Of course. . . . After abandoning Lyden for over a week, the succubus has to come back, wounded and dying. What will it take to help her recover, and what dire news does she have? Lisa and Becky will get an entirely new insight into their boyfriend, as Lyden's life goes back to being haywire.
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Chapter 11
Resurrections.
My legs are moving even before what I'm seeing fully sinks in. The twenty or so feet between Becky, Lisa, AnnaBelle, and I blurs as I super speed to the injured Angela's side.
"Angela, what happened?" I cry out, as I bend down to pick her up. Blood trickles from torn flesh at her eyebrow and nose. Why did I have to add that jewelry to her image last time? A small part of my mind ponders while my eyes rove her wounded body. Her eyes are closed, and I realize that it must have taken her last bit of strength to reach me. Her breathing is shallow and labored, and I can't believe how much blood is seeping from the hole in her side. Her clothing, burned and charred, is little more than rags. What skin is whole underneath it is red, raw, and blistered from her numerous burns. "Who did this to you?" I demand, anger welling up in me at the violent treatment of the succubus, but she's unconscious and doesn't respond.
"Lyden, who is it?" Becky asks as the other women finally catch up to me.
"Oh my God!" Lisa exclaims as she gets a look at Angela.
"Taking our Lord's name in vain won't help the young woman," AnnaBelle admonishes. "We need to get her to a hospital." Somehow the older woman is able to keep her voice calm, and I wonder how strong her resolve is. I'm freaking out!
Reaching my arms underneath her, I lift the petite damaged body up, and look around. Despite the picnic having just ended, no one else is even close to us.
"No hospitals," I say firmly.
"Lyden, she needs help," Becky argues, but I shake my head.
"I can help her, but we need to get somewhere quiet," I tell them, knowing that I need to get into the demonic creature's mind to transfer energy to her. I don't know what her physiology is like, but I'm guessing it'll stump a doctor and raise more questions than we can afford.
"You know this creature." AnnaBelle's voice makes it clear that that was a statement and not a question. Her use of the word creature, and not girl, makes me wonder if the pious woman can sense the injured woman's nature. "We'll take my SUV so that we can all fit. I live just a few miles away. Lyden, you work on her wounds in the back, while I drive."
"What about us," Becky asks, but it's Lisa that answers.
"He's going to need our help," the martial artist says, and we follow the older woman to her large vehicle.
The women try to help me get the blue haired woman into the back of AnnaBelle's SUV, but I'm able to do it alone. I know they just want to help, but I don't want anyone else touching her. There is so much blood!
Ripping off my shirt, I tear it apart, and start using the cloth as bandages while we head to my coworker's home.
"Lyden, what's going on?" Becky asks. "Who is she? What happened to her?"
"I don't know, and she was a friend," I tell the short brunette while trying to staunch the blood flowing from her side.
If anything else is said, I'm not aware of it, as I try to enter the succubus's mind while still awake, but it's no good.
The SUV jounces as we pull into a driveway, and I look outside to see a rather nice looking suburban home. The walls are brick and mortar, with a small white picket fence around the front yard.
AnnaBelle opens the back door to her vehicle, and I carry the still insensible Angela into the home. Religious pictures adorn every wall, and there is even a piano in the front room. Everything seems to be covered in white doilies, and in one corner is a collection of porcelain dolls in a wood and glass cabinet.
The older woman leads us back to a room that adds a whole new level to the color white. White bed sheets cover the bed, while white curtains frame the open window. The walls and even the carpet are white. The only objects of a different color are the five people in here, and a large painted portrait of Jesus opposite the bed.
I don't even hesitate as I lay Angela on the bed, soaking the white linen with her crimson blood. Despite my best efforts, some blood still seeps from her wounds, making a stark contrast to the white bedding.
"What do we need to do?" Becky asks, leaning over me and examining Angela. "How are you going to help her, Lyden?
It takes a strong effort of will to stand up and look away from Angela and to the three women.
"See what you can do to stop the bleeding. AnnaBelle, is there somewhere close I can take a nap?" If the odd request surprises her, AnnaBelle doesn't show it. I'd prefer to stay in here, but I won't be able to sleep if the other women are taking care of Angela's wounds.
"Right this way," the older woman says, and leads me to an adjoining room. This one is thankfully a different color, even if it is yellow. I'm glad to note that not everything in here is one color. The pillows on the bed are orange. "You know what she is, don't you?" the older woman asks, and I nod. I don't have time to wonder how she knows.
Without even taking off my shoes, I lie down on the bed, and concentrate on falling asleep. Bit by bit, I block out the noises from the next room. I ignore the feeling of drying blood on my pants, hands, and chest, just focusing on the thought of sleep and entering into Angela's mind. My body is so geared up with fear and worry that it seems to take an eternity, but finally I find myself surrounded by complete darkness.
It's different this time, however, than it had been with Brooke. The blackness is tinged with red, and while I feel fine, I can sense her pain around me.
"It won't work," a pain-filled voice says as Angela appears before me. "You're wasting your time." Her clothing is whole again and blood free, but there is still an unhealthy pallor to her skin.
"Angela, what happened? I need to get you healed. You're dying!" I tell the woman, but she sadly shakes her head.
"If we have sex in my mind, I'll die," she states, and I feel my heart plummet at her words. It's one thing to know her life is in danger, and another to actually hear it said aloud. "You're too good at pleasing me, and I'm too weak to have even one orgasm."