Holly buys a spoon.
This is a modern incarnation of an ancient mythological person, the Green Man. In this story, he carves items that on one level seem utilitarian, but on another level work their spell on the user. In this chapter Holly purchases a common kitchen item that gives her incredible pleasure. Later chapters explore Green Man's effect on others. There is magical realism in this series, so you must suspend your disbelief to enjoy it.
All characters are adults in this series.
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Holly had wandered around the small, outdoor marketplace looking at the sellers' goods, trying samples of homemade lotions, nibbling on craft cheeses, sniffing the soaps. She must have returned three times to his stall, drawn to it, yet quite shy about finding herself there again, alone in his presence.
He was seated behind a table of his wooden wares and was busy carving. The stall seemed to be surrounded by a tent. It was cleverly decorated to resemble a woodland. The uprights of the tent seemed to be actual saplings and the cross-ties seemed to be cleverly arranged to look as if they were limbs.
The man did not look like the carpenters or joiners she knew from the remodel of her house. There was something different about him, but Holly could not name it. He seemed out of place and time, like a forest creature. His clothing was printed in some sort of camouflage. She could not place the pattern or weave. It was not the kind of camo that either the military or the eat-what-you-kill gun-nuts wear. It was more like he was covered in leaves.
The sign above his stall read 'GreenWood Wares.' He wore a sort of kilt that fell below his knees. Instead of pleats, it seemed to be made of panels so that as he sat on his stool, his thighs parted the pleats and they fell between his legs.
Holly caught a glint of something reflecting brightly and that drew her attention to the darkness between his legs. He did not seem to be wearing anything beneath, a glance, once - twice - suggested his manhood hanging thickly between his parted knees.
The man behind the tableโMr Green, she supposedโmoved in a way that conveyed confidence and dignity. As with his kilt, his shirt, too, was more, a covering, than a costume. His chest was deeply muscled and through open buttons, Holly saw that his hair seemed to grow in groves rather than the wild tangle that men sometimes have. She thought, "He can pull off this fashion because it is not fashion, but more like a permanent style. I like that."
Mr. Green was not trying to impress. It was more that his were very practical garments. Holly's man, Joss, and his buddies wore handsewn leather aprons, lace-up boots, and knit caps when they did their crafts. The self-conscious look mattered to them more than the practicality of the clothes. "How cute," Holly thought, "that they, and men like them in their hobbies, dress up like burly workmen, these bankers, salesmen, and lawyers whose hands never raised a blister."
This man was definitely not her type, though. He was rough and earthy, where she preferred her men to be slim, hip, and heteroflexible in their fashion. He looked uncouth and perhaps dangerous. He didn't look threatening, not at all. It was all so odd.
Holly was acutely aware of style and fashion. She was completely put together for any event. If she were out at a country fair or farmer's market, as she was today, she would look like a fashion magazine's idea of a country peasant: natural fiber blouse, wool skirt, knit knee-length stockings. low shoes, a shawl over her shoulders, and a simple scarf to cover her hair. Her lips and eyes were perfectly made up to look as if they were not. Today her fashion was a carefully-practiced casual.
The irony of her disdain for Joss and his buddy going for "the look" of being a craftsman and her own carefully curated look did not register with her in the least. It is ever thus that the thing we most need to know about ourselves is often what we see and do not like about others. We project onto the screen of someone else's life, the drama going on in our own lives.
Holly liked to be noticed. She routinely declined to wear panties and instead of a bra would wear a silk camisole. It was her precisely curated attempt to display a natural look. She liked the idea that people would see how decked out she was and would guess that she was naked under a thin layer of fabric. She was an exhibitionist at heart.
Displayed on a table were various wooden bowls, spoons, spatulas, letter openersโhow quaint, she thoughtโwalking sticks and wands that would make a Harry Potter fan envious. She walked by slowly reaching out to touch them, but hesitant, as if she needed permission.
He watched her under his shaggy brows. His intense green eyes took in the shape of her body. Even under her clothes he knew she was soft and curved, as women in their 40s are. Still supple, but gravity having shaped her body, made her breasts sag, her once slim hips fuller. He judged her bone white skin was still smooth and responsive, if sadly out of practice being touched. Indeed, Holly had not been caressed in a long time. She loved her husband and he was faithful to her, but they had drifted apart physically.
In place of her husband's touch, she found her own fingers were able to arouse and stimulate quite well. On the outside, at least; though nothing filled her emptiness like a full and firm cock and it had been too long since that had happened.
Her hand darted out to lift a bowl and just as quickly drew back. She caught his eye and felt ashamed, naked, yet transfixed. Mr. Green, sitting on a rough stool, looked up from the carving in his lap, lifted his chin slightly, and raised an eyebrow.
An accented, deep resonance carried his words, "You may inspect if you like. Wood is meant to be felt." He moved a leg slightly and that glinting reflection came into view beneath his kilt, drawing her attention downward, between his spread legs. Noticing Holly was staring, he moved again, and her half glimpse of his manhood fell into the shadows again. He had had the effect he wanted: she noticed.
Holly felt his words wrap around her, holding her. She took a step closer and pressed her hips against the table holding the wares. She unconsciously rocked herself against the hand-hewn board, its live edge bulging outward toward her. She leaned in and felt the thick edge against her pubic mound, like a firm hand. Just a little, her left leg gave way, a slight stumble as if she had swooned a bit as she reached again for the bowl.