Author's note: The following incidents are probably mostly fictional. All sexual participants are living humans aged 18+. Ideas espressed are not necessarily the author's. Your constructive comments are always welcome.
*** A Spot of Music ***
a Rhapsody with my brother
(or at least a Mazurka)
The day sped by. My mind slogged, and spun in slow circles. What to do, what to do? My imagination was flat-lined. Not like my curvy body.
"Come on Bonnie, think of something!" Yelling at myself just didn't work.
I followed my old habits and dug through a pile of neglected books.
I pulled out a copy of MUSICDOTES by opera singer, actor, DJ, and Imperial Stormtrooper voice Scott Beach. This slim book with elegant cartoons is a collection of classical music anecdotes, mostly humorous. (Musicdotes. Musical anecdotes. Get it? Good on you!) It begins with this passage:
"Next time you hear Chopin's 'Mazurka in G-Major (Op.67, #1), listen carefully to the main theme. It's a bunch of freckles. Chopin had a long and torrid love affair with George Sand (pseudonym of Baronne Dudevant). She had freckles. All over. During an afternoon of dalliance, Chopin became fascinated with all those dots, blots, and splotches. He drew a five-line staff and a treble clef on one of Sand's dunes. (I'll bet it tickled.) Letting the freckles fall where they may, he copied the resulting notes and used them for the main theme of his mazurka. George Sand's freckles are thus forever enshrined in Chopin's Opus 67, #1."
I thought to myself, "Hey self, that sounds like a good idea for composition!"
I was up against writer's block, or composer's block, or dead ear, or whatever. Sure, I could reprogram my classic MiniMoog synth to make all sorts of sounds. But I was running on empty as far as fresh ideas for musical themes. I would never win a MacArthur genius grant unless I came up with something novel.
I tried many tricks. I played old arias reversed and inverted, like fugue themes. I tried randomization and threw
I Ching
yarrow stalks as John Cage suggested. (Wait, have you ever heard Cage's music? It is much more interesting ro read about than to listen to.) I toyed with Harry Partch's fortythree-microtone scale. (Almost as fried as Cage.) I studied birdsong. I plagiarized, like all creators.
Nothing worked. I was doomed.
But Chopin's trick -- well hell, that just might help. I merely needed to find a warm freckled body to notate. And it need not even be warm, just spotty, and pliable.
I had a perfect candidate at hand. My little brother Jerry was back home this Easter week, taking refuge from his arid zone xerophytic botany studies at UA/Tucson. How he ever managed to stand being out in the Sonoran desert sun, crawling for plants, I did not quite get. I mean, he is just as pale as me. He is another cream-skinned natural redhead with a sharp nose and freckles all the way down. And little tolerance for actinic rays and sunburn.
Well, maybe he
did
have sufficient motivation. Lauren, who ran the Botanical Garden there as assistant to the nominal director, was a stone fox, and bilingual, and bisexual. Jerry said he was was pretty close to her. I really should meet her.
He also loved to study and sample hallucinogenic plants, locally and globally. I asked him about that.
"Wow Bonnie, there's, like, peyote cacti and jimson weed and mescal beans, not to mention wild cannabis and sacred Indian tobacco and ephedra, all this hot stuff. And those are just the local psychotropics. Good shit's all over Central America, and even more in the Andes and the Amazon basin. Dick Schultes said that the Old World had, like, six stoner plant species, total, that people used, and the New World has maybe 600. We got more mushrooms here, too. Fucking corn-u-copia, babe!"
Jerry's major should have been called High Times Botany.
I found Jerry stretched in his wide hand-knotted Campeche hammock on the screened-in back porch. It was a soft day here in Portland, with Pacific rains drizzling down and the sun a dim intruder -- cool enough that he had switched on the infrared heater.
Jerry lay on his back wearing Speedos and nothing else. He absorbed Oregon's life-giving moisture into his pallid skin, like reconstituting a dried
fly agaric
mushroom. He may have been dozing.
I stopped in the doorway to quietly consider and admire his lean, muscular body.
Was I sensually aroused? Well, maybe a little, sure. But I tried to look at him from a musical viewpoint, as if his skin was a score without staffs. I mentally applied staff lines at various angles. Hmmm...
I tried to ignore his bulging Speedos. Sure, when we were little rug-rats skinny-dipping in the wading pool out back, I yanked his wank a little, because it was there, you know? But we are adults now, and I am a serious musician, and I need to concentrate, really.
So I took a professional look. Dots. Splotches. Notes. Ties. Cadenzas. Phrases. Counterpoint. I tried visualizing scores.
But I was back where I started, almost. My mind still slogged, still spun in slow circles, still could not put it all together. I needed more. I needed help.
