This story is a part of the wider writing set of 'Shalirion: Land of Magic, Sex, Sorcery, and Peace', which contains the longer story of Princil's Magic, a fantasy which can be found in the Sci Fi & Fantasy category.
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Life Before The Invasion: Princil's Art
"Come mother," said Remzain. "Princil's going to do a performance."
"Where?" asked Serena, Princil's mother.
"In the City Square."
"What magic?" asked Serena.
"He's going to do his picture trick."
"That is not exactly a trick! He looks upon it as a work of art," said Serena. "He's very serious about it, and rightly so. They are beautiful."
"I know they are. He's done pictures for me before and I cherish them." Remzain did feel she and her fullbrother were on the same wavelength.
"I am not going down there," said Serena. "I have seen this magic before."
Remzain went down the 'long steps' towards the Square, which was a wide courtyard outside the City Hall, where the Councillors met to govern the city. Some days market stalls might be erected to sell particular types of produce. On other days painters, artists and artisans might create their pictures or sculptures, or their crafts, taking the opportunity to sell their artefacts and creations to those who wished to buy or to take commissions for new works. These gatherings were not all about selling. Citizens came just to look at each others' work or to admire those who did create.
Princil was in the square, his easel erected before him. A middle aged lady stood before him, in a goodnatured pose. Remzain could see Princil was concentrating, his head craned forward, looking directly into the eyes of the lady. On the easel a painting appeared to be painting itself. Remzain came around the back of her brother, not wanting to disturb his concentration or upset his customer. She wanted to see the painting better as it formed. Her brother would have begun the lines with his own hand, in the normal way most people would create a painting. The magic would have taken over as he cast his spells. Although she had seen her brother do this before she gasped when she saw the painting he created. Instead of the normal middle aged looking woman before him he painted a portrait of her essence. She was transformed into an image more beautiful than the real woman, although she was perfectly nice to behold, in an ordinary way. This image rippled gradually across the canvas, flexing its shape to find perfection. Remzain did not know whether it portrayed the woman's image of herself, or whether it was how she wanted to be, more beautiful than the reality. Or perhaps this was the woman as she had been when a few years younger. Her face lost certain lines which were developing, and the skin was smoother. Beauty glowed more brightly, and inside those eyes was confidence and playfulness, the sparkle of confidence that the woman in the painting could consort with any lover she chose, be admired by all. Costumes shimmered and crystallised into existence on the canvas, doubtless from the memory of the woman, alluring, sexual, fashionable. Her flesh was warmed by the sun, brown hair free and voluptuous.
Remzain watched as the painting coalesced and appeared to finish itself. It was a beautiful painting; the woman was quite gorgeous. Remzain might have loved to kiss that woman herself, so beautiful did she appear, and how much more so would a man have been attracted to her, any man!