Nigkala Tales Pt. 13: Degree of Separation
To err is human, to air is divine
Thanks to my editor kenjisato. Also, to LanguageTool. Combined, they put me right. Any problems left all belong to me.
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Finally, the email arrived. It contained the description of the outfit I would need to wear, with an attached pattern showing the standard attire. I had requested this, since they didn't have anything in my size. I know I never expected to again be at a university graduation as anything other than an audience member. But my work for the museum made a significant impact, and the curator of the work I did got me this gig. In a few weeks, I would be in front of a crowd of thousands, giving them a speech to inspire them.
I had already purchased the fabric, so I studied the pattern to discern how it was supposed to look. I then began cutting the fabric for the gown. I had co-opted our maid, Cindy, to help with the fabrication. Mostly, she pinned things where I told her to, and handed me stuff as I needed it. By now, I was an expert costumer, and the gown was finished in a day. Although I did not like the fact that the gown let almost no skin show, I found a black satiny fabric that wasn't quite opaque in bright lights. I also added side slits that showed a fair amount of leg when I walked, but showed nothing when I stood. I already had comfortable black flats to wear.
The next day, I made the hood. They were very specific about this. It was to be made with the same black fabric as the gown, with a brown velvet edge for my theatrical degree, and a satin field with chevron of blue and yellow for my college. The outfit is like what I saw the faculty wear at my kids' graduations. They had hoods, and this was one. The third day, I made the cap. When they said a gold-colored tassel, I used one, but added a real gold band over the existing one. It was thin, but shiny. To finish off the outfit, I made a pair of earrings. One was the theatrical comedy mask, and the other was the theatrical tragedy mask. They were real gold, with silver accents and openings for the eyes and mouths.
I decided to take some pictures of the earrings, as I had not found anything like them on the internet. I sent it to my business agent to have them copyrighted and licensed for jewelers. Who knows, it might make money. I then dressed in the full outfit and had Cindy take pictures. I took a few more with a close-up of the cap, and of the hood. I sent them in reply to the email to see if they would be acceptable. They were. Now, all I needed was to work on my speech. But I had a few weeks for that.
I arrived at the football field, and headed for the area designated for faculty. I checked in, and was directed where to robe up. When I was robed, I was to report to the master of ceremonies for some last-minute instruction on how everything would go, and where I was to sit. It didn't take long to find her.
"Hi there. I'm Becky Sue Tate, but you might have me listed as Helen Asher."
"Let's see... Here it is. Becky Sue Tate. Guest speaker, seat 12. Follow me." She led me to a mockup of the stage.
"You will be in line after Doctor Burke." She positioned me on a line taped to the floor, and stood next to me on the line.
"Pretend I am him, and follow me." She led me and stopped at a series of taped rectangles in our path. They were a different color.
"These are steps." She carefully stepped in each one, and into a large taped area with chairs. This outline also used a different color.
"This is the stage." She continued walking.
"Note the numbers on the seat of the chairs. Dr. Burke sits in number 11, over there, and you are next to him in number 12." She then walked opposite her chair and then stepped off the taped path and stood by her chair.
"When you get to your chair, walk over to it and stand. Sit or stand when everyone else on stage does." She then sat, so I did.
"When you are introduced, stand, follow the path to the podium, and give your address when indicated. When you are done, step back and return to your chair. At the end, reverse the process, and return here to change out of your outfit. Got it?" She didn't wait for my reply, but left.
I started asking and soon found Dr. Burke. "Hello there. I'm Becky Sue Tate. Looks like I am in line after you. Mind if I hang around while we wait?"
"No." He looked up at me, and said, "You a guest speaker?" I nodded. "There will be a lot of standing. You might want to switch out those killer heels for some flats. No one will see them anyway."
"I'm not wearing heels." He looked skeptical, so I lifted the hem and showed him my shoes.
"You mean you are that tall? Wow. You ever play basketball?"
"No, in college I played four years on the football team. Quarterback. Helped the team standing immensely, but the division was the wimpiest, so that doesn't say as much as it might."
"Was it touch or flag?"
"Standard. It usually took three to bring me down. That opened up my receivers, and I got a lot of yardage that way. The opponents never had sufficient defense to cover my receivers, my runners, and me. And if they rushed, I usually gained yardage."
"Yeah, I can see it. But your hood indicates what, theater? Your earrings look kinda familiar."
"Professionally, I'm an actress, and I have a bachelor's degree in the Dramatic Arts. I made the earrings, and yes, they are Comedy and Tragedy."
"They look professionally done."
"Thanks."
"But I'm not sure you have the correct regalia."
"I make most of my own clothes, because I cannot buy off-the-shelf. They gave me this pattern, and I sent pics after I finished. They said it was good."
"Oh? Looks like today's ceremonies might get interesting."
"How so?"
"I don't want to spoil whatever is planned."
"Oh well. I hope I won't have to do improv."
"I doubt they would do anything too outlandish, so you should do fine."
"Okay. Say, how soon do we get started? I never got a schedule."
He looked at his watch. "About twenty-five minutes."
We continued to chat, and at about five minutes to go, they called everyone to get in line. Dr. Burke introduced me to the man behind me. Before I realized it, we were heading on stage at the football field. There must have been over a thousand graduates, and the stands had maybe three times as many. Dr. Burke gave me a running commentary on the process, saying it helped him keep awake. When his name was mentioned, he said quietly, "My turn." He spoke for a few minutes before returning.
"Ms. Tate, please come here. Dean Jones, if you will."
Dr. Burke said, "Your turn. Break a leg, so to speak."
I arrived next to the podium, as did the dean, who was given the mike.
"Ms. Tate, I am Dr. Robert Jones, Dean of the Archaeology department. We have asked you here for two reasons. You already know you are a guest speaker, but we also want to do more." An aide passed him a scroll. Unrolling it, I could see all the fancy print, but he didn't give me time to read it, instead showing it to the graduates. "Some years ago, under the auspices of Dr. Deniz Kaplan, Ms. Tate translated an unusual ancient book. Her work was extraordinary. She revealed Egyptian influences in cuneiform writing, and gave an extremely detailed translation. Not just a simple one, but also possible others, and why she chose what she did. There has been a lot of argument over what the translation means, but not over its accuracy.
"A few months ago, she was also involved in the Akkad tablets. Yes, the same ones you recently studied. Before she got involved, they were in a million pieces, and it was thought a hopeless task to re-assemble them. She managed in under a month. Experts have studied the reconstruction and have yet to find a flaw. Other experts believe these tablets were created in Akkad, the city of Sargon, and written by his daughter Enheduanna. While that is still under discussion, the tablets themselves are either the originals, or among the earliest copies.
"In both cases, her work has been extraordinary, and significant. She also identified some cylindrical seals just by briefly seeing them in an exhibit. It is clear she is an Archaeologist among the many other things she is.