collaborative-working
SCIENCE FICTION FANTASY

Collaborative Working

Collaborative Working

by ewanstone
19 min read
4.63 (2600 views)
adultfiction

It's what they call this sort of thing. 'Collaborative' is about ensuring one party in a fixed contractual arrangement doesn't get a leg up over the other. The word is part of the grand romance of the corporate lifestyle. Sounds productive and supportive. Rather than petty.

It doesn't suit me, however you call it. On my charitable days, I like to refer to myself as a loner. Most of the time, however, I see my misanthropy for what it is. But misanthropy can be a gift, if correctly framed, like the word 'collaborative'. It turns my current commission of an eight-week journey through deep space in the confines of a minimally stocked lightspeed shuttle into something of a vacation. I don't have to sit in my cubicle in the offices of the Vienna-based Sympathica-Cantegyle Solar Industries and fake interest in the smalltalk of colleagues. I don't have to plan my route to the kitchenette to avoid the chattier members of our little 'family'. Just me, the inert droning of the ship's AI, and the endless black of Outer Sol. Bliss.

So you can imagine my disappointment when I learned that the delivery I was to be making was now a joint handover between myself as rep for Symp-Cant, and one other, a corpo from our long-term rivals at the Red Mars Group. Someone I'd never met before. And I'd be stuck with them for eight weeks in this tiny shuttle.

I didn't have much of a foundation on which to assert my ability to make the trip by myself. I still don't even know what it is we are shipping in those seven, red-steel containers, each coming up to my waist and longer than I am tall. It's something heavy, I've tried lifting one of them already, but the digital manifest labels the contents unhelpfully as 'Type-C Subtype-F Classified Resource', so it could be anything. It must be something that connects us at Symp-Cant to the Martians, hence the presence of my unrequested partner. And it can't be something that we could just ship digitally, unless the shipping itself forms part of the legitimacy of the transfer. My theory is that we're delivering old fashioned deeds of writ for real estate, real paper ones, that relate to ownership of some First Colonies land that both corporations would like to get their hands on. A lot of my colleagues turn their noses up at paper documents, but I think they ought to be more careful. A bit of ink on paper used to be able to shift mountains in the old world. And these days-...

"Peitr?"

I am brought forth from my navel gazing and back to the dim flickers of the Danube III cockpit, its tight, faux-leather chair and the vast onyx of space beyond the viewscreen. The too-close co-pilot seat is empty, and the voice of my partner echoes from behind me in the central corridor. The chair doesn't swivel like it would on a larger, newer shuttle, so I am forced to crane my head around towards the neon-lit gangway.

"Stella?" I reply.

"Have you been through a thrust coil diagnostic yet today?"

"No," I respond warily. "I was going to do it after dinner."

"Very well," comes the reply. "When you do so, I would appreciate if you could make a note of line thirty-four for me. I have adjusted the mockup regulator input and anticipate some form of, um, a response."

"Alright. No problem."

I rotate back and grab a little square of sticky paper from the stack under the control compartment. The click of the pen as I bring the nib forth from within blends seamlessly with the little clunks and thuds of the ship in motion. 'Thrust coil line 34,' I write, and slap the bright green paper onto the diagnostics screen alongside a few other notes of mine. Paper and ink, I think with a smile. You couldn't beat it.

Stella's boots thunk rhythmically on the steel grating below us as she approaches the cockpit. She doesn't make to seat herself down, as we have learned that doing so while a crewman is present in the other chair seriously harms both our prides. She would need to hold tight to the back of my seat while she stepped over the controls and slide herself slowly into the cramped leg space next to mine. She would have every chance of falling on top of me when she did so. Instead, Stella places her hands on the headrest of the co-pilot chair and remains standing, her pride intact. She says nothing, and neither do I.

