Sorry, no detailed sex in this one. This is where I wrap up the plot. (Please tell me you care about the plot.)
Also, the chapter descriptions are from the Disney movieThe Little Mermaid--
specifically the song "Poor Unfortunate Souls."
On the day before the supply ship was scheduled to land, Manuel finally opened the door.
"I've been alone for a month and a half," he told Maria, who'd been sitting amidst the flowers not far from the ship. "I'm starting to wonder if I'm crazy."
"You were crazy to lock yourself away like that," Maria told him. "And for a while, I was crazy for you. I'd almost given up hope." She stood, and she reached out to him . . .
"Please, not now. Not yet."
Maria glared at him. "Damn you, do you have any idea how much you've hurt me? You told me you loved me, and then you treated me like a monster! So I waited and waited for you to come around, and now . . ."
Manuel's voice stayed soft, neither accepting nor rejecting her words. "I don't know you any more, but I want to. Not in that way--I mean--I just want to talk to you."
From the tone of Maria's voice, it was clear that she considered that an apology--and that she'd rejected it. "Talk, then."
"How's Cat doing?"
"She's the happiest of us three. She doesn't think much about past or the future--she just wants to make everything a little more chaotic." From there, she unfolded an anecdote about Ida's attempts to study the effects of metal shears on the local plant life, and about how Cat had ruined the study without even trying. This reminded Manuel of something he'd tried to relieve the boredom inside the ship, and in an hour's time, the two had begun to remember how they'd fallen in love.
-- -- -- --
Manuel's final question for Maria had an air of deliberation to it. "Why were you outside the ship? You didn't seem to be waiting for me."
Maria chose her words carefully. "Metal feels weird to us. Ida dislikes it, and Cat really hates it, but to me, it's just different. They never go near the ship, so I come here when I want to be alone."
"Away from the moans, away from the yells . . ."
"I used the word 'screams'," Maria replied. "How did you guess all that?"
"You write all your poetry in words like that. You were writing just now, weren't you? You hid the notebook among the flowers when you heard the door open."
"I've been doing a lot of writing. Is that a crime?"
Maria had no idea what emotion Manuel was feeling now. "You really are Maria," he said.
"Duh! What made you think I wasn't?"
"You're just like Cap was, before Flora made him into Cat. You're not brainwashed. You're not hypnotized. All Flora did was make you more of what you always were--and you were always someone who wouldn't let someone else suffer or die if you could help them."
"We're all who we are, Manuel. Flora reached inside us, and she fixed what was broken. Some of us were more broken than others, but all of us are better people now." She put on a fake smile. "Well, that plus the whole 'bisexual' thing."
Manuel seemed one step away from a trance. "Maria, I'm ready to see what you really are. I promise I won't run this time."
Maria began to get nervous, but she tried not to show it. "Well, that was sudden."
"When have I ever lied to you, Maria? Please, show me your wings."
Only Maria heard Flora's intrusion into the conversation.
I can't read him well, with that metal in his head, but I think he's sincere.
Maria did not speak. She simply arched her back and waited for the change.
-- -- -- --
"You're beautiful," Manuel told Maria, and this, at least, was the truth.
"I'm an angel," she replied. "Not an angel of God, but still an angel of faith--faith that Flora can save us from ourselves. We'll end war, and disease, and even starvation, and no one will ever have to live in pain or fear again."
"Give me faith, Maria. Make me believe in you."
She flashed a lewd grin. "You know how I'll do that, right?"
"I still love you, whatever you are." This, too, was the truth. "No matter what happens, I'll never stop loving you."
For the first time in two months, they kissed, and there was more of tenderness in it than there had been in any of their lovemaking in the flowers. She wrapped her wings around him, holding him close, sheltering him from the world. And then . . . What words could possibly suffice? It is easy to talk of the details of the act--the moans and the screams, so to speak--but there is no way to truly convey the closeness that they felt. In this act, they denied both fear and pain.
-- -- -- --
When at last it was over, he shoved her wings aside, and he withdrew from her. As he rolled into the flowers, he spoke the words he'd been fearing. "I can't finish it."
"What?" It was clear that Maria couldn't imagine what he meant.
"I love you because you're good and kind, and it's because you're good and kind that you're helping Flora. I think you love me because I laugh at the darkness in everything, and I see the darkness in Flora. But I can't do the one thing I need to do."
"Manuel, you're scaring me."
Manuel had never hated himself so much as in this moment. "I can't reach out and snap that frail little bird neck. You'd die in the last happy moments we could have. You'd never know that I betrayed you, and you'd never live to see the bombs fall."
"But--the alert beacon--"
"The most important object on the ship. It's almost impossible to break in such a way that it can't be repaired, if you're willing to gut the rest of the equipment. I set it off, at maximum threat warning, and I recorded a message explaining everything that happened here. I locked the door behind me--there's no way to stop it in time."
His heart broke at how much rage and fear could be heard in a single word. "Why?"