Continues (and slightly overlaps) the 'Geek Pride' entry begun by 'An Infernal Folio'. Readers with chronological tendencies may wish to read that tale first, for context; those who prefer reverse engineering as a means of navigating life, pray continue. Perhaps you may return to 'Folio' later.
***
It was quite by accident that I met her at that pub north of Cambridge, but of course accidents are ubiquitous and enliven the world unmercifully. It was impossible not to overhear her conversation, of an obviously professional nature, at the next table. I could not mistake noting the terminology she and her male companion employed. Naturally my ears pricked up with the mention of the '
bastarda
hand' and the 'monastic scriptorium at Sponheim', attributes of the manuscript they were discussing.
She was small, trim but softly succulent, late twenties or early thirties in age, with dark, loose, half-curly hair that did not make it quite to her shoulders. Her smile was easy, engaging, the dimple on her left cheek arresting. She spoke with an animation and energy that is rare in a profession that tends towards pedantry and is dominated by desiccated old men with archaic sensibilities.
It was an early summer evening, darkening outside, and in fact rain was on its way. The pub, The Boar, was one of those dismal English affairs, all dark wood and encrusted history, no exuberance to be found anywhere. Except their conversation. I listened to them at my table whilst clutching my pint glass, ears straining, entranced, but pretending to be engrossed in the reading material in front of me.
Earlier that day I had grown weary of pacing the halls at the university archives, waiting for a sign from the higher authorities, any sign, that their interest in my fifteenth-century manuscript was sincere.
A dim-witted lackey who went by the name of 'Murdoch' indicated the university wanted two more days to deliberate before discussing any offer they might make for its purchase. They had had the manuscript for a week already. The potential end result was worth the wait, but my patience was tried sorely.
Aggravated, I had driven north from the town centre, until I came upon the pub and vowed that a pint or two of this cloudy English ale, warm and disagreeable as it was, would quiet my mind's movements and ease it back to tranquillity. I was wrong, as it turned out, much to my pleasure. Tranquillity is always trumped by excitement.
My organ stirred as I heard her mention 'orthography' then 'blind stamped calfskin'. How sensuous - arousing - those bookish terms are! Her words were not chosen inexpertly. Her companion, on whose left hand flashed a wedding ring, although there was no counterpart on her own, asked probing questions about the manuscript, 'the Abelartus codex' he called it, the precious manuscript - my precious manuscript - that I had deduced was the topic of their intense interest.
My erection grew insistent, poking most unpleasantly up against the confines of my trousers and closely-cinched belt, whilst I contemplated the various ways I might insinuate myself into their discussion. As luck would have it, no subterfuge was required.
His mobile rang, interrupting their talk. A short frantic conversation ensued with whomever was at the other end, his face growing increasingly worried, and he was up from the table and off to the races about some crisis or another.
My opportunity could scarcely have been handed to me under more promising conditions.
I glided over to her table, presented my business card, was pleased to hear her name uttered by way of introduction - Sophia - an honourable appellation with ancient meanings in my mother tongue, and we commenced an energetic dialectic on the manuscript.
Whilst I am not often taken by surprise in my field, her youth and sex argued against the breadth and depth of her paleographical expertise. She indicated that the sixteenth-century constituted her professional focus, but she clearly knew the fifteenth and earlier centuries well. Her intuitions on the manuscript were alarmingly accurate, and I found it necessary to deflect her increasingly ardent queries with a pretext.
The 'owner' I said. 'The owner's desires do not permit extra-curricular discussion of the manuscript unless under conditions of a negotiated offer.' I felt no need to mention that I was the owner, instead implying I was representing the owner's interests, which was accurate enough.
It is always the mention of the 'owner' which brings talk to a halt. She could not have guessed ownership, even more that I wore the authorial mantle. That it was I who was responsible for the calligraphy, the pen and the ink, and the untold hours of toil that had brought the manuscript, 'the Abelartus codex', into the world of men at that remote monastery centuries ago.
We talked for some time. She would not be outwitted, her knowledge of Sponheim was far greater than I would have imagined. She had read Trithemius, although not everything. Her sense of the range of the abbot's occult interests was deficient however, which I attempted to correct with a few hints. She was completely unaware of his sexual proclivities. My member stirred anew.
I manoeuvred her, with the offer of a ride, back to her cottage, although the verb is excessive. By that time she was intrigued. Shortly it would be more than that.
I had not previously seen the likes of her fourteenth-century psalter from the Dover Priory, as she shyly brought it out for my inspection. The aged leather of the binding was dried and cracked, but the vellum felt smooth and timeless in my hands. Her own pride in possession was pleasing to witness.
It was left only for some sherry and the chess match, that eternal jousting of intellectual (and sometimes erotic) wills in a game, to forge the next link, extend interest. I knew her nipples had grown erect with excitement as our chess-pieces traversed the board. Once she even looked down at the front of her dress to see how obvious they were. I smiled inside.
A 'spilled drink' on my part, a retreat by her to the kitchen for a clean-up cloth, and I had her pelvis pinned from behind against the kitchen counter, my member pressed against her soft, warm bum. Her protests scarcely rose to a level one might consider symbolic.
Her dress up, her entry was supremely ready, moist beyond belief - her juices must have been stewing for some time. My penetration was like the proverbial hot knife through butter. I mounted her flattened face-first onto her kitchen counter.
I was a bit rough with her, to be fair. I noted teeth-marks on her neck afterwards, although ultimately she did not mind. Her channel gripped me with a most pleasing ferocity, and within ten minutes we each had climaxed, my seething fluids well discharged within her innermost recesses.
She was distraught, naturally, but I remained calm, and I think soothed some of her fears, although I know I introduced others, especially when she glimpsed my member. She broke away for a moment and I had time to think.
I would wait for my spawn to do its work.
I left her later that night sexually exhausted, after another coupling and a second infusion of spawn. Yet also troubled. And she also now had a puzzle to untangle: my references to those oblique passages in Trithemius' occult work
Steganographia
in a note I had left on the chess set. These would assist her understanding of 'the Abelartus codex'. I knew this would inflame her curiosity.