This is the other reason why I did not think to push back against the assignment of a partner on what I had hoped to be a one-man job. Stella is my professional equivalent from Red Mars, a Band 17 executive administrator. A fact which I am reminded of every day thanks to the badge of her burgundy jumpsuit. My own slate grey doesn't have my name on it, but she has still been kind enough to remember it. Stella also wears her foreign-ness in the form of the pale purple tint of her skin. She is an extra-solar citizen, one of the peoples discovered when humanity left Sol some hundred years ago. Her twilight hair has an almost metallic sheen at her temple that reflects the neon of the Danube III, unlike my earthy, ruddy blonde, and her eyes are mesmerizingly dark with bright, blue irises like supernovas. But she is still humanoid, and the heavy curves of her body, her round breasts and broad hips, her full lips and soft, tinted cheeks, are unmistakably feminine. Her tinted fingers are working at her hair now, tying it up into a loose tail, and she glances my way once she is done. I look away hurriedly.

It did not surprise me greatly to learn that I was to be joined on this departure. Disappointed, yes, but not surprised. I have enough colleagues with connections across the corporation net of the Sol Territories to know that it is the way of companies like Symp-Cant and Red Mars to always add too many cooks to the broth-making process. It did surprise me, and indeed still does, that my partner on this venture should be a girl. Symp-Cant is very strict on company fraternisation. It is why the offices, corridors and indeed ships like the Danube are lined with monitoring devices as they are, cameras and mics and things that connect our activity to the judgemental eye of the infrastructure's AI. The corps would hate their 'tried and tested' Compassionate Partnership System, by which they identify who best to hook you up with using metric data from your work habits, to be ignored. Otherwise we would all be wasting valuable company time flirting with one another, instead of working. Not that I have ever looked at any of the women I work with more than once.

In the two weeks we have been aboard the Danube III, I have looked at Stella far more than once. She is quiet, even at meal times, and though I would normally value the lack of smalltalk it does mean I am at a loss for her personal details. I don't have an age for her, and I am sure I wouldn't recognise the name of her home on Mars if she did ever share it. She has a lilt of an accent in her Earth Common, but that might be her extra-solar heritage rather than her Martian upbringing. She doesn't wear a wedding or engagement ring, but maybe they just don't do that on Mars. And I readily confess that I have no way of knowing if a girl is interested in me without her outright stating so. Apparently there were ways, now long lost to time.

When I learned that Stella was to be my partner for the eight weeks of our delivery, I was at first elated. And that's putting it mildly. The electric excitement that flared in my lungs and stomach in the days leading up to launch at the thought of sharing the confines of the shuttle with this exotic, curvaceous beauty was a potency of emotion that I hadn't felt in a very long time. It kept me awake, and it distracted me from my work. A couple of my colleagues commented that they didn't remember me being so 'smiley'.

But that was two weeks ago. Stella's quietness, and my own inability to engage her in non-professional conversation, have left a great void in the state of our relationship. We work well together, and we share our understanding of ship maintenance readily and easily. But that is despite my being weighed down by the great burden of my supposition, of what we may both be leaving unsaid. What does it mean when Stella looks at me, as she just did when she was done tying her hair up? Is it different to the way she looked at me this morning when she asked me to pass her a serving spoon? Is it important that she uses my first name to call for me, rather than my rank or family name? At night, I toss and turn in the little capsule I use as a bed wondering at the distance between the zipper and top of her collar on her burgundy jumpsuit. Is the zip lower today, reaching slowly downwards towards her cleavage in what would assuredly be a coquettish, flirtatious manoeuvre? Or is that just my imagination?

And does any of this really matter? If, by some miracle, she also felt these same sparks about me, what could we even do about it? Even if the ship wasn't equipped with the means to reprimand us then and there for unprofessional behaviour, which it might well be, we could both expect severe punishment on our return to work at the end of our trip when the higher ups take a look at the ship records and see what we were getting up to. Loss of salary, reduction in benefits...

Being around Stella is tense in a way that at first I loved. It was like being lit aflame each morning when those supernova eyes met mine. Now, I am drained at the constant wondering of what she is thinking about me, if she is thinking at all. I feel like I would have burst with the suspense long ago did I not jerk myself off each night, imagining what she looked like under her clothing. Imagining clambering into her capsule one night and ascertaining for myself how far she would be willing to take a chance on me.

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A case in point on unreadable cues, Stella's fingers are tapping a rapid rhythm on the leather of her seat. Unlike the clicking of my pen, the sound stands apart from the beeps of the ship, a rival beat to Danube's percussion. I glance at her fingers out of the corner of my eye. What does that mean? I suppose I could ask. 'What's wrong?' No, too accusatory. 'What's up?' Much better. But the words stick in my unpractised gullet and in the end I cannot make them live.

