He saw her out of the corner of his eye as he finished his coffee and pastry. A face in profile. A flash of thigh between a skirt and a leather-booted calf. A tingle of recognition out of all proportion with what he had glimpsed. And that feeling, that overwhelming, nameless feeling that he'd learned to trust. Call it intuition. Call it a sixth sense. Whatever it was, it had just spoken to him. Loud and clear.
He was on his feet in an instant and threw some coins on the table. Before he could question this impetuosity, he hurried after her. Outside, a name came to his lips, a name which he had learned after first seeing her several nights ago in the company of a tall, blond gorilla. After that first sighting, he`d rushed to the archives to find the strange portrait that he'd discovered months ago. He took a photograph of it with his iPhone. There could be no doubt.
The woman was across the street, about to be lost from view. He couldn't lose her. Not now. Who knew if their paths would ever cross again?
He took a chance and yelled out the name he had learned. "Katarina!" he shouted. "Katarina von Regensburg!"
The woman was some distance away now, separated from him by several dozen shoppers and tourists. Her back stiffened and her step faltered, a slight hesitation that to him betrayed recognition. The woman stopped and slowly turned. He took in her face. There could be no doubt, he thought. Dark, almond-shaped eyes, spaced widely apart over sculpted cheekbones. The delicate nose over full lips. The firm jaw and chin that bore a hint of a cleft. All of which framed by raven-black hair. It was Katarina von Regensburg, somehow transported to the here and now through the centuries. He was convinced of it.
He approached her through the throng on Zwingerstrasse, each step adding certainty to his conviction.
***
The name shouted in the street brought a chill to Kat. She turned, knowing as she did so that it was a mistake. She should have ignored it and kept walking. But she had to know who had spoken her name.
She turned and saw a man bearing down on her. By his dress and size, the man who approached her looked American. By the clear-eyed eagerness with which he approached her, he was naive. Or a zealot. Whatever he was, he was danger.
"Thank you for stopping," he said in German, his accent betraying him as a foreigner. "I'm Daniel. Daniel Smith."
"Now that I have stopped, Mr. Smith," said Kat, "perhaps you'll tell me the meaning of this." Her statement was abrupt, even by the standards of the brutally polite natives of this city.
The man, a boy really, scrutinized her unashamedly. He was large and muscular but hadn't yet grown into his size. A mop of blond hair waved in the breeze over piercing blue eyes. There was intelligence in them, but also a barely contained excitement. "I've seen you before on the main street, walking with some guy..."
Kat remembered now. The sudden flash of interest from someone hidden in the crowd. An interest marked not so much by its intensity -- Kat was more than familiar with arousing interest -- but by its flavor. There was no other way to describe it.
"I never thought I'd see you again. I mean, you might have been a tourist or something and gone home to wherever."
Kat smiled tightly.
"That smile," he stammered. "Uncanny. And the way the light is hitting you now...."
She knew that she should leave. She knew that something was terribly wrong and dangerous. Instead of leaving, she said, "Perhaps you should explain."
"It's just... well... I noticed that you're the spitting image of Katarina von Regensburg. In fact, I'm surprised that you responded to the name."
"I was responding to a lunatic American yelling nonsense in the street. No doubt others did as well. "
Her words didn't cause the acute embarrassment that she'd hoped. Instead he tilted his head and studied her with discomfiting intensity, as though committing her to memory.
"But now that you have accosted me, perhaps you can tell me of this person and why you would think that I am she."
"It'll sound silly."
"It already does."
The man-boy was silent for a long moment, as though now doubting the intelligence of his brashness.
He took a deep breath and then spoke in an excited rush. "When I saw you the first time, it was as though I recognized you. There's a portrait of you or someone who could be your twin in the university archives. I'd come across it some months ago and didn't think much of it until I saw you in the street. It's remarkable, really. The hair is a bit different and the clothing too, but everything else -- your face, your bearing -- is identical. I have to say that it doesn't do you justice."
"It's not me, obviously."
"I'm not so sure."
Kat laughed. "How old is this supposed likeness?"
"The portrait was done in the 1700s."
"There you go then. It's a coincidence, nothing more, unless you wish to imply that I'm three hundred years old."
She'd expected him to apologize for the slight, however ridiculous -- most men would -- but he ignored the opportunity.
"But it's not so much the portrait that intrigues me, it's what is written beneath it."
Kat felt a chill but forced herself to remain calm. "And what might that be?"
"It's in Latin and was inscribed some time later by a hand other than the artist's."
"You're an art historian?"
"No. I just know that the artist would not have spoiled so exquisite a work with what was written."
"Which is?"
"Vade retro Satana. Nunquan suade mihi varna!"
Kat knew the rest but remained silent. Sunt mala quae libas!
"Do you know it?"
"No idea."
"It means Begone Satan. Never tempt me with your vanities! What you offer me is evil!"
"Curious," said Kat weakly.
"It's a damning inscription at the very least."