Interregnum Two - Roll The Bones
A few months later, Kevin Bishop had what had to be the strangest day in his entire life. When he'd woken up in the morning, he and Fatima had realized that they both had an appointment on their calendars that neither of them remembered making or agreeing to.
"Elizabeth? What's this M&M lunch meeting that 'Tima and I are both scheduled for?" Kevin asked her over breakfast. Fatima wasn't as bothered by it as he was - she had meetings scheduled all the time that she never knew what they were entirely for, and so she'd often be on her way to a meeting and having to call and ask what it was about, as Elizabeth had taken over the role of her executive assistant as well, neither Kevin nor Fatima's life so demanding that one person couldn't handle both.
"I'm not entirely sure, sir," Elizabeth told him. "But it is coded in purple in your library, which means it's a top priority, and should not be cancelled. It looks like it goes back quite some time, though, so I imagine it's an appointment you need to keep.
"Alright, alright," he sighed. "Then I guess we have a lunch date we can't get prepared for, love," he told his wife as he kissed her cheek. "I'll try not to get too freaked out about it in advance."
"I'm sure you will anyway, love, but that's one of the things I love about you - you're always trying to take control of things that you have absolutely no control over, just to try and feel like you're in charge of the ship of your life," Fatima said with a wry grin.
"I'm not?"
"You're a ship without a rudder, babe," Ashley said with a smirk. "And like the Lemonheads said, *'a ship without a rudder's like a ship without a rudder's like a ship without a rudder...'*"
"It's okay, boss," Natalie told him. "Too many people try and fight the current when they should just be going with the flow. That's the thing you learn when you're learning how to surf - if you're fighting the waves, you're doing it wrong."
"Alright then, I'll just go along with it and we'll see what happens," Kevin said. The day wasn't too packed, as he had a few days before his next gig was scheduled to start, a few weeks of producing a new band in the studio in his house, so he was taking meetings, entertaining ideas and generally just trying to find something to catch his interest.
His first stop in the morning was meeting with a band called Bald Riot on whether or not he'd produce their next record, and within two minutes, he knew he needed to get the fuck out of that meeting. The lead singer was talking about how they weren't making music; they were making *
scripture*
, and that was point where Kevin tapped out. He was fine with musicians thinking they were making *
high art*
but when it turned into a *
religious experience*
, that was the point where he had to tap out. He would politely listen for the rest of the meeting, but they were already clearly in the hard no column, so he didn't have to pay *
too*
much attention, which made the band's drummer try and call him out at one point.
"Man, this fucker's not even *
listening*
," the drummer said, as Kevin smirked and looked over at him.
"Are you Mike Portnoy?" Kevin asked the guy.
"Who?"
"The drummer from Dream Theater, has a billion drums in his kit."
"No."
"How about Neil Peart? You writing all the lyrics for the band in addition to drumming?"
"No.
"Maybe you're more a Stewart Copeland/Danny Carey kinda guy, can keep any tempo, any signature."
"I'm not bad."
"You're not bad," Kevin told him. "But you're not *
them*
. Yeah, I checked out of this meeting about five minutes ago, but you don't want me anyway. Your leader singer wants someone who's going to buy into his whole 'congregation' bullshit, and I'm just not that guy. I like making music. I don't believe in movements or being a trendsetter. Write your songs, and if they connect, that's great, but if they don't, you pick yourself up and try again. Don't go thinking you're going to be the next important person joining the 27 club. That moment has passed and it's never coming back, so it's either write great songs or go work at Starbucks, and right now, your demo didn't have much in the way of great songs, so maybe go back to square one and lose some of the pretention."
"Our first album sold loads," the drummer said.
"Went gold, did it?"
"It went silver."
"That's not even a real thing here... that's a UK designate, and it means you sold sixty thousand copies," Kevin scoffed. "And I know you're talking UK sales, because if you'd told me you went gold, you'd get away with most people not asking where the certification was, and thinking you'd sold half a million copies, which is what it is here in the States, and not a hundred thousand copies, which is what a gold record is in the UK. But the last record I worked on went platinum within a couple of weeks, and that's US platinum, not UK. So I know what's good and what isn't, and you aren't the kind of thing I could make good right now." Kevin tossed the band's demo CD on the table. "Track 4, Lost In The Undertow. That's your one good track on the demo for your next record. Scrap the rest, look at what makes that one track good and maybe try me again in a few months if you can lose the egos and rediscover the joy in making music again. If not, best of luck to you with your next one, kids."