This, the latest in a succession of places to live; a library. An ex-library, to be more precise; an ex-primary school's children's library, to be exact. After I'd dusted it out and stacked the disassembled shelves in one corner, it looked quite presentable.
I was lucky to get this place; after the school had closed, the main rooms were being rented out to clubs, the tiny gymnasium to sports groups; the library was the only room that wasn't laid out for meetings. The caretaker had been glad to hand the place over to me for fifty dollars a fortnight. Officially, he wasn't supposed to do this; the place wasn't zoned as residential, but he wasn't about to complain, being a hundred bucks a month richer, and no-one noticed that I was getting free power from the school's main supply, and (until someone started asking questions), three free phone lines. In the dead of night, I'd shifted a refrigerator in.
There was an octagonal pit that had been a kind of class-reading area, which I'd filled with mattresses, pillows, cushions, blankets and continental quilts. It served as a bed. The place no longer smelled of dust and disuse.
I'd arranged candles on nearly every horizontal surface, and late at night, I'd light them all and turn off the overhead neons. It gave the place a medieval atmosphere, like some old monastery. I walked over to the center of the room where I'd ripped up some of the dingy old carpet, revealing a patch of concrete about six meters across. Faint blue chalk marks drawn on the rough gray surface marked out the arcane symbol I'd found in the book, a rotten old almanac - one of many that Jerry had looted from the Vatican library shortly before he'd burned it to the ground. I knew why he'd given it to me; he knew that I was the only one game to try the summoning detailed within.
For all that the work had been written in German-flavored Latin, I couldn't tell which particular faith had inspired this nameless book. I was reasonably certain it wasn't Hebraic or Carthaginian or Aramaic or Egyptian; it wasn't Celtic or Arabic or Druid, although some of the illustrations contained a few elements of the Horned God. I was thankful for the translations and annotations; I could recognize perhaps one word in ten of the original.
I put on the thick metal-studded collar which had been anointed with musk oils; a thick D-ring at the back attached to a loop of leather with a two-foot length of metal chain. I started the CD player: Hybrid, by Brooks, Lanois and Eno, a sensual, rhythmic piece with a vaguely eastern air; then I arranged the incense at the quarters, sprinkled the powder in the burner and stood back as the gray smoke mushroomed out across the ceiling. It smelled rank, like animal fur after a rainstorm, simultaneously repellent and oddly seductive. I stood at the center of the cleared space, hefted the one-pound bag of pure heroin and hacked a hole in the bottom with the ritual knife. The white powder began falling to the floor in a three-hundred-dollar-a-gram dust storm. I grounded, centered, cleared my mind then filled my consciousness with the note, a bass F-sharp and began tracing out the symbol in heroin.
Once it was complete, I went over the pattern again and again until the bag was empty, then tossed it aside. I took off my loose robe (the cold metal chain brushing against my nipples), went to the center of the roughly elliptical form, raised the ritual knife and (I always felt embarrassed about this - what I imagined as the "performance-art" aspect of ceremonial magic) recalled the words. This was something of an experiment, really; the scribe who'd made the notes in the original book had mentioned that the effect was the same no matter what they chanted, as long as they said it with feeling. In keeping with the spirit of the original text, I went for a German invocation, using the words I'd first heard Blixa Bargeld declaiming at the Old Greek Theater:
Meint Ihr Nicht: wir koennten untershcrieben Auf das und eins biz zwei prozent gehoeren Und tausende uns hoerig sind;