the-chambers-house-rm11-aida
SCIENCE FICTION FANTASY

The Chambers House Rm11 Aida

The Chambers House Rm11 Aida

by carmineblanchejr
19 min read
4.98 (1200 views)
adultfiction

Disclaimer:

The following story contains explicit content and is intended for mature audiences and open-minded people only. Reader discretion is advised.

This work of fiction includes themes of sexuality, romance, and adult situations and is not meant to be taken seriously. In fact some of my works may require you to suspend belief. It may contain scenes of explicit language, graphic depictions of sexual acts, situations of cheating and polyamory, group minglings, and other content suitable only for those over the legal age of consent in their jurisdiction.

All characters depicted in this story are consenting or willing adults and are works of fiction. Any resemblance to any real persons, living or dead, or both, is purely coincidental.

By continuing to read this story, you acknowledge that you are of legal age to access adult content in your area and that you understand the nature of the content provided and have an open mind for such things. The author assumes no responsibility for any actions taken by readers as a result of the content of this story. Further, the author accepts no responsibility if you are offended by what you have read.

If you are not comfortable with or legally allowed to access explicit adult content, please discontinue reading now.

___________________________________________________________________________

___________________________________________________________________________

Mather Cemetery was still, bathed in the eerie, muted blue of the approaching dawn. In the distance, there were small clouds of fog and mist hovering over the trees, and the air was heavy with moisture, leaving itself as dew on the grass and tombstones in the fields.

Because the weather had started to change and the first signs of fall were in the air, a gentle mist hovered over the grounds, drifting among the tombstones and markers scattered throughout the two parts of the cemetery bisected by the small road. One might look at the scene and think it was the set for a horror movie.

A small car broke the silence as it zipped down the road, causing the fog to separate and scatter. Then, slowly closing back on itself, the fog hid the road again.

The cemetery was far from empty, however. For some reason or another, there were those who were still there--some because they could not move on, some because they chose to remain. But there was another here with an agenda and a purpose, and she was standing next to her newly placed marker, watching out across the field.

Madam Isabella Crane turned her gaze toward her plot, which had been in her family since the cemetery was built. She looked at the names on the marker and thought of her mother, father, and sister, all of whom had died more than a lifetime ago. A part of her wished that, like her, some of them had been trapped here so that she would commune with them. Something that would give her some sense of familiarity.

She turned and looked around the grounds at the names of some tombs and headstones around her. Some were names she knew, others she did not. But these names were not ones that she was interested in. She was interested in another and could feel his presence here, in the distance.

"Duncan Sutter, I know you are out there and can hear me, " she said loudly.

She neither heard nor felt a response from him. She did, however, sense a sudden scattering of spirits--those still in this cemetery who had not yet moved on for their own reasons. But somewhere in the distant parts of this scared piece of land, she felt a sudden pang of fear--not her own fear, but fear from someone else in the area--fear from Duncan.

"Duncan Sutter, make yourself seen. If you have no guilt, then you have no reason to hide."

Still, there was nothing but the stirring of the other spirits she felt were present here.

Finally, tiring of the effort to get his attention, she shook her head, "I have no patience for this, Duncan. We will speak, and soon." Then she disappeared.

Martin was feeling good today. It had been two days since his evening with Angeline, and this morning, when he had gotten out of the shower, Amanda had left a note on his desk that said, "I miss you, and I love you. I hope to see you soon."

That was enough to make his day and send him on a working spree, which is where he was now, carrying wood and supplies up to the third floor for the contractors and then taking some of the refuse that had back down to the dumpsters. Initially, they had built a chute to send the trash down in, but to everyone's surprise, that was a potential code violation, so it had to be removed.

Tiffany was still off, enjoying some downtime, and, true to her word, had her phone turned off. Martin knew this for sure because he had tried to call her this morning to ask about one of the vendors, but the call went straight to voicemail, and her voicemail said it was full.

He was in the attic, helping one of the electricians run some wire, when he noticed a car outside that he did not recognize.

He finished helping run the electrical wire through the small openings they had cut for it, made sure they did not need anything else, and then walked over to the window and watched.

