Mix of modern-day and fantasy adventure with F/F romance, poetry, and eventually some smut. Hope you enjoy it!
* * * * *
Rafi and I had been friends for years, but there were still a few things I hadn't figured out about her. I knew she was a fellow nerd—we'd been playing Dungeons and Dragons together for five years—and I knew she liked cats and sci-fi, and worked for an architectural firm.
I knew "Rafi" was short for Rafeeqa, and that her family had come from Iraq as refugees when she was eight, after her mother died. I knew she was Muslim and wore
hijab
and drank lemonade on D&D nights when the rest of us had cider, and that our party of heroes had to get by without her wizard for a month every time Ramadan came around. (She assures me that this is why Gandalf and Dumbledore kept disappearing at inconvenient moments. I am unconvinced.)
I knew she had several queer friends, me included; Lucy and I had a standing invitation to her family's Eid celebration, and she made no bones about introducing us as a couple to anybody who might ask.
("Does that bother them?" I'd asked. "Some," she'd replied, "but that's their problem. My uncle said he doesn't understand homosexuality, but if Cory Bernardi hates gay people so much, they can't be all bad.")
But I didn't have a clue about her own orientation. In five years of hanging out with Rafi, the closest I'd seen her come to romance was arguing over whether Ron and Hermione were suited to one another. I didn't know whether to read her as closeted, aromantic, or just waiting for Mr. Right.
It didn't matter to me—or perhaps I should say, I didn't
allow
it to matter to me. I was very fond of Rafi; she was one of the sweetest and smartest people I knew, and if I'd been unattached that might well have developed into a crush. But I was in a happily monogamous relationship with Lucy, and I had enough sense to know that nothing good could come from thinking too hard about Rafi's possible inclinations.
Then in a few months, everything changed. Lucy was offered her dream job in the UK. I didn't know anybody there, and I didn't want to move away from family in Melbourne. We talked it over and came to the hard realisation that I'd be miserable if we moved, and she'd be resentful if we didn't. From there the conclusion was inevitable. It was amicable enough as breakups go, but still it left me bruised and bleeding: "I love you, but not enough."
Around the same time, Rafi was looking for somewhere to live; the lease on her flat had run out and the owner wanted to sell. I needed somebody to share the rent that I'd been splitting with Lucy, and after previous experiences I wasn't keen on living with a stranger. (Ask me why I stopped eating watermelon; better yet, don't.) So Rafi and her elderly tabby, Bilqis, moved in to what had been Lucy's study.
A couple of weeks later, I slipped on somebody's spilled coffee at Spencer Street railway station and messed up my ankle big time. Surgery, steel pins and a plate, the works. I was off my feet for several weeks, and on crutches on and off for months. After the cast came off I started rehab, which meant a series of painful exercises to strengthen my ankle and restore mobility.
I'd always thought of myself as somebody who was enlightened and compassionate about disability in others. I was not prepared for the reality, for how diminished I felt when I had to plan in advance for something as trivial as a walk to the shops, and budget in pain and energy. Of course Rafi offered to help, but asking felt like an admission of weakness. It would have been different if I'd been able to lean on Lucy, but... no. I felt helpless, and I resented it.
I drifted into bad habits, putting off the exercises as long as I could. I told myself I'd do them in the evening, last thing before bedtime, and so bedtime drifted from eleven to twelve to one o'clock, and as often as not I'd end up telling myself that it was too late, and promising to do my rehab in the morning. You can guess how that worked out. I was self-employed at the time, doing website design, so I didn't have a reason to get out of the house or to keep sensible hours.
It came to a head one night when Rafi wandered out at two a.m. for a glass of water and found me on the sofa watching late-night TV. It had not been a good day; I'd just done the paperwork to take Lucy's name off the gas and water bills, and that had nudged me back into one of those unpleasant feedback loops of anger and regret.
"Penny, can we talk?" said Rafi.
"Sure."
She sat in the armchair facing me, and Bilqis immediately jumped into her lap. "I'm worried about you. You're not getting nearly enough sleep and you're tired and grumpy every day."
"I know." I told her about the exercises, how much I hated doing them and how stupid I felt about not doing them, and she nodded along.
"Can I help? If you ask me to, I'll nag you every night until you do them. I'm an excellent nagger."
