Charles knocked on the door of the apothecary's cottage. From inside a female voice called "come in!" He opened the door and stepped inside.
It took a few seconds for his eyes to adjust to the dim light. Little by little, he was able to make out a work table, a small cookstove, and a table with a wine bottle and an empty glass. On the work table sat a mortar and pestle, a bunsen burner, and several beakers and jars. All in all, not much different than any typical peasant's dwelling. "What do you require, sir?" the voice inquired.
Charles blinked and eventually made out a female form, small and shapely, standing behind the work table. She was dressed in a red and black dress that revealed her small, round bosom and curvy legs. Her fair skin bore a stark contrast to the dark dress and boots.
"I seek medicine," Charles heard himself say.
"And what is your ailment, sir?"
"I have no ailment. But I seek your help, nonetheless."
"With what, sir?"
"I hear you sometimes provide potions."
"I sometimes do. What sort of potion do you require?"
He paused, then forced out the words: "I need a potion for women."
"Sir, I do not understand."
"I wish them to desire me. And they do not."
"But sir, you are a nobleman! Heir to the house on the hill overlooking this entire county. One day you will be earl. And women do not desire you?"
"They do not."
"Why do they not?"
"I cannot think of the words to say to them."
She shook her head. "Then why do you not seek the advice of a teacher? Or a poet?"
"What I need, woman, no teacher can teach, and no poet can compose. I want a potion for women to desire me. Can you provide such a potion?"
"A potion cannot provide what you seek."
He hung his head, dejected.
"But I may be able to help you," she continued.
"How can you help, if no such potion exists?"
"I have other talents. Watch." She held her hands, palms out, toward the table. Immediately, the wine bottle began to quiver. Abruptly the cork popped out of the bottle with an unimportant pop, and dropped to the table. Then, as if guided by unseen hands, the wine bottle lifted, then tilted. Wine flowed out of the bottle into the glass. The bottle righted itself, then slowly returned to its original place on the table.
"Woman! Did you do that?"
"I did."
"Then you are not just an apothecary!"
"I am not."
"Then you are a witch!"
"It is as you say."
"Then you will help me?"
"What can you offer?"
"I have only seven shillings."
"That is not enough. My price is two pounds. You are a rich man. I am a poor woman. I have to buy food, and wood for the winter. This is how I live."
"I can give you only one pound." He reached in his pocket and took out the coins. "Here is my seven shillings, all my money. I will forgive your rent for the other five shillings. That equals one pound."
She considered. It was a good bargain. "I will help you." She took the money. "Sit down."
He sat. She walked over to the table and took a beaker from its place. Charles watched her turn and open the cabinet, then reach up to the top shelf. He could see her legs all the way to her buttocks as she stretched. The ladies of nobility to which he was accustomed did not bare their legs, or their shoulders, and he was shocked. Shocked and delighted.
"There it is!" she muttered as she grabbed two containers from the top shelf. Charles saw that her hands contained a vial of yellow paste and a jar containing bluish-green leaves. Carefully she opened the containers and measured a small amount of each into the beaker. Next she bent over the table and began to mix the two substances together, forming a pink powder. Charles had a full view of her round breasts in front of him as she worked. Just like that, he thought, that is what I want. But she was a common peasant woman, unsuited for a young nobleman such as himself. But with that body, his mind countered, I would not care.
His eyes dropped to her hands, the smooth skin so unlike the course, work-worn hands of most common women. These were the hands of a lady, slender and delicate, the long nails colored black with a dye made from the juice of berries. And here they were on a common peasant woman, a witch, making magic! He almost laughed at the irony.
Her face was beautiful in the lamplight. Her cheeks had color and her lashes lay long over her closed eyes. Her lips moved silently as she chanted out inaudible runes in a bastard tongue of Latin, Celtic, and a much older language of which he could understand nothing. Her beauty stunned him. Slowly she opened her eyes. "The magic is almost complete. This magic will give you a great power, and a great responsibility. How you choose to use it is your choice. But whatever you give, you will get back, sevenfold. Do you accept this responsibility?"
"I do."
"Then I shall continue. Close your eyes."
He did so. Charles had noticed that she was no longer referring to him as a commoner refers to a nobleman, with the respect to which he was accustomed as heir to the House of Seaforth, the title of earl in his future. Here she was not his subordinate, nor his equal, but his master, his commander, his matriarch. And he knew he would obey her, as a slave obeys a master, her beauty was so great, her power so strong.
"You may open your eyes," she said kindly, and he did. "Look," she commanded, and held a looking-glass to him. The pink powder was smeared over his lips, though he had not felt her apply it, and also on his hands, his chest, and his crotch. "Now," she continued, "we will let the magic work. And when the powder disappears, the spell is complete."
"How shall I know it works? That you have not cheated me?" Charles asked.
She smiled. "You will know. You shall try it, and it will work."
"How shall I try?" he inquired.
"You will speak to women, and they shall desire you. You will touch them, and they shall melt with lust. You will make love to them, and they shall feel ecstasy. You will love them, and they will die rather than be without you."
Charles stared at her, speechless.