I know that the work is done and complete, that what lays on that slab is a woman of desire. I've made her of skin not quite unlike my own--synthetic skin. She's human, in the physical sense. Yet she lacks most other human features. Because I made her without any other purpose but to...
My heart bades me to stop the thought. For it won't work. The whole thing won't work. She's complete, sure--but working, working and complete... Lightning flaming her means nothing--she could come off the slab and live, but that doesn't mean that she'll be as I've imagined her to be so many times over. Both of the results I want, having her live and having her to be how I want her, those two things coinciding on this first attempt--I don't know the odds.
I stand before her. Her breasts as I'd made them. Soft. Everything of natural shape, yet unnatural beauty. Mouth and lips sculpted. Cheekbones, perfect nose and ears.
I'd covered her waist with a sheet out of respect. But I can't stop picturing ripping the sheet off and putting my hands and fingers and whatever else I want wherever I want. But I don't. Yes, I created her body as it is and have already technically put my hands everywhere.
But that she would live, and that I might touch her without her permission--I can't stand the thought of that.
Though I don't cover her fully. I allow myself to look at her breasts, yet I do nothing about them but look. And even when I do look, nothing comes of it. She's as good as dead in her current state. I only really look at her breasts hoping that she'll live and that I'll be able to touch them when they have life in them.
In the night, when the black and dark comes, she'll wake. The prospect of it terrifies me a little. Gives my heart sharp bursts. They'd predicted thunder and lightning and rain--what I need--but if they're wrong? If she... Then it would be another night, or the night after. But I can't wait, even though I'll have to, I can't. I need it to be today. Who knows when there'll be lightning again.
And my heart tenses. I go to touch her skin, cold and smooth though at parts imperfect from the stitching. It's well hidden, the stitching, but I know where it is and know where to feel the seams. I look at her breasts again--want to touch them, only a little, but I stop and satisfy myself with running a finger across her cheek and opening her lips and thinking about...
And if she should not be as I want her to? If she should turn out different?
Then all my work will have been for nothing, and I'll start again.
Only a few hours.
#
The rumbling begins far off out of the city. Low, then heavier. The cracks burst with the gusts and the rain sprinkles then begins to flower.
In the middle of my reading a book while waiting, the power clacks off. My heart wrenches, but what was all that planning for? I set the book down.
Knowing that it's now or never has gotten rid of my anxiety, replacing it with hope. That the power had gone off at all means the storm is destructive. The lightning strong. As much as I want to feed into those thoughts, though, I push them away because I can so easily be wrong.
I flip the switches for the backup generators and the lights blind on. Triumph and more hope. One resounding thought:
The wait is over and I've done it.
I keep thinking how my work has paid off though every time I think that I have to remind myself that it hasn't yet. The lightning still has to strike, and with enough power to imbue her with life. And that life again, at that, needs to be of a certain kind.
I wait. I bite my nails, walk across the same path a hundred times. It's closer, the storm. Sometimes there is silence about, sometimes such horrible noise I think my head to explode. Then a flash and the low, whipping rumble. A flash and boiling. The cracks and the sound--I can feel the energy of it in my chest.
My stomach coils looking at her. Rotating and releasing, only to rotate again.
But it's blinding. Lightning, finally after so many thunders and flashes, strikes her on the table. One of the blasts pushes my feet back and would have wiped me to the floor if I hadn't grabbed the railing. Lightning strikes her again and this time I do fall over. I scramble to my knees and feet, one hand still latching to a support. My other hand makes sure my welding mask doesn't come loose. The lightning strikes her heart six times, then stops.
Silence. Thunder further off, then lightning. I wait.
My nervousness is gone. There's nothing for me to do, no mistakes to be made. I wait more, longer in the silence. When I'm certain it's safe I take off my hearing protection and welder's mask.
Her muscles twitch.
And with that the nervousness comes back. Would she be? Would she be?... I watch her on the metal slab.
She opens her eyes.
She looks around at the room, then progresses to moving her neck and doing the same. She leans up and rises off the slab and looks further at everything. She seems in awe. When she does look at me in my eyes, I know we know each other well. The way she doesn't scan my face. The way she doesn't look frightened.
The way she seems to know this place and everything in it, even despite her awe.
I'm far away from the slab now--I didn't want to shock her by standing next to her and breathing over her the second she came awake, but my feet grow confidence. The sharp stabs in my heart don't ease away, but instead they became clear, certain and regular. Each step brings control to the pain. Yet the recognition in her eyes doesn't equate to that she has been made as I want her. And I need to be sure.
I step closer, closer, certain she's going to scream, certain she's going to run and that I'd never see her again--that she'd run and find someone else to be with or that she'd run and expose me as an inventor won over by his repressions. If anyone knew, they'd never speak to me again or provide me funding even if I had hours to explain to them everything. And I've spent so long with all the lies about my work and what I do with my days to all my colleagues. Built up so much protection. I've had side projects, little things to keep the funding coming and the questioning away of what I do with my days. But it's hardly enough. Sometimes I don't leave my lab for weeks.
She looks at me leaning up still. She plants her hands on the slab. She could have used her hands to cover her breasts, but she doesn't. While I look at her, she brings a hand underneath the blanket I had had over her waist. A movement. A slight movement--she starts to... to masturbate. I step away--never in my life had a woman... but she... I go up to her--and I can't resist it--I run my hand along her arm, the soft. To her shoulder. Her hair and neck. Folding her hair behind her ear.