Half-past twelve. There were enough empty seats at the bar that no one had to sit next to anyone else if they didn't want to. Brent Carr didn't want to. He sipped his scotch and water slowly, avoiding the inevitable trip home. Tomorrow was gonna suck. Fridays were always crunch time; having a hangover wouldn't help. Getting drunk was stupid, but it broke up the monotony of waking up, working so he could eat, eating so he could work. He had two kids he saw on alternate weekends, and he tried to make his life about them, their future, and their college fund. Two weeks was a long time to slog through to get to a few days that mattered.
Someone sat in the chair next to him. Annoying, but if he didn't look at them, he could pretend they weren't there. He turned in his seat to get them out of his peripheral vision, but not before noticing his neighbor had a low-cut blouse and firm, full breasts.
Last weekend he'd asked his kids what they wanted to do for a living. Toby had said he wanted to be a Software Developer. Sandra had said a Lawyer. The sort of thing most parents like to hear. But he asked the follow-up question—why? Money. He was working to make money, so that his kids could go to college, so they could work to make money, so that ...
Life didn't seem to have much of a point beyond perpetuating an endless cycle.
"You seem sad," said the woman.
"You seem observant, and nosy." He glanced her way, taking her in finally. She had long, almost black hair, and an exotic beauty whose origins he couldn't place. Latina? Middle Eastern? He'd been wrong about the blouse. It was a cocktail dress, with a deep plunging neckline and a short hem. Her breasts were perky enough that they were managing without a bra, and he couldn't help but stare at her cleavage for a moment before jerking his head up to look into her sapphire eyes.
He hadn't intended to make eye contact, because he hadn't wanted a conversation. But instinct told him he should look up to avoid her thinking he was staring at her boobs.
"Being observant isn't my strongest point," she said. "But I'm far from stupid. You can look if you want to. I wouldn't be showing them off if I didn't want people to look."
"You're a very attractive woman," he said, and gazed into his scotch instead. He had a good memory. He wouldn't forget those breasts for even without another peek.
"Thank you. My name is Kalisha. What's yours?"
"Brent. Yeah, I'm sad. Talk to me long enough, and you will be too."
"Really?" She had a lovely laugh. He felt an urge to tell her an unbroken string of jokes to keep her laughing. If only he was in a funny mood. "You're that persuasive?"
"Life," he said, "is a long pointless exercise from cradle to grave. We keep ourselves going long enough to create another generation to do the same thing. If we're lucky, we'll stop from destroying the planet and keep the whole meaningless cycle going."
She smiled. "That's heavy."
"Yeah. There's no point in it."
"Sure there is," Kalisha said.
"Hmm?"
"Tits."
He nearly spat out his drink. "That's what you got?" he said.
"Well, it's not all, but most people like them."
He chuckled. "No, I mean that's your best argument? It's easy to see that they are there to get the next generation going, and to get men interested in procreating."
"Sunsets. Fall Leaves. Swans flying, and roses blooming."
"Chemicals in the atmosphere—and the rest is all cycle-of-life stuff."
"No, Brett. You're missing the point." She moved closer and twisted, and he was very aware of the point of her hardened nipple as it brushed against his arm. Was the juxtaposition of word and action intentional? She certainly wasn't like most women he'd met.
"The point of existence, Brett. Not just to keep yourself going. It's beauty. It isn't what those things are made of, or what their function is, it's about your ability to see it all, and know, for a moment, that there is something there beyond functionality that matters. Or you can turn away, like you've turned away from your painting."
"How do you know about my painting?" he asked. He hadn't picked up a brush for two years now, not since the divorce. He used to paint Sheila, his now ex-wife, and landscapes. The landscapes were still as willing, but he'd left his supplies behind when he moved out.
"I'll show you, if you like."
His eyes narrowed. What did he have to lose? He nodded.
She led him outside. "This way." She headed directly away from his apartment, and he knew it would be a long walk home. People stared at Kalisha when she walked by. He couldn't blame them.
After ten blocks he asked, "Where are you taking me?"
"Just a little further. If I can do this in heels, you can do this in loafers."
He had been aware of the clacking sound on the sidewalk, and her long legs, but he just now noticed that her heels were at least three inches, maybe four.
She took a right turn, walked one more block, and he knew where they were. They couldn't go any further. The river was in the way. It was no place special, just some cobblestones, a few plastic benches, and a brick wall three feet high to stop people from falling into the river, but the view of the city lights was magnificent. A big burly man and a slender dark-haired beauty sat on one of the benches. A good, romantic spot. Once, late at night, he had set up his easel here. He'd meticulously captured each light with a dot of his brush, racing to finish before sunrise.
"This spot is where you knew the truth," she said. "You knew why you were here. To capture this—no, a photograph could
capture
it. You were here to enhance it. To decide what was most beautiful about it and bring it to life."
"Sheila has that painting now. It's hanging in the living room."
"No. She sold it. It reminded her of you, so she got rid of it. I bought it at auction and tracked you down. If you did nothing else in your life but paint that one painting, your life would have meaning, and purpose. But that painting shows you'd honed your skill on other paintings before it."
He shrugged. "I don't have my paints and brushes anymore."
"That's the best you got?" she mimicked.
"I could buy new ones."
"I'm sure high-quality supplies are best. But you can do something with almost anything, can't you?"
"Yeah."
She walked over to the couple, her heels clacking on the cobblestone, and picked up something from the bench they were sitting at. They looked up at her, but said nothing. She returned to him with a block of watercolor paper, and a compact set of paints. She handed them to him. A good brand. It would come with a brush.
"I'll take these home and paint with them," he promised her.
"No you won't. You'll go home and fall asleep, and in the morning you'll find an excuse to do something else. You need to do it now."
He shrugged. "Can't paint with watercolors without water," he said.
"Fortunately, I palmed a shot glass and put it in my purse." She took it out, not seeming to mind that he could see a purple vibrator as she rummaged around. She spat into it.
"No excuses," she said. "Make it work."
"Okay," he sat down. He heard thunder rumbling in the distance. "It's going to rain."
"Not here it isn't."