It was a black car with what looked like government plates, and the man who had gotten out was wearing a suit and a cheap suit at that, like the ones you buy off the rack at a department store. For some reason, Martin got a visual of him buying it at Nordstrom's Rack and thinking he got a good deal.

"Someone from the Mayor's office?" he thought as he watched the man talk on the phone.

Then he saw two of his workers, the ones who had been moving things out of the basement and into the storage containers, walk up to him, start talking, and point to the back of the house.

At about that time, two Vermont State Police cars pulled up, and officers got out. They joined the man in the suit, and the two workers, and then all five of them began walking to the house.

"What are Vermont State Police doing here?" He asked himself.

Almost as in answer to his question, Martin heard some heavy steps coming up the stairs and turned in time to see one of the workmen approaching him.

"Mr. Simms?"

He looked at the man, searching for the name, and then responded, "Isaac, yes, what's going on?"

Isaac was a workman with the construction company that had been the primary contractor for the refurbishment of the house. Martin was unfamiliar with all the employees because they seemed to occasionally cycle them out to other projects, but Isaac had been involved in this project from the start. Martin suspected that it was because he was a bit autistic, and one of his gifts was a talent for detailed painting.

Isaac had repainted all the doors to the ladies' rooms. Though Isabella would not confirm or deny, Martin suspected that some of the ladies had shown themselves politely and supportively to Isaac.

Isaac stammered and said, "There's a body, sir. They found a body."

"A body, where? Who's?"

He motioned for Martin to follow and said, "I don't know, Mr. Simms, it's in the basement, behind some boxes that were being moved out to the storage rooms."

Following Isaac down the stairs, Martin could not think of what could have happened that there would have been a body down there.

When they reached the first floor, a crowd gathered around the door leading to the basement, and there was no easy way for him to get down there.

"Hey folks," Martin yelled, "Let's clear a way."

Everyone moved out of the way as Martin and Isaac entered the basement. He saw the man in the suit and the two uniformed officers there.

One of the officers stopped him and said, "Please step back, sir. This may be a crime scene."

"Officer," Martin looked at the nameplate, "Taggert? My name is Martin Simms, I own the property; what's happening?"

📖 Related Science Fiction Fantasy Magazines

Explore premium magazines in this category

View All →

At that point, the suit looked at him and approached, "Mr. Simms, I am Detective Sergeant Halsey, Vermont State Police." He looked around the corner of the room and then back at Martin, "There was a report of a body, but this seems to be an old issue. Can you come and take a look?" Then, he motioned for the officer to let him through.

Martin followed Sergeant Halsey to the corner of the room and saw a pile of dirt spilling onto the floor, along with crumbled pieces of cement and wood. In the pile was part of a torso, a leg that looked like it was cut below the knee, and a hand.

The detective looked up at Martin, "Your house has a bit of history to it, doesn't it?" He asked.

Martin nodded, "Yeah, pretty much the entire state knows about the Chambers House I think." he said, slowly squatting and looking at a small piece of jewelry he saw. It was a locket with a picture in it, but it had been turned so that he could not see the image.

Nodding, Halsey said, "The Coroner is on the way, but I am thinking that this has something to do with the tragedy that made this house famous, Mr. Simms."

Martin nodded slowly. In the gap where the dirt and body parts had emerged, he could see what looked like some reddish hair.

"Amanda?" He thought to himself

Martin asked Detective Halsey, "What do you need from me?"

Halsey looked at him and smiled, "If you could get all your people out of here for now and let us investigate this, that would be perfect. But I do not see this as a fresh crime scene, so I do not think there is no need to question anyone." He thought momentarily, then added, "Except maybe the two that found the body, just so we have the details."

Martin nodded, "I will get it done, and if you do not mind, please let me know what you find. I have been updating the remaining families of anything I find while we work in the house."

Detective Halsey nodded, "Understood, but it all has to go through the department first."

"I understand."

Martin stood up and looked at the throng of people gathered at the foot of the steps going into the house and the steps going up into the backyard.

"Hey everyone, get back to work and leave this area alone," He yelled, "Clear out, Now. If you were working down here, go see your foreman for an alternative job." Then he added, "Isaac and Jesse, you two go answer some of the Detective's questions."

