Author's Note: This will get violent again, but the violence will not be sexual. Also, I recently submitted a story in which I noted that I was still working on this one, but I don't know when or if it will be approved of and published. So, if you read that one, and get confused when you see that this last chapter here is already done, then at least you'll know why.
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Some time ago, while giving a motherly lecture to her sons, Danetta had said, "If you were to wander in the wilderness, and you found a delicate little music box that worked exactly as one should, you'd know the music box was created by an intelligent designer because it's so complex. Therefore, one should look around at this beautiful world and assume that because it's so complex it must have had an intelligent designer. Don't ever be so arrogant as to assume there are no gods. The evidence is right here."
Erdgar had overheard this, but he didn't say anything. At the time, he didn't have his thoughts completely sewed together. He had been a bit high too. Besides, he didn't want to weaken the words of his children's mother. It wouldn't do at all to have his boys rebel against her.
Over time, though, Erdgar believed he had created an adequate thought or two concerning his beloved wife's statements.
On a morning covered with melting snow, as Erdgar and Andreo were slowly driving their horses through the woods and towards the castle, the master of the estate decided to place his thoughts before the eldest child.
"Little Button?"
A pause. Then the boy nodded down at his hands.
"Are you listening to me?"
Another pause. Then the boy gave a soft, "Mmm hmmm."
Erdgar sighed and looked back a moment, noting the sloppy prints the horses were leaving behind in the sloshing snow. Blobs were splattering and dragging along. Then he looked ahead. "I love your mother, and so should you. She's a good woman, and she'd do anything for you."
"Mmm hmmm."
"But, don't go tattling to her about what I'm about to say. Do you understand, Son?"
He heard Andreo's gentle little sigh as he slowly absorbed the words. He almost sounded like a girl, but he was becoming a man. Soon, his voice would flitter and bounce and every word would have at least two inappropriate pitches to them. "I know, Papa. I won't tattle to Mama."
Erdgar took a breath, tasting the cold air and earth. "Your mother's a pious woman, and that's fine, but some people act as if when you have a religion there's no need to think for yourself. I believe your mother has started to blindly follow her religion, and I'm worried that you might become the same. Take this example, the old argument with the music box. If you were to find a music box in the wilderness, the reason why you'd assume it was made by someone isn't because it's complex. It's because it's different from what you'd find in nature, completely different. Otherwise, you wouldn't have even noticed the blasted thing."
Erdgar cleared his throat. He wanted to seem wise. "There's no reason to assume that natural things and unnatural things were both made in the same way since they are so different. Not only that, but we humans have knowledge of humans creating music boxes. We have no experiences of anyone or anything creating nature itself, especially not a god. We don't even have an experience of a god creating a music box."
There was a moment where nobody said anything. It was uncomfortable. Erdgar filled the space with humble words. "Ah ... Son ... I hope you don't think any less of your poor father. I suppose ... I'm always holding hope in you and your brothers. I want you all to be fine men, and I don't believe a fine man, or any man at all, should have a perspective standing on a foundation of loose bricks. Mortar is vital, Boy."
And suddenly, his face was warm and his legs tingled. He hurried to tell Andreo, "Listen, now! Don't assume your mother is an idiot! She's not! She has her reasons for thinking this way, and I'm not cross with her. Nobody should be. It's only ... well ... it's a knotted issue. Most adults don't know how to bear such a thing." Erdgar used a single hand to adjust a thick scarf around his head. Then he said, "A husband doesn't need to agree with his wife on every issue there is. You'll have to marry one day. You'll have to have legally recognized children to continue the line. I don't want you to carry on without an excellent foundation. Your children will suffer if you do."
It took perhaps two full minutes for Andreo to respond with a very docile statement. "I understand, Papa."
"Do you?"
Thirty seconds later, Andreo said, "I said I understand. That means I understand."
Well, that was fine. Andreo was the sort of boy who said exactly what he meant, after all.
***
Tomek realized something was wrong when he saw a shadow creeping down the alley between his townhouse and another.
