A few steps in front of me and slightly to one side, an old man with a beard was working at a wooden table. From the side, he looked a little like BrΓ’ncuΘi when he was in Paris. Or at least that's how I remembered him from the photographs I had seen in magazines over the years, since I had never met him in person.
Curious, I moved closer and saw that he had a shapeless lump of soft clay on the table, which he was trying to mold into a male figure. I think he sensed me, because he turned his head toward me and said:
"Stop hanging around me pretending to be the Holy Spirit, because you're not like that at all. You're a sinner through and through!"
I didn't really like how he characterized me, but I figured he knew what he was talking about. Especially when I remembered how I used to spend my nights in clubs.
He pointed to a wooden table to his right, similar to the one he was working on, and said:
"Go get some clay from the river while it's still soft, and get to work!"
He turned his head completely toward me, looked at me with incredibly piercing blue eyes, and said with a slight smile:
"In the meantime, you'd better get started, because time is passing and it will soon be noon and you'll be left with nothing done."
I wanted to say that it was only the beginning of the day, but I don't know why I preferred not to contradict him, so I went to the bank of the river flowing in front of us and began to bring a few piles of clay to the table he had shown me.
The river from which we took the clay was quite murky and wide, and the sun had risen quite high above it.
As I was bringing the clay to the table, I wanted to ask something about the river, but the old man seemed to have read my mind, because he said:
"To avoid further questions, the river in front of us is the Euphrates, and its clay has magical properties, you'll see."
I didn't consider myself very skilled at modeling, either with clay or any other material of that kind. Even in kindergarten, I couldn't make anything more than a puppy out of plasticine, always the same, which made all my classmates laugh.
But, to my amazement, in less than an hour, I managed to mold a reasonably acceptable female body out of the clay I had brought. The old man had finished his work and approached my table. With a few movements, he gave my man a perfect final shape.
"Don't you think you've gone a bit overboard?"
"I don't understand," I replied, although I had a pretty good idea what he meant.
"Do you think the breasts should be that big?"
I shrugged and said,
"That's how I'd like them to be."
He shrugged too, then looked at me with a smile in his blue eyes and said,
"Well, in that case, get ready!"
"Get ready for what?" I asked, puzzled.
"I'm going to breathe the spirit of life into your creation to see what happens."
He approached the clay woman on the table and blew hard on her. A blue mist enveloped the clay body, and it seemed to me that it suddenly began to move.
I woke up in my bed and shook my head, but the slight headache would not go away. I stayed in bed for a few moments, trying to remember the crazy dream I had had and, above all, how I had gotten there.
Last night I was at a club with Emma and we had a few shots of tequila because she was buying, and I was feeling a little greedy. I think I got a little tipsy, which is why I didn't find the man who approached us shortly after midnight so strange. He looked a bit like Mephistopheles from an old play I saw last year, and I really wanted to tell Emma, but she signaled me to be quiet, so I figured she knew him. His big ears and overly red nose were all I could remember about his appearance. Oh, and his extremely piercing black eyes.
We exchanged a few pleasantries, Emma more than me, then he motioned to the bartender to come over and said:
"I brought a small bottle of Paradis champagne. I hope it's okay if we drink it here."
The bartender wanted to refuse because it was club policy not to serve drinks brought in by customers, but after a few dollars discreetly changed hands, he said nothing and brought three large wine glasses.