Everyone slowly moved out of the room and up the stairs. Martin started up the stairs but was stopped by the detective.

Before Martin left the room, the detective asked, "Mr. Simms, could you please give me your number? "

Martin turned, gave Halsey his number, and then headed back upstairs. As he got to his office, he saw the Coroner's van pulling up in front of the house.

As he watched the crowd form on the sidewalk in front of the house, he saw a news van from Brattleboro pull up. A smartly dressed woman climbed out. He remembered her from when he bought the house. She had interviewed him and walked him through the lower floor.

"Shit." He muttered.

"What is happening, Martin?"

He turned to see Madam Isabella standing beside him, looking out the window with concern.

"They found a body in the basement." Martin said as he exhaled, "It was hidden in the walls."

She looked at him and said, "In the walls?" Then she turned back and looked at the van. "Do you know whose body it is?"

He looked at her, his face drawn, "Petite with red hair..."

"Amanda!" She gasped.

Martin nodded slowly, "From the little I could see, I think so." He walked over and sat at his desk, "Madam, the body looked like it was cut up."

"Cut up?" She asked, turned back to him, "You mean butchered?"

He shrugged, "I suppose. But I was not able to get a good look at it. There was also a locket, but I could not see the picture inside."

The Madam remained silent as Martin watched her. She stayed that way for some time before Martin spoke again.

"Are you able to look in the basement and see anything?"

She shook her head, "I do not know why, but the basement is the one location in the house that I have no ability to go." She scowled, then looked at the floor, "It's like there is something blocking me. It's the same with all the girls, as well. None can enter the basement."

"What happens when they try?"

She stepped closer to the window, watching the news reporter talk to random bystanders, then looked at Martin. "Usually, they just reappear in their room. For me, it just feels like something is pushing me back as hard as I push to get in."

Martin's phone buzzed, and when he looked at it, the Madam could hear him exhaling sharply.

"What is it, Martin?"

He held the phone up to her so she could see the screen. The image was of a mummified head, but the identity was clear.

Isabella brought her hand to her mouth, "Oh my, it is Amanda! The poor dear."

About an hour later, Martin heard a knock at his office door. Isabella had disappeared sometime before, so there was no need to worry about her being seen.

"Come in." Martin said loud enough to be heard through the door.

Detective Halsey walked in with another man dressed in jeans and a black polo that said simply, "Coroner."

"Is this a good time, Mr. Simms?" Halsey asked with a smile.

Martin nodded and pointed to the two chairs, "Certainly, have a seat."

Halsey started as they took the seats, saying, "Mr. Simms, you already know me, but this is Dr. Poll with the coroner's office, and he was extracting the body we found."

🛍️ Featured Products

Premium apparel and accessories

Shop All →

"Ok. Nice to meet you." Martin said as he took his seat.

"Mr. Simms, I need to record this meeting, if you do not mind," Halsey said, placing a small digital recorder on the desk and pressing record.

Martin shook his head, "I do not mind at all."

Detective Halsey nodded, then started, "This is Detective Sergeant Nathan Halsey with the Vermont State Police and I am with Docter Philip Poll, County Coroner, and Martin Simms, the property owner at 1515 Trundelle Street." He paused, then looked at Martin, "Mr. Simms, do you consent to this meeing being recorded?"

"I do."

Over the next two hours, they talked about the body, its location, its condition, and how it had been disposed of in the wall.

Martin had several questions, most of which the coroner said he would have to complete a full examination of the body before he could answer.

When it was done, the day was ending, and Halsey apologized for keeping him and let him know that since the body was obviously part of the 1902 incident, there was no concern about any wrongdoing on the part of Martin or his staff.

After they left, he walked down the steps and into the basement to the place where he had seen the body.

The area was completely excavated now. All the dirt had been removed, and he could see back to the original wall and foundation.

He felt a sudden pang of sadness that this might have been the last resting place of Amanda for all these years. He stood and turned to go to the door when something on the floor caught his eye. Under the edge of one of the boxes that had been moved out of the way was a glint of silver.

