The old slave woman crept into her mistress' chambers, careful to close the door behind her so that it did not make a sound. She stood in the shadows, clutching in her hands a little rag doll, and watched as Messalina's breasts rose and fell in the slow rhythm of sleep. Messalina was a beautiful woman, and even through her hatred, the Greek slave could see that. Her features were delicate, exotic, with a hint of the East about them, though she belonged to one of the better families of Rome. Her lips were full and luscious, meant for kissing, and other things.
Her hair spilled out around her head in a rich black nimbus, highlighting the dusky pallor of her flesh. She had a long, graceful neck which led into the fullness of her rounded breasts. Through the light fabric of her gown, one could see her nipples, and the dark aureole surrounding them. During the night, Messalina had cast off her covers, and her gown had bunched up, revealing the gentle swell of her hip and the thick copse of hair between her legs. Under different circumstances Mila the slave woman might have found her very attractive. However it was not Eros that brought the old slave into her mistress' chambers, but Vengeance.
Mila's grandson had been a strong, happy young boy, very athletic and full of life, though he was, like all of his family, a slave. Working in the fields of the great manor had given him a muscular body, which had not gone unnoticed by the mistress of the house. Messalina had conspired to lure him into her bed, but the young boy was in love with another, and had not wanted to betray her. So he spurned his mistress, and incurred her wrath. Messalina accused him of attempting to rape her, and since she was a high-born citizen, and he but a slave, there was no question about who to believe.
They took the boy and beat him, then crucified him, as was the punishment for slaves in those days. Mila had watched her son die, and even watched the dogs and birds pick at his flesh, for the master of the house was a cruel man, and had not allowed the body to be taken down for burial. At that time, Mila swore vengeance on the haughty mistress who had caused the death of her beloved grandson. And since Mila had come from Thessaly, in Greece, the power to exact her vengeance was in her hands, though she was a slave, and was powerless in the eyes of her masters. Thessaly was the traditional home of witchcraft in Greece, where Medea and Circe had lived. It was thought that all Thessalian women were witches, and not without reason.
Mila began to mutter ancient prayers to Hekate in her native tongue, and as she did so, the shadows in the room grew darker, and the air grew cold. Messalina began to shiver, and in her sleep she pulled her covers tighter around her. Mila's voice grew louder, and her words grew harsher, until it seemed that she was spitting out the guttural curses like gobs of spit from deep within her throat. Finally, when she reached the height of her prayer, she drew a knife out from her robes, and slashed her arms several times as an offering of her blood. She held the rag doll under her wounds, and the drops of blood splattered onto its surface, staining it red. In her bed, Messalina was no longer chilled, but suddenly grew hot, and a sheen of sweat sprang up on her brown skin. It was not regular sweat, but had the color of blood about it. Mila saw that, and smiled. "You wanted a good fucking from my grandson, you Roman bitch, I will give you one you will never forget."
Mila set the knife down and held the rag doll out in front of her. The doll bore a crude resemblance to her mistress, with rich black hair on its head, and between its legs, and two nubs for breasts. Mila stroked one of the doll's nubs with her finger, and glanced over to her mistress' bed. Messalina let out a soft moan in her sleep, and absently began to rub her own full breasts. Mila continued to stroke the doll's breasts, letting her finger trace circles now around one, now the other. Messalina's breathing grew heavier as she massaged her breasts, cupping them in her hands, and running her fingers over the nipples. Messalina was like her puppet, and everything the Greek did to the doll, the Roman did to herself.