about her."
If this were a musical score you'd see a crescendo spanning the entire length of that statement, and a fortissimo at the end. I stopped to indulge the impulse to direct the emotions in my words into the expression on my face. I didn't have to see it to know how vile and bitter it was.