It was a thunderingly beautiful experience -- voluptuous, sexual, dangerous, and expensive as hell.
-Kurt Vonnegut
The Auctionhouse stood out in Cimmeria's slums like a candle in a darkened room filled with staring eyes. Fingers of light from the lamp sconces, and out the dirty windows shone and wobbled through the thick smog. Each time the large double doors opened, the sounds of laughter, music, moans, and screams spilled out into the narrow streets, only to fade back into a dull hum when they slammed closed.
From the kitchen vents, scents of exotic spices from Sarabanda mixed with the coppery tang of blood to turn the stomachs of those who passed by, forcing them to wonder if their discomfort was out of disgust or
hunger.
Some swerved towards the doors, lured into the Auctionhouse and the wonders held within. Most hurried their step, cursing the bad luck that took them scurrying passed that accursed place.
I stood frozen on the sidewalk across the street from a small back entrance. A single flickering lantern hung above it, swaying in the wind as it blew autumn leaves and stray trash along the cobblestones. My fingers clenched around the wrinkled paper of the advertisement.
Was I really doing this?
It wasn't too late to turn back and run home. If I was quick, I might even beat the constable. If I hid in the attic...
No. Kate had seen me holding the knife, and she had run to get the police. Sure, a judge might believe me over the word of a servant girl, but his mother wouldn't. Kate had been with the Rocca family far longer than I had, and Mrs. Rocca already had reason to dislike me. Even if Kate hadn't walked in on me mid-crime, the merest suspicion would ruin me.
Not that it would matter, because I definitely wouldn't survive to a trial. I had known the Roccas were into some shady business back when Giacomo and I were still in love enough that I didn't care. Over the last few months, however, it had become clear that 'shady business' was a considerable understatement.
It wouldn't surprise me if Mrs. Rocca had already ordered a hit on me.
That was the thought that broke me from my stupor enough to cross the street. Distracted, I had to swerve out from under the wheels of a bicycle rickshaw trundling past. I caught a brief glimpse of a woman in a peacock blue and green silk dress and jaunty hat laughing as a man disappeared beneath her voluminous skirts. She lifted a long metal pipe to her painted red lips, and for the briefest of seconds, our eyes caught.
In those whiskey and opium-dulled depths, I saw the creature I had glimpsed in the mirror last night while Giacomo dragged me to his bedroom. Not much else of the night was clear, but that moment remained embedded in my corneas like the afterimage of a photographer's flash.
How had things gotten so out of hand?
The back door to the Auctionhouse had a sign on the door.
Always Buying.
Always Open.
Always Hiring.
I stuffed the advert in the pocket of the oversized coat I wore over my wrinkled and blood-soaked gown. It was Giacomo's coat. I hadn't been paying attention when I ran from the house, but now I wish I had. My jacket had included my wallet.
Nothing for it. I could never go back.
My hand shook as I raised it to pull the doorbell cord. I jumped at the loud clang, then jumped again as the door opened as though someone had been waiting right behind it. No one was there. The hall was dark other than a thin line of flickering incandescent bulbs directly above arrows on the floor in peeling white paint.
Lifting the mud-stained hem of dress and petticoats, I stepped over the threshold. "Hello?"
No one answered. I walked forward a few feet, and the door creaked closed behind me. Inside, a matching sign read.
Welcome to the Auctionhouse, Victoria.
I jumped. How did the sign have my name on it? I had heard the rumors that this place was more than met the eye, but I had been here just the night before. Like the hundreds of times prior, I had socialized, danced, played games. There had been danger and intrigue, but from the other socialites, not the Auctionhouse itself. Seeing my name carved into the wood, paint chipping with age as though it had been here for decades, was creepy even by the standards I had grown used to with Giacomo.