Galatea gasped, and pressed her hot palm to the cold, rippled glass. Outside, the granite sky and flinty moorland blended into a windswept, frigid underworld. As dark a mid-day as there ever could be. Moor House creaked and groaned around her. Every empty room leant into the wind and heaved like a stuck shipwreck.
She pushed her rear to her husband's hips and wedged his rock solid manhood deeper inside her. She grunted and shuddered.
"My lady is satisfied?" he whispered.
"Yes," she said. Then, "No."
She slipped off his shaft, and rustled down her black dress, but would not turn to face him.
"Please, My Lady," he said. "More."
She ignored him. In the feeble light of an oil lamp, her ghostly reflection glowed feverish, despite the luminous pallor of her skin. She untied dark ribbons and re-fastened her hair. Next time she would visit a lover. Maybe even take a new one.
Then quite by chance -- but magical nonetheless -- she saw the figure, little more than a smudge, wobbling in the distance. She snuffed her lamp. Impossible. The moors were all but impassable on a fine day. To venture across them during such intemperance was madness. But still, the shadow plodded; bowed, resolute. Shoving itself into the wind as if into a challenging lover.
He was early.
Galatea ran to light the fires.
#
Harris pressed his hat hard to his head and cursed his Editor again, longing for the day when his private work might free him from working for The Times. His boots scraped and stumbled on slick stone, the wind-blasted rain needled at his skin even through the kerchief he had fastened about his frozen face. Moor House loomed on the horizon like a great cliff, never getting closer.
Still he had come this far. If his Editor's sources were correct, daguerreotypes of the old battle-axe, Lady Galatea, would be worth his efforts. If she had managed to stay alive for some two hundred years, the very least he could do was put up with a few days discomfort to preserve her image for eternity.
He stooped into the wind and pushed on -- one step at a time, boxes and bags flaying his shoulders -- wishing himself in the comfort of his warm studio. Preferably in the company of some pink and perfect morsel; vacantly disporting herself on his couch.
The winter sun was a bright band across the sky's last quarter by the time he arrived at the monumental entrance; the edifice bringing a deeper shiver than the howling wind. The great house was more mausoleum than dwelling place.
An iron knocker rang cannon-shots in the gloom, and almost immediately, the door creaked open.
A girl, brushing back an errant, raven curl. The fairest he had ever seen, skin of alabaster and eyes of glittering obsidian. Sunlight beamed briefly through a crack in the cloud and was swallowed again. She smiled. "Can you not speak?" she said.
Harris yanked down his kerchief, doffed his hat and bowed. In an instant he was drenched. "Forgive me, Ma'am. I seek the Lady Galatea. Is your mistress...?"
The girl bit her lips. "You are sodden, sir. Please, come in."
Once inside, the girl -- considerably stronger than her demure frame would suggest -- took Harris's luggage and led him into an enormous room glowing by the light of a fire as tall as he.
Together they peeled off his wet coat, and -- at the girl's insistence -- his boots, also. She sat him down and disappeared with his soaked apparel, returning in minutes with a teapot and two cups on a silver tray.
She sat opposite him, and poured tea. By the light of the fire, her skin glowed with a lustrous marble whiteness.
"Perhaps, when I am dried, you will introduce me to the good Lady Galatea?" Harris gulped his tea, steam rising from his breeches.
The girl sat primly, hands in her lap. "And what would you ask of her?" she said.
Harris started to tire with this bauble. She was too elegantly dressed to be a maid. A charge no-doubt, by her carriage and manners. So sad that she should be so in mourning, though. Head to toe in black... Harris wiped his hand over bleary eyes. Idiot. She wore black. "Oh my dear," he blustered, "Has your Lady... passed on?"
The girl snorted. "Why ever would you think that?" she said.
"Well..." He cleared his throat. "The woman's longevity. Time catches us all in theβ"
"Dear Lord, you are a pretty fool." The girl frowned. "I am Galatea."
"Butβ"
"I look too young? How old should a Bicentennial woman look, sir? Fifty? One-hundred?"
Harris's head lurched. The girl, the Lady Galatea, took the cup from his trembling hand. This was not possible. But he stood and bowed, nonetheless, finding the Lady's outstretched hand, limp, in the old style. He pressed his lips to it, surprised to find her pale skin radiantly hot.
"Harris. Of The Times," he said.
She flattened the curl of her pink lips, looked at the spot where he kissed, and sighed. "Forgive an old women her impatience, sir," she breathed. Her heat lingered in his lips, a vitality at odds with her utterance. Warm blood flushed his midriff and his trousers grew slowly restrictive. He had never responded so fully and so immediately to a woman. Her lowered eye snagged at his hips and Harris quickly sat, crossing his legs.
The Lady spoke with a smirking dimple to her cheek that betrayed she was well aware of the spell she cast. "So what do you desire of me, Mr Harris?"
"My Editor believes your story may be of interest to our readers in the City, My Lady."
"Ah. Dear Frederick. I have known his mother since she was a child, you know. We often write. I cannot fathom why he should be interested in me, now. I have led a simple life, albeit for a very long time. What do you need to know?"
Harris rummaged out his notebook and pencil. "May I ask... your exact age?"
"The date is 1849, is it not?" She stirred her tea. "I was born in the year of our Lord, 1622. Give or take a year."
"Two hundred and... twenty-seven?"
The girl, the woman, shrugged.
Harris's heart hammered so, his pencil trembled. He would make a tidy purse from his work here, today. Possibly more than he made from eroticising his tawdry whores. "And, forgive my impertinence," he ventured, "but you could provide proof of this fact?"
"I could not." Lady Galatea leant back in her seat, suddenly girlish, swinging a knee. "Perhaps you should return in a century and see how I have changed?"
But Harris had his proof already, in church notices and village records. There had been but one owner of Moor House and no births or deaths recorded in all that time. The locals called it 'Barren House.' The last death in 1656. Her husband.
Galatea shone. "You have a stimulating eye, sir. It is like you see me... unwrapped. May I ask your profession?"
Harris leapt to his feet with his finger in the air. "Of course, My Lady." He rummaged amongst his bags and boxes and pulled out a loose-leaf portfolio. He moved the tray of tea things and spread out his daguerreotypes. A mountain. St Pauls. A dowager's portrait. Galatea's eyes widened at the portrait, running her fingers lightly over the woman's cheek.
"You are an accomplished artist, Mr Harris."
"I am, my Lady, but in a new art. The art of photography." He unwrapped his camera. "A system of lenses capture the light directly from a scene and record it exactly onto a specially coated paper. It is my sincere hope you might..."
"You wish to capture me for posterity?" Galatea laughed, a quiet hissing noise that caught her tongue between her teeth. "What a delectable irony. I would be honoured, sir. Please, go ahead." She struck the dowager's formidable pose.
Harris stifled a smile. "If you will indulge me, we will need a larger space for the equipment. And rather more light. Is there a brighter room?"
Galatea picked up his heavy bags as if they were empty. "Follow me," she said.
The woman led Harris, uneasy in his bootlessness, through long dark corridors, dusty and cobwebbed with neglect. Finally she flung open a pair of metalwork doors into an overgrown, sculpture stuffed, conservatory.