"Not just that. Even when I do them, I'm not sleeping well. My foot hurts in the night." I'd stopped taking the oxycodone they'd given me, because it wasn't doing anything for me. (I found out later that it's a redhead thing; the same mutation that makes us ginger also affects our reaction to painkillers. Who knew?) "I wake up and then I start thinking and can't get back to sleep."
"Lucy?"
"Yeah. I miss her. Hate feeling like her job mattered more than me. And then I feel like a hypocrite for not going with her."
She shifted Bilqis aside, came over next to me on the sofa. "Oh, honey. Of course you feel sad. How long were you with her? Was it four years? I like her too and I'm sorry it didn't work out. But as your friend, as somebody who cares about you, can I give you some advice you might not want to hear?"
"Okay."
"Please think about seeing a counsellor. I'm always here for you, but I think talking to a professional might be good for you. It's helped me." Rafi didn't talk about it much but I knew she'd had some bad experiences in childhood, both in Iraq and later when her family were in refugee limbo.
"I don't... it seems stupid having counselling just for a breakup."
"Penny, it's not a competition. I can see you're hurting. Please will you think about it?" She squeezed my hand.
"I will. And, thanks for listening." While we talked, Bilqis had sprawled across my lap. There's something very soothing about a cat who purrs easily.
"I used to get nightmares," Rafi said. "Hated going to bed. So Dad bribed me with stories. Every night when I was tucked up in bed he'd pull out a big book of the Thousand and One Nights."
"Really? Is that suitable for children?"
"He skipped a lot of the stories. I got hold of the book and read it for myself when I was fifteen. It was quite an eye opener. Many of the ones he did tell me weren't in the book at all, he just made them up for me."
"Your dad's the best. That's really sweet." My ankle twinged, and I grimaced, and thought about Lucy's empty spot in the bed. "I wish somebody would tell
me
stories at bedtime."
"I would," Rafi said.
"Oh, I was just whining, I didn't mean—" I remembered something Lucy had once said:
Penny, you really need to learn how to say yes.
"Wait, really?"
"I would. Not tonight, it's three in the morning and I have to work. But if you do your exercises and go to bed by eleven, I promise you a story tomorrow night."
And this is the story Rafi told me—or at least, an abridged version. The tale she told me had many more digressions and side-plots and stories within stories. I have left out the stories that the sea-captain told Fadil and Adiba, and the stories they told in return, and many others beside. This is the heart of her story, and although I've condensed it to a few short nights, you should understand that it was months in the telling.
* * * * *
Once, it is said—but only Allah knows for sure—there was a widowed old man named Fadil al-Katib who worked as a scribe, copying books and writing letters.
He had a daughter Adiba, clever and beautiful (are not all daughters beautiful?) whom he loved above all things. Adiba read all that he copied, and so became versed in all manner of things. As she grew, Fadil taught her his craft. She soon became his equal; then, his better.
In the city of Prince's-Splendour where they lived, it was
haram
to draw or paint any living creature. But it was not forbidden to write. So writing became a great art, words formed into ornate shapes of black and red and gold, and in all the city Abida was the greatest of artists. From letters and sentences she formed the petals of roses, the feathers of eagles, the eyes of lovers, so skilfully that it seemed they might come to life.
Although none but Fadil knew the true artist, Adiba's work became renowned throughout the city, and at length it came to the notice of Prince Kedar. "Bring the calligrapher to my presence, that I may honour him!" ordered Kedar.
But the Prince had a name as a cruel and rapacious man, and Fadil feared for his daughter, so he came himself. "I am the calligrapher," he said, "but I do not seek reward. It is enough to have pleased your highness."
Then one of Kedar's courtiers whispered to him, "I have seen this man's work, and he cannot be the one you seek. His lettering is indeed praiseworthy, but the other artist surpasses him as the moon surpasses the stars."
So Kedar commanded Fadil to write for him, and he saw that it was just as his courtier had said. Then he grew angry, and ordered Fadil al-Katib thrown in prison to await execution on the morrow.
When Adiba heard of this, she lost no time in coming to speak to the Prince. "I am Adiba daughter of Fadil al-Katib," she said, "and I am the one you seek. I ask your forgiveness for my father, for he was only seeking to protect me."
When Kedar looked on her, all thoughts of calligraphy flew from his head, for he was overcome with lust. "I shall forgive your father and reward him richly for his diligence," said the Prince. "But you must give yourself to me this very night, for I desire you. Else I shall have his head, and yours too."