There is no sex in this part of the story, though it sets the stage. If there were, it might be categorized as an Erotic Couplings yarn, but overall Meet Me in Moonlight is a ghost story, so it is categorized as NonHuman.
*****
I was laying on my back on the pantry table, my shirt ripped open, pants and shoes gone, with one of the housekeepers sitting on my face and the other with her head in my lap. My ID card was clearly visible, dangling off the table by the lanyard around my neck. My medical bag lay open on the floor. It was a surprisingly erotic picture.
My supervisor Joanne pushed it closer to me. "This is the kind of thing that gets you fired from the company."
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Monday came too soon, I had to give up my search for Amber.
I met my new supervisor, Joanne, at the company office; she had keys, an ID card and a key card for me. She had caught a ride down, she had me drive back to the house where we worked.
The patient lived up on the mesa, back near the ridges that framed the northern edge of the city. As I drove up the view varied from sections tightly hemmed-in by walls or hedges to yawning vistas overlooking town. From the overlook sections I could see sailboats and dive tours departing the harbor, the beach volleyball courts down near the zoo, and the long stretch of beach west of town. The club squatted far off to the west on county land between the beach highway and the pier; from here cars were dots, but I could see the parking lot was empty. Oil platforms sat out near the horizon, tiny black frameworks from this distance.
Joanne started briefing me as I drove. The patient was David Ingersoll, the only son of an oilman. He had suffered neurological damage when young, his muscles were quite weak and he suffered from seizures. Our primary job was to care for his medical needs, there were household staff for cleaning and housework.
We would be available twenty-four hours a day, five days a week, Joanne got Fridays and Saturdays off, I'd have Sundays and Mondays. We had a small workroom and bedrooms for three nurses; Joanne and I would live onsite and the third bedroom was kept for Giuletta, the relief nurse who'd cover our days off. I'd met G during training, she had been friendly and I looked forward to working with her.
The house was surrounded by a tall stucco wall, a sturdy Mission-style gate blocked the entrance. Joanne pointed out the camera and card slot on the left; I pushed the red call button and held up my ID and stuck my keycard in the slot as directed by somebody inside. A long driveway flanked by cypress trees led to an Italian villa. I parked in a carriage house next to some kind of 70s muscle car; it was dusty and its tires were flat.
We entered the villa from the side; through a pantry with deep shelves and a sturdy Mission table, across a hallway, and into the kitchen. Two youngish women (in their late twenties if I had to guess, one blonde and one redhead) in housekeeping uniforms were cutting up fruit at the sink as a older Hispanic lady rolled pastry dough on the counter. A sunburned older guy was sitting at the kitchen table sipping a beer and talking to a well-dressed lady (my mother had had an interest in fashion and I had learned all about it by osmosis; this lady was wearing couture).
Joanne stopped near the table. Everyone had turned to look at me; I tried not to slouch. "Steve, this is all of the staff we work except for G; she's upstairs with Mister Ingersoll. It seemed easiest to get introductions out of the way early, if you would start. Please give the name you want to be called, and staff please do the same."
I dipped my head to the group. "Hi, I'm Steve, Stefano if you have to. I'm new to this job but I'm a licensed R.N. and I've worked in medicine since I was 16. I know I'm new here, so just tell me if I'm in the way or doing something wrong, and please, let me know if I can help with anything."
The redhead said, "Hi, I'm Shannon and this is Vera," pointing to the blonde. "We're housekeepers, and I'll be asking you to get things down from up high."
"I am Tia Zorra, welcome to my kitchen, let me know what you like to eat."
"Ruggiero, I have the grounds. Do you know anything about cars?"
"And I am Mrs. Simpson, I am Mister Ingersoll's chatelaine. Joanne is your supervisor but I am the mistress here except for specifically medical activity. Welcome to the Villa Ingersoll." She smiled, patted Ruggiero's hand, and strolled out.
"Steve, I will be with Mrs. Simpson for a while, please get to know the staff members, I will text you when I'm free, and I will introduce you to Mr. Ingersoll later. You are off duty today, this is a good time to get to know the house and grounds."
Shannon immediately claimed my assistance and got me to pull down several objet d'art that needed cleaning, pulling me along through several of the downstairs rooms in succession. She chatted gaily in a low voice as we worked, sounding me out about my background.
"Are you a local or an import?" she asked, as I handed down a green jade statue. She wiped it with a cloth and I put it back.
"Local, born and raised on the west side, off of Storke. My grandparents met and settled here in the '20s."
"Can you reach that painting of the barn? Thanks. Boys or girls? I know that sounds pretty blunt, but we live here with you, and everybody's gonna want to know."
"Girls. Here you go. What about you?"
She smiled. "Boys. Favorite movies? There's a movie room upstairs we are allowed to use." She pointed at a brass mechanism; I studied it for a minute before figuring out how to pick it up.
"I'm a guy; I need my explosions and gratuitous nudity, but I'll watch anything once. What IS this thing?"
"A non-sparking something-or-other, I forget what it does. What's your taste in music? Zorra loves opera, and Ruggiero does power ballads when he's working."
"My granddad was a bluesman, I like Chicago blues most but any of it is good. Do we need to do anything upstairs?"
"No, we'll wait until Mr. Ingersoll is up."
Shannon handed me off to Vera, who explained the layout of the ground floor.
"The ground floor of the villa is split between the front of house, for the homeowner and guests, and the back of house, where the kitchen rooms and staff quarters are located. It was modeled after a villa in Tuscany."
The front door, on the north side of the house, opened into a large foyer that was open to the second floor. Mirror staircases flanked a large, glass-encased elevator on the south wall of the room. Decoratively-carved oak doors opened to a parlor to the east and a library to the west.
"I don't know if Shannon asked you, are you okay working in small groups like this? I mean, at the hospital you're part of a huge staff."
"Yes, I had some practice working one semester with a hospice."
Panel doors (covered in wallpaper to blend with the walls) between the stairs and each side of the elevator opened into parallel hallways heading south into the back of the house (we'd just entered the foyer through one of them). We walked through the other panel door into a hallway.
"The back of the ground floor is arranged as a hollow square around the kitchen; the hallways run along both sides of the kitchen and then turn and meet across the back of it."