This could fit in various sections. I have chosen to put it in sci-fi and fantasy, but it could also go into non-human and underneath it all I see it as the beginning of a romance, albeit an unconventional one.
I have always enjoyed stories that tackle fantasy themes such as vampires or magic, but do so by imagining how they could work in the real world. This is my attempt to do the same with the concept of the succubus. There is sex, but you'll have to work your way through a bit of the story to get there. Feedback is welcome, and of course if you liked it please vote! I have not decided whether to leave it as a one-off or to continue the tale.
It goes without saying that all the characters engaged in sexual activities are over eighteen (in one case by several centuries), this is of course a work of fiction, and the copyright is reserved by me, N. S. Carter, and I forbid its use, in whole or in part, without my explicit permission.
*
If you were choosing a time and place for a life-changing event, one that divides your life neatly into 'before' and 'after', then midnight in a graveyard would be hard to beat, though I guess it is open to accusations of being somewhat clichΓ©d. However, that is exactly when and where it happened; at midnight in a graveyard. I should mention, just to reassure you, that it was not foggy and there was no sound of owls hooting nearby that I can recall, the moon was not gibbous, and the atmosphere was not particularly eldritch.
In that first moment, when the crazed priest turned to face me, clasping an ornate but wickedly sharp-looking dagger and saying in a curiously nasal voice, rather whiny for such a large man, "Get thee gone, I am engaged in the Lord's work", what struck me was the strong possibility that the only 'after' that might be involved was going to be personal research on my part into the nature of the afterlife, if there was one. Oddly, the inscription on one of the tombs nearby that had often caught my eye came to my mind, 'In the Sure and Certain Hope of the Resurrection'. I had the wry thought that the only thing I could be sure of was that they would not inscribe that on my grave, unless they were taking the piss. And bizarrely I also noted that this was the first time I could remember being addressed as 'thee'.
To make this narrative a little more coherent I should explain a few things. The little-used path through the graveyard at the local church, St. Mary Magdalene, happened to be the shortest route between the bus stop where I would alight after work, and my flat. A while before this event I had realised that once it got dark, I would take the long way round to get home, which was hardly rational behaviour for a convinced atheist, and all the more so for a scientist running a successful biotech company. So as a point of principle I always forced myself to walk through the graveyard if I left work after dark (which was often) and the therapy had worked; after the first few times I completely lost my fear of the place.
This is why, on the night in question, I was lost in thought over the latest knotty problem that had kept me in work until gone eleven, concerning the mechanism for how, just occasionally, traumatic experiences seem to be passed on at a genetic level to the next generation and then for some reason not obvious to me the famous quote had just bubbled up in my mind, 'the sleep of reason produces monsters'.
I was roused from my intellectual reverie by a high-pitched cry from just ahead of me, and in the dirty yellow light of the distant streetlight I could see a slight young woman backed up against one of the over-the-top Victorian era white marble tombs by a menacing figure in a black robe. For a moment it looked like a scene from one of those old silent movies; the gestures wildly exaggerated, the villain almost a caricature and the shadows seeming to be characters in their own right.
In the interests of honesty I have to admit that my intervention was driven not by pure altruism but by an immediate sense that I would not be able to live with myself if I didn't try to help, even though I had no idea what to do. So, I intervened with what is probably not going to go down in history as one of the immortal battle cries.
"Hey. What's going on here?"
Clearly not overly impressed, the man in the robe turned to me, holding his dagger in a way that signalled that he intended to use it and said (as I mentioned earlier),
"Get thee gone, I am engaged in the Lord's work".
The bizarre language, together with the fact that he was obviously a priest, left me at a loss for words, and actions. He continued,
"This foul hell-spawn is ..." and at that point his speech was cut short by the said 'hell-spawn' hitting him over the head with a heavy cut-glass vase she had taken from the tomb next to her and which still had in it some wilted flowers and brackish dirty water. Contrary to the laws of narrative convention the vase failed to shatter, but he did go down in quite a satisfactory manner, not fully unconscious but on his hands and knees and clearly groggy.
Not being an action hero and lacking previous experience of dealing with dagger-wielding clergy, I was only starting to consider next moves, such as phoning for the police and possibly an ambulance, when the young woman sprang into action, kicking the knife he had dropped away from his hand which was already groping for it and into the long grass nearby. She then grabbed my arm and started to pull me away.
"Shouldn't we ..." was my next impressive utterance, cut short decisively by her saying,
"No, we shouldn't. Your job is to finish rescuing the maiden".
Even in this fraught situation I couldn't help but notice that she seemed to be mocking me slightly, which felt unfair, even if in truth my only contribution so far had been to distract her would-be assailant. But she gave me no time to cultivate a grievance, as she followed up with,
"I suggest you take me home. You do live near here, don't you?"
Once more derailed, I could only answer lamely.
"Yes, my flat is just down the road".
Oddly enough I thought 'how does she know I don't have a wife or live-in girlfriend who might object to me bringing home a pretty girl after midnight?' And then I remember being annoyed for myself for thinking like that.
Once we had reached the street the light was stronger, and I could see her better. She appeared young, perhaps in her early twenties. From the way she was dressed, with army-type boots and distressed jeans and a hoodie a couple of sizes too large for her diminutive build, my guess was that she was a student at the nearby university. I was a bit puzzled by her appearance: initially when she was backed up against the tomb I had the impression of long blonde hair, but now it was clear that it was dark, in fact raven-black and so as far from blonde as could be, and no more than shoulder length.
Her skin was pale, and I was a little shocked at myself, given the circumstances, for thinking how much I would like to caress her smooth cheek. Her paleness was accentuated by the carnal red shade of her lipstick on a mouth that was just a little too wide to be conventionally beautiful, but which looked eminently kissable. In the artificial light it was hard to tell what colour her eyes were, other than dark, but they seemed larger than would be usual for the size of her heart-shaped face.
It goes without saying that she was gorgeous, and in a way that was very definitely sexy, or at least got my mind thinking of sex, which I guess has to be the definition of sexy.
Her voice also seemed subtly different to when I first heard it, when she had sounded quite 'street'; what my mother would have termed 'common' (which always amused me since she had grown up in Battersea and so could hardly claim to be aristocracy). Then again none of us are at our best when facing an imminent knife thrust. Now her modulated tones brought to mind suggestions of private education and the home counties, in other words 'posh', and as a state-educated kid with socialist leanings from a working-class background (although as you can probably tell I have travelled a long way from there) I am a little ashamed that it is exactly this kind of voice I find turns me on.
Wanting to take back the conversational initiative, and hoping to counter the impression she might have gained so far, I asked,
"So, are you a student?"
She paused and answered me in a considered manner.
"Well, I suppose you might call me a student of life, and the amorous arts, but I am not at 'uni' if that is what you mean."
And then for neither the first nor last time she went on to completely floor me by saying, in much the same tones that you could imagine someone telling you that she is in marketing or works in a call centre,
"Actually, I am a succubus, and technically you have just saved my life, so I guess that means I am yours now."