It was almost spring. He had been considering going off to the capital to enjoy the Social Season. Heidi would have to dye her hair and draw a few false moles on her face, and they'd have to keep a low profile while in the capital, but it could be done safely. But, maybe they should wait a year or more to even try it? To give people more time to forget the famous fighter and his wife?
He wasn't quite certain.
He did know, however, that there was danger crawling about, and that needed to be dealt with first.
He happened to notice the trespasser as he entered the house on a rainy night. That shadow .. it didn't move as a poor beggar would. It moved with confident purpose.
He reminded his roommate and his wife to put their sliding locks on their doors in place. Then he reminded them to lock their windows. Then he carefully, quietly warned them that someone might be lurking about the house. Olga nodded with narrowed eyes and well trained fingers flexing at her belly. Heidi ... well ... she leaned into him, gazed up at him with frightened, wide eyes, and whispered, "Could it be ... could it be your past returning to you?"
Tomek doubted that it was The Colony. They were too weakened, screaming in their death throes. There was the small chance, however, that the government was after them. However, it was still fairly unlikely. Even if the authorities had the lists of the assassins' names, they probably didn't have the information concerning the identifying burn scars. Even if they did, the scars were all in private locations, and the government wasn't about to line up every single person in the nation to examine their bodies.
There was still the idea that some creep was planning a robbery or something.
But Tomek didn't want to be careless. There was a pregnant woman in the house!
Now, assuming that the shadow was targeting someone, who was being targeted?
One of the two women, or even the servants, could be likely, if this shadow was the average sort of criminal. Now if Tomek was the target, then there would be a few signs.
Nothing happened that night, but he knew that person was there, walking around the place, trying to remain hidden from everyone's eyes. Poor Heidi was so upset that she wouldn't even play the violin, which was a shame. She could play beautifully.
Tomek decided to test the trespasser.
On the night after that one, Tomek told Olga to watch over Heidi. Then he dressed himself as if he was planning on having a happy nightly stroll. He even took a very fashionable cane with a golden handle. As he stepped down the stoop of the house, he very rapidly let his eyes touch a few areas around. He noticed the figure just barely peeking out from across the street. He knew it was the same person. It had the same size, same gait, and even the same behavior. It was quietly trying to not be noticed.
Besides those two people, Tomek and the shadow, there didn't seem to be many people around. The streets were practically empty.
The snow had melted away. All that remained was chilly air and the undeterred hope for spring. Tomek lifted the hood of his cloak and turned right. His heels echoed on the pavement.
A moment later, he heard daintier footsteps a good distance behind. His head remained high and straight. He felt the white ribbon in his hair brush against his nape. The weight of his cane was unusually great in his hand. He let the end of the cane tap against the pavement as if every step he took required leverage.
So ... he was the target, huh?
The shadow wasn't an assassin. It was too clumsy, too obviously inexperienced with stalking prey. If this was an officer of the law, why wasn't he being arrested right now?
His free hand sunk into one of his coat's pockets.
He walked on, and on, and on ... waiting ...
Once a good while was wasted, Tomek halted at a very large building of plain but hefty bricks. It wasn't a beautiful place, on a cotton spinning mill. It was barren of any comforts other than a lobby and a few offices. Everything else was reserved for complex machinery.
Tomek walked under the street lights, his form tinted in a faint yellow orange. He hung his cane on a button on his waistcoat. Then he pulled a little tinderbox and a ring of keys from a pocket. He lit an outdoor sconce near a side entrance. He unlocked the door.
Still there, waiting, watching, pursuing.
He entered the building. He didn't lock the door. He didn't completely close the door. He left a crack there as he put his keys back into his pocket.
As he walked, he paused at times to light a sconce or a lamp. In this choppy, slow manner, he moved up a narrow set of stairs and into a hallway on the second floor. His office was a room in the middle of one side of the hallway. He chose the door to that office. The hinges there were a bit squeaky. He left that door subtly ajar as he entered.
He placed a lit candle on a side table near a window. Then he turned a tall, leather office chair, a sort with wheels on the bottom, towards that window, as if he wanted to lazily admire the urban scenery.