Stella breathes in, clears her throat quietly, and then departs the cockpit for the main thoroughfare. I find myself breathing a sigh of relief as her booted footsteps fade. It has been like this for two weeks now.

---

Stella doesn't materialise for dinner that evening. I have a box of insta-heated noodles on the corridor table for her, sticks ready across the sealed lid, and I am looking forward to showing her the results of the thruster test from earlier. Sometimes, Stella smiles. I am hoping tonight could be one of those times. But she does not appear.

The table built into the side of the central corridor gives me a view of most of the little ship. I lean around on my stool and peer at the sealed hatch to Stella's sleeping capsule. The red light above shows she is not within. Down in cargo, then? I can't imagine why she would be. I look along the corridor towards the doorway, the steel steps leading down to where the Type-C Classified Resource is being held. Darkness lies heavily within, a chamber flooded with inky blackness. That left the rudimentary washroom. I briefly bite the inside of my cheek as the thought of Stella's violet skin, glistening wet and naked beneath the shower head, comes rushing up from my gut. But I can't hear the water running, either.

"Are you alright?"

I blink, holding my cheek with one hand, as I turn to see her. Her round face is shaded by the dark of the cargo bay as she steps out of the doorway and into the corridor. Her shapely brow is tensed in curious puzzlement. So, she had been down there. In the dark? Whatever for?

"F-Fine," I manage, hurriedly chewing my food. "No problem."

"Very well," says Stella.

I compose myself and lean back, taking her in. There is something in the atmosphere that is different tonight. Stella has looked away, and now has her dark, blue-ring eyes fixed on the grating between us. She is holding her right arm with her left. I don't think she realises how she is gently pressing her breasts together with her upper arms. Again, as before, those words rise from within, dangerous close to the surface. 'What's up?' And again, they flounder. I stab at my food with concealed frustration.

"Excuse me, Peitr?"

I look up again. 'Excuse me' was new. Stella still doesn't meet my gaze.

"I have been examining the storage bay electronics," she tells me quietly. "I believe there is a problem with the, um, internal cycling. The bay's modules are all non-functional."

I frown and nod. "That's why it's so dark down there?"

"Yes," she replies. Her sigh of breath could have been relief.

"And you'd like me to take a look?" I confirm.

"Yes, if I may take you temporarily from your meal. I believe you are more familiar with this ship than I. You will likely see something that I have missed."

I slide the chopsticks into the half-empty box of noodles with a nod. Stella's mechanical engineering expertise exceeds mine, so I doubt she would have missed anything. Plus, it'll be hard to spot anything at all down there in the dark. But then again, she did ask. And I am at the stage of my obsession with her that I would do almost anything if she asked it of me.

"Okay," I say as I rise, leaving my dinner to cool. "Let's take a look."

I step carefully down into dark of the cargo bay, holding heavily to the rail. Stella remains in the light. I can feel her gaze on the back of my head. The internal cycling system box is on the eastern wall of the bay, I know from having been down here before. Reaching it will involve navigating around the seven steel crates containing our enigmatic cargo. My hands grasp the cold metal of the first box, just beyond the foot of the stairs. I can't see a thing deeper within.

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"Could you grab a light from the toolbox?" I ask over my shoulder. "It's pitch black!"

The response I hear is the tentative clunk of Stella's boots on the stairway behind me. When she falls still, I wait. Then I wait some more.

I am about ready to ask again when the light at my back vanishes with a swish of hydraulics. The door to the cargo bay has sealed itself shut, and the light from the rest of the ship has been extinguished. Now I am in total darkness. I turn quickly towards where I assume her to be.

"Stella?" I call out.

Her boots again, careful and quiet on the stairs leading down towards me. She must have a light in her hands, I reason, and she just hasn't turned it on yet. But why not? When she reaches the bottom of the steps, I realise I can hear her breathing. I've never noticed that before. The soft gusting of her breath sounds oddly accelerated, as if she is afraid.

And then I can feel her, I realise. I can feel the heat from her. She must be just in front of me now. And still no light. What is she doing? Has she forgotten that I can't see in the dark? Can she? I've never asked.