I had an idea. I searched my gear shelves and found my Pentax digital SLR and its lenses. Let's see, maybe the 16-50mm f/2.8 zoom -- not quite as superb as one of the Limited series, but I did not need obsessive image quality, just good clear shots.
I returned to the back porch doorway, and inside. I considered the situation. I set ISO to 1200 for the fairly low light (I did not want to disturb him with a flash) and to let me stop-down the aperture a little for better depth-of-field. I dialed-up noise reduction so I'd have clean detail. I started snapping.
The camera is quiet but not silent. That SLR swinging mirror makes a little noise. After a few shots, Jerry dragged his eyelids open.
"Hey babe, whatcha doing? Shooting me for PLAYGIRL or something, heh heh?"
"No, I'm on a music project. I just need pictures of your skin. Go back to sleep."
"Yeah, sure. Quit clicking that damn thing. Can't you use a phone or something?"
"Sorry 'bout that, bro. Don't mind me. I'm gone."
I tiptoed back to my studio and slipped the SDHC memory card into my ThinkPad laptop. I ran the GIMP editor to process my images. Heighten contrast; reduce grain and tonal range; clean up digital artifacts. I sent both color and black-and-white versions to my printer.
Now I had paper to work on. I set up another print job, writing different width score lines onto clear plastic sheets. Scored transparencies! I laid these down over the freckle-print papers and looked for musical themes.
I lost track of time as I pored over the imagery and copied theme fragments onto fresh music paper. Hmmm,
this
pattern makes a nice little riff, and
that
pattern (including a sunburn line) is almost an harmonic sequence, and
those
...
I did not hear Jerry pad up behind me as I worked. His hand on my shoulder startled me. I quivered inside my loose light sweats, my usual working clothes. I looked back and saw he had thrown a thin terry wrap over his torso and Speedos. Nice legs!
"Hey babe, looks technical! Or are you drawing maps of mental illness?"
"No, you shit, it's just an idea I got, a brainstorming tool really. I read about this..." and I handed the Scott Beach book to him with the passage highlighted. He scanned the text and laughed.
"Well hell! You obviously need a living canvas, not dead paper. Got a friend you can use? And abuse?"
I sighed. "Umm, my last relationships didn't go too well. They all wanted more than I had to give them, like my time and energy and money. And they weren't freckled."
I inherited our old family home when our parents died in a tour-bus crash in Peru a few years ago. The refurbished century-old bungalow was in the Sellwood district, just above the Willamette River and west of Reed College. This was a nice quiet neighborhood of trees and food culture and ubiquitous brewpubs. And Portland was a good place for us soft-skinned North Atlantic genepool people to live. Why couldn't I hook up with more freckled Celts around here?
"For a smart girl, sis, you sure are a luzer. You've got yourself all wrapped-up in preconceptions and rules. You oughta expand your mind some. Maybe some peyote or psilocybin, yeah, those would do the trick!"
I was almost tempted. Maybe I
did
need new visions. I muddled indecisively.
"Well, let me know if I can help. Y'know where I'll be." He leaned over to kiss my cheek and then wandered away.
I tried to return to my fitting of freckles onto staffs meaningfully. Alas, my mood was broken, my concentration fluttering like kelp in undertow. My pulse rate was up a bit. Was I reacting to Jerry's pheromones? My little brother?
I needed a break or maybe a cure. I saddled-up Dad's old BikeE semi-recumbent and pedaled my ass to the Oak Bottom brewpub for my favorite medicine, a draft pint of Proletariat Red stout, great stuff. And a two-quart growler to take home.
Hmmm, better make that two take-out growlers. This could be a long night.
I was in no mood to cook. I swung by the Russian deli for some
piroshkis
and a
zakouski
sampler, like a Slavic antipasto. I already had vodka on ice at home. We would do this right.
Jerry was up and dressed and puffing on his hash pipe when I returned home. I dragged him to the breakfast-nook table. We ate and drank and talked and drank and talked and laughed and drank and laughed some more. I might have puffed once or twice. We only finished one of the growlers.
Somehow we ended together in his wide Campeche Yucatan hammock, warmed by the infrared lamp. We both wore light sweats. I snuggled into his armpit and snored.
Somehow, sometime during the night, we both wormed out of our sweats without waking, I think. Jerry wore black briefs and I was in my purple thong, so we were decent, right? Well, close enough.
I woke sometime before first light. Jerry did not wake, even when I crawled over him and fell from the hammock, desperate to dump excess fluids from my body.
Usually, when I get out of bed (or hammock) to pee, I cannot go back to sleep. That happened now. No use trying to doze again. I threw on a loose wrap and staggered to the kitchen. I brewed a pot of
té maté
, strong Argentine tea, the gauchos' drink. I like mine hot and green-black and evil and thick as muddy espresso.
The
maté