This is the final part of
Abyss.
I have to warn you that there isn't a lot of sexy in this part. Everything is coming to a head and when vampires are involved that is not pretty.
Enjoy.
Abyss part 3
I find a pay phone and dial the number Major Price had given me. "Yes?" a firm male voice answers.
"I need a report," I tell him.
He draws in a quick breath at the sound of my voice. It seems I'm still not concealing myself well.
The man's a professional though and quickly gathers himself. "The team got here early. We had the subject under surveillance by 9:30 AM."
Yesterday Mandy went to classes, had dinner at a restaurant and returned home. Nothing unusual. The next part of his report catches my attention.
"Last night, the subject left her house at 10:57 and drove out of town. She was followed to an old farmhouse. More correctly, the road to an old farmhouse. My operative wouldn't travel any farther.
"I gave him hell for that. But he told me he wouldn't go near the place for all the money in the world. He said the place frightened him. That was a surprise. I've worked with him for three years and I didn't think anything scared him."
My contact's voice grows less professional, softer. "I did some digging. It turns out there was a multiple murder there, almost a century ago. Now the locals won't go near the place. And people from elsewhere who have lived in it won't stay more than a month or they never leave at all.
"I went to check it myself. My operative was correct. There's something not right about that place. I couldn't get myself near it, even in the daytime."
A wonder creeps into his tone. "I always believed such places were just fairy tales. I never thought I would ever see such a thing."
I have and more than once,
is the thought I keep to myself. "Continue your report," I order him. My voice is normal now. I have myself under control.
"Yes sir!" he barks. I can almost see his heels click together as he stands at attention. "Today the subject attended one class, returned home for a short time then went to the university library. She's been there for nearly six hours now and is still inside."
"Thank you," I say, "well done."
"Thank you, sir. Good night." His job is finished for now and he hangs up. Neither of us have time to waste.
After I replace the receiver I think for several minutes. My fury has receded somewhat. Darkness no longer fills me or directs my actions, much. I want this silly conflict to end. The reasons behind it are foolish and Ms. Richardson has not the slightest idea of what she is dealing with. Perhaps it is time she knew. That might be enough to make her cease this stupid game.
I head to the library. It will be open for another hour yet and that will give me time to confront her. It's also public which will limit our actions. Nothing extreme will happen when there are likely to be witnesses.
Through that short journey, I work through what has happened. Most mysterious are the complete and extreme changes that Mandy can cause in her victims. I sort through all the methods by which such things can be done. Only one, that I know of, can affect a person as quickly and thoroughly as the shift I observed in Diane.
A shudder of pain passes through me at the thought of her. It takes a major effort of will to keep myself reined in.
I return to my thoughts, recheck my premise and conclude it is the most likely explanation. I realize I'm going to have to be very careful if I wish to survive.
On reaching the library, I go to the front desk. There's only one librarian on duty. After giving a description, I inquire where Ms. Richardson is.
"I can't tell you that, sir. We aren't required to te..."
I haven't time for this. I look into her eyes and she goes blank.
"Where is she?" I ask once more.
"The reading room on the third floor," comes in a flat reply.
"Is she alone?"
"Yes."
"What has she been doing?"
"Going through our rare history section. She's been working backwards through the last two centuries."
"You won't remember I was here. Ignore me for the rest of the night."
"Yes," she tells me.
I release her and she turns away, goes back to her work.
Once I climb to the third floor, I go to where my adversary is working. This late in the evening the level is empty. The door of the reading room is locked. Shaking my head in distaste, I place my hand on the wood and push with all of my strength. The jamb shatters and I swing the portal open. Mandy looks up with shock in her eyes, astounded at my sudden presence. I saunter over and place myself in a chair, just beyond her reach.
I glance at the book she has spread on the table. It's an old one and is turned to a reproduction of a painting. I know the work well. It was done in the early 1790's, just before I left France for the first time. The subject of the portrait is me. I look as the artist sardonically, a world weary and cynical smile on my lips.
When I look at Ms. Richardson again, I place that expression on my face. She rapidly moves her gaze back and forth between me and my avatar. Confusion grows each time her eyes shift.
"Oh yes, that is me." I tell her. Her disquiet fades. Her mouth drops as my revelation hits home.
"
Mademoiselle
Richardson," I say to her then, mild contempt making my voice frosty, "you better than anybody should know there are more things on earth than are dreamt of in most people's philosophies."
"What are you talking about?" She puts a poor poker face on, trying to hide her concern.
"Let me recreate my thinking. I've encountered two of your victims so far. The Dean..."
"You know about that?" she interjects.
"Don't interrupt," I snap at her. "The Dean was the first one. After observing your little tryst with your former English teacher several evenings ago..."
Mandy's face blanches as she discovers how vulnerable she actually is.