A lump forms in the back of my throat as something occurs to me. And with it, that lightning that I felt when I first met my partner flickers to life in my belly. It is the sharp flame that keeps me from sleeping until I have handled myself, the potent heat that seals my lips when she is around me. Somehow, I force the words out this time.

"Didn't you say that all the modules in this room were non-functional?" I ask her. My voice is quiet, as I know that if I speak too loudly I will shatter the possibility that I can feel growing more certain about us.

Stella's voice is also quiet, but close. She is closer than I realised. "Yes."

"Does that include the monitoring devices? The cameras and that?" I ask.

"I believe so."

The two of us stand silently before one another in the dark for long moments. What happens next, I wonder? Something needs to be said. I need to say something. I need to ask her 'what's up'. But when I speak, that will make this real. And it can't be real. Me, and her. I can't make it real. I'd rather live a little longer in this unreal dream state, undefined and fluid, where I have a chance.

I close my eyes. My brain is doing all the thinking here, and it's coming to no solid conclusions. So I cast my mind deeper, deeper into myself. And there, its insecure ramblings become mercifully muted.

When my hands catch on her arms, Stella's body jumps slightly. It's an instant of terror, as I wonder if I have hopelessly misjudged what is happening. But then she softens, and her sigh is still warm when it reaches my face. I squeeze her arms, and Stella comes forward.

I don't need to say anything, I realise as the flame burns brighter. I can let my body do the talking for me.

Stella's lips are exactly where I expect them to be. I kiss her firmly. I tug her body against mine. And Stella moans between our kiss. Her arms pull free of my grip and wrap themselves around my shoulders warmly. She grips my hair tight and pulls me further against her. We interlock. I can feel her breasts against my chest, and I have no doubt she can feel the insistent heat of my erection on her hips. Her lips part, and my tongue slides in. We wrestle wetly in each other's mouths. All the while the flames are burning brighter and brighter.

This is much easier than talking, I realise. Here in the pitch dark of the cargo bay, the Peitr whose words I use, whose brain controls my actions, is nowhere to be seen. Here, I could be anyone. And she could be anyone, too. Her alien features are invisible while we are blind. Our two weeks of awkwardness mean nothing in the dark. My lonely nights thinking of her under my bedsheets. All of that tension now detonates wonderfully into controlled explosions of touch and taste. The way she kisses me, with unexpected ferocity, she must have been having those same nights on her side of the ship. It's enough to make me smile. What a waste. What a delicious waste that we spent so long apart!

My libido reaches fever pitch as I slide a hand firmly up Stella's side and plant it on her breast. Her lips break off from mine, and a fierce moan escapes her. I turn with her in my arms, pressing her back against the waist-high cargo container, and I squeeze her. Her chest is luxuriant, soft and sweetly pliable. She writhes in my arms as I massage her. I kiss her neck - it feels like the right thing to do. Her moan rises, keens, when I press my teeth to her skin.

It's about as much as I can take. I grip the zipper of her jumpsuit and pull downwards. My fingernails identify the thin cotton of an undershirt beneath. I relinquish Stella only briefly, but I feel the chill of our parting as she rustles herself out of her clothing. I do the same. I'd tear this stupid suit off if I had the strength. Down to my boxers and an undershirt, I step forward, uninvited, and my hands meet bare skin.

Stella is naked. She has stripped herself bare. I slide my fingertips along the silk of her skin, finding the firm points of her nipples, and her hands snap suddenly to the waistband of my boxers. She tugs with a growl. I fight the desire to apologise, and instead step out of the last of my underclothes. The chamber is cold. Stella is warm as I embrace her. We kiss. We touch. Her leg slides up against mine, and her teeth bite at my lips.

The question of how to proceed, like so much else tonight, goes unsaid. When I grasp her hips and turn her, she moves with my urging as though it was a matter of course. I feel the firmness of her body as she braces her arms against the top of the cargo container. And I feel with my hands as her legs part for me. My cock is aching in my hand, so full of blood I imagine it might burst. I run my free hand up the inside of her thigh to where the heat and the moisture are paramount. My finger slips into her. She gasps. I realise that I'd not once worried that her people were built differently to mine. It turns out, I fit right in.

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