Martin approached and tried to pick it up, but it was stuck. Lifting the box a little, it came free and he saw it was the locket that he had seen earlier on top of the pile of dirt. It must have gotten knocked loose in all the movement.

He carefully opened it and saw a faded picture of a baby within. On the other side of the little door, he saw a hand-etched message that looked like "IC."

"IC... Isabella Cranston." He whispered.

Carefully, he closed the little case and put it in his pocket, then walked around the basement.

Isabella had said that it seemed like something was blocking them from getting down here, so he thought he would see if anything stood out to him. He was not even sure what he was looking for.

"I have no idea." He said to himself as he looked around the room, checking in gaps and behind the old, disused boiler and the newer heat pump and water heater. Shaking his head, he finally gave up and said, "I will talk to the Madam about this later."

Heading upstairs, he entered his office and called, "Madam?"

A moment later, she appeared next to his desk.

"Good evening, Martin."

He nodded, "Good evening. I looked around down there to see if anything stood out to me that might be preventing you from accessing the basement, but I could find nothing." He sighed in frustration, "But I have something you might want to see." He pulled the small silver locket out of his pocket, opened it, and set it on the desk.

Isabella looked at it closely, "Oh my."

Martin could hear the emotion in her voice as she said it, and he could see that she was moved by what she was looking at.

Looking back at Martin, she smiled and said, "I will let Amanda know that you have this, I am sure she will be pleased." She looked at it again and added, "To bad the picture is so faded."

"Let me see what I can do about that, Madam." He picked it up and put it on his desk. "We have technology that will allow us to enhance it."

She nodded, "Very good, I will also tell this to Amanda."

Stepping back, Isabella looked at Martin and asked, "Will you be in room eleven tonight?"

He nodded, "Yes."

Isabella smiled, "Aida, a lovely women. She was the first Negress I had in my employee and was very popular." She folded her arms, "You want to impress her, pronounce her name as 'Ah-ee-dah'."

Martin grinned, "Giving me an inside edge in the game?"

She looked puzzled and said, "I am not sure I understand the reference, but I am only making sure that you get off to a good start." She looked at him for a moment and then added, "She likes to play the huntress and play with her prey."

He nodded his head, "Good to know."

Still smiling, she shook her head and said, "You will see. On that note, I bid you good night, Martin." She nodded to him, turned, and disappeared.

Martin looked back at the small piece of jewelry lying on the table. Using a toothpick, he removed the faded picture from it and placed it in a small plastic baggie. Then, he went to his desk, grabbed a Post-it, and wrote a message for Tiffany to process the picture and clean it up.

Before he left the office, he walked to the other side of the room, looked out the window, and watched the sky for a moment. The season was changing, and clouds were on the horizon. It would start getting colder now, and they would begin to see snow in the next two or three weeks.

"I love Vermont in winter." He said to himself.

The hallways were always creepy when Martin was the only one here at night. It was not because of the possibility of ghosts. He was well aware of their existence and had several vying for his attention.

No. It was what he thought of as the "John Carpenter Effect." Not the knowledge of what was there and what he did know, but the fear of what he did not know. A floorboard creaking when there was no one there, a light flickering for some unseen reason, and a motion through a window that might or might not be a passing car's headlights.

So when he walked to room eleven, down a hallway where half the lights were out because they were still working on the electrical, you will understand why he jumped when he heard an unexpected voice behind him.

"Hiya!"

Martin jumped and stumbled a bit, then turned around and saw Trisha, or T, as she liked to be called, standing where a door used to be along a missing wall.

"Fuck me running, T, you about gave me a heart attack."

She frowned, "I'm sorry." Then added, "It looks like Betty and I are going to have to wait a while, huh?"

He looked at her, then at the last two rooms on the floor, the ones where the walls had been completely removed, and one had even had a section of the wall removed on the outside so that you could see out to the street.

"Yeah, I'm sorry, T. They're working as fast as they can." Martin walked over, peeked into the rooms, and saw that everything was still down to the framing. Then he looked back at her and said, "They did move all your things to the storage, though, so you will not be missing or lost."

Enjoyed this story?

Rate it and discover more like it

You Might Also Like