"And that, my love," she said, smiling as we relaxed, satisfied, our arms around each other, our lips close enough that each tiny movement became a light kiss, "is your second lesson on this busy day."
"Lesson?" I asked, following my question with a kiss.
"Yes, David, lesson, maybe the most important lesson I will ever teach you," she said.
"And that is?" I asked.
"Good sex, Dear One," she said, kissing my lips as she reached down and gave my now-soft cock a squeeze, "is often messy but never dirty."
I thought about what she'd said.
"No limits?" I asked.
"None I've found so far," she said, and the smile she flashed made the word "impish" just leap to mind.
"None?" I asked.
Her smile broadened, the imp being replaced by something more predatory, a wolf maybe? Or a great hunting cat.
She rolled out of bed, again making me think of a great cat with the way she moved, and left the bedroom.
I followed her cute, bouncy ass as she led me to Dad's, no, to
my
, office. She sat, naked still, at
my
fancy office chair and started tapping things into the computer.
She navigated quickly to the
Delete Unread
folder.
"You've done this before?" I asked.
She giggled, starting to scan through the various files.
"Your Mom and Dad and I go back a long way, Honey," she said.
And so I thought my way through it. Aunt Rita is Dad's Brother's ex. So while Sandy is my relation by blood, my relation to Aunt Rita is by marriage.
"So," I thought, "is it incest?"
.
"How long were you and Uncle John married?" I asked, watching as she scrolled and clicked.
"Eighteen years," she said, absently, her attention on what she was doing.
"Why'd you never remarry?" I asked and, yes, I realized how surreal it was having this conversation, rubbing my naked aunt's shoulders as she hunted through a long line of file names that I now knew contained homemade pornographic videos.
"Honestly?" she asked, spinning in the office chair to smile up at me.
"No, silly girl, lie to me," I said, giving her nipple a little tweak.
"David," she said and I realized she was being serious now, "I was in love with Charles," it took a minute to translate "Charles" to "your dad," "but Chelsea (and again I had to translate, taking "Chelsea" into "your mom") won him so, well, I guess I 'settled' for John. But when John died and Chelsea who was my best friend since were were in fourth grade invited me to, well," and she paused here, blushing and dropping her eyes, getting her thoughts together, "join in their, well, their 'experiments,' I never felt the need for another man in my life."
There I was, speechless again.
She giggled.
"You asked," she said, giving my dick a little squeeze where it was not fully hard but not soft either. What the romance novels might call "tumescent," but not yet a "throbbing member."
"So," I said, thinking hard, "you were okay with being the 'other woman?'"
She laughed.
"Oh, Honey," she said, "it was much more than that. I got to 'play the field' and, well, explore things I never thought I would experience."
"Explore?" I asked.
She rolled her eyes.
"Pull up a chair, Grasshopper," she said, "and all will be revealed."
So I did, and it was.
She scrolled, stopped, said softly, "No," scrolled some more, stopped, and clicked on the file labeled "House Party - August 12."
Once again I was struck by the production quality of these videos. This wasn't some cinema veritΓ© with its jiggling frame as you see with so many hand-held home videos. The camera panned, slowly and professionally, around the big, open-floorplan great room where a dozen couples were clearly having a party. As it panned across a set of steps leading up I understood that I was looking at a finished basement. Almost all of those in attendance held a drink of one kind or another, and a hookah on the coffee table was being shared by four, three men and one woman, in a cloud of smoke.
I didn't recognize the house, but I recognized some of the couples. There were Marge and Fred, my sometimes babysitters when Mom and Dad would get away for a weekend or a vacation. In the corner, Leigh, my cousin's wife was chatting with a man I didn't recognize. Their posture suggested that they knew each other very well, if you know what I mean. Fred and Ethyl, friends who always said, "No, we don't know Lucy and Ricky," were talking to another couple, Ethyl with two hands on the other man's arm in that possessive way of some women. An extremely old woman, she had to be deep in her 70s, was holding hands with a young man who I doubted could vote, as they talked to Mom and my cousin Donald. The microphone picked up the general hubbub of a dozen conversations and, in the background, oldies rock and roll was playing. On a little cleared area John and Kathy, married but not to each other, danced one of those stand-facing-each-other-and-kind-of-wiggle dances, while a group I didn't recognize was singing something about The Reaper.
The doorbell rang and the camera followed a big redhead, presumably the Lady of the House, to the front door. Mom followed closely. I couldn't help but notice that Mom looked like an extremely oversized hooker. Her bright red blouse was of some sheer material that apparently irritated her nipples. They were obvious hard little points showing against the material. Her matching red skirt barely covered her oversized ass, and her garter belt suspenders with four straps per leg were almost completely on display. Okay, she looked hot.
At the door, Aunt Rita was wearing a long coat, looking like something from a spy movie.
"All right," Mom called, that strong voice of hers carrying clearly across the room, "the entertainment's here."
"Relax, everybody," Rita said in her whisky-raspy voice, "I'm here."
She giggled and kissed the big redhead, kissed mom, and said, her voice coming through clearly, "Where's the bar?"
I reached across Rita and tapped the "pause" button.
"Who's that redhead?" I asked.
She chuckled. "That's Ingrid," she touched the screen pointing out a mousy little man, one of those men who has looked like he was about 70 since he was old enough to buy a beer, "and that's John, her husband. He's the Cadillac dealer and she's a whore who got lucky."
I laughed at that.
She clicked on the "play" button and the scene played out.
I watched fascinated as Aunt Rita drank a beer in two long swallows and took a second, brown longneck. The camera followed her to what turned out to be a stage set in the corner of what I assumed was a well-finished basement.
She turned to look at the group, pulled on the belt of her trenchcoat, and shrugged out of it.
The tiny bikini costume she had on made the old joke - two bandaids and a cork - seem positively modest.
She put a CD into the player on the stage and when the music started, Peggy Lee's version of
Fever
, she did a very professional pole dance. As the opening drum riff ended and Peggy's voice started, Aunt Rita swung up onto the pole, head down, her legs somehow, and I still don't understand how, offering enough support to hang from as she somehow, more magic here, reached around, unhooked the bra of her costume, and tossed it to the group standing, watching.
A man I didn't know caught the bra and lifted it to his face inhaling deeply, dramatically.