She sat up in bed, pushing back the white comforter, her toes touching the spot of moonlight on the wooden floor. She didn't know if she was ready for this, to be dreaming on Halloween. But then, she wasn't sure whether this was a dream.
The shadows of maple leaves moved like sand across the wall as they tossed in the breeze. Outside her window and down the precipitous cliff, the rolling of the waves on the shore was like the sighing of the sleeping world. From where she sat, she could see a big white path stretching across the water, leading to where the moon hung naked in the sky looking somehow startled and embarrassed.
Something was wrong.
Above the gentle snores and steady breathing of the other guests she could hear a muffled thumping from downstairs—alive, urgent, and strangely subdued—and it filled her with dread. Something was struggling, and yet no one else in the inn had woken up. No one else had heard it. Something seemed to be thrashing about downstairs and fighting for its life in the eerie silence of the house
Leah closed her eyes. Maybe she was dreaming. The sound had the stubborn muscularity of a heartbeat, but wildly irregular and desperate, and finally she couldn't stand it anymore. She went to the door and stepped out into the hall.
The moonlight fell on polished floors and the silent uprights of the banister. The hallway was empty and the stark zigzag of the stairs descending into the darkness looked lethal. A paper skeleton with a jack-o-lantern head hung limply over the stairwell, revolving slowly, pointing the way down to that horrible thumping.
She walked to the head of the stairs, put her hand on the banister and looked down.
It was a fish. A large fish, with a sack over its head, thrashing and writhing at the foot of the stairs, suffocating in the air.
Leah raced down the steps. There was no one there. The front door was closed; there was no water on the floor, just the thumping, dying fish. She pulled the sack from its head and saw the eyes, cold, lifeless, expressionless eyes, and yet the creature was dying. And then she saw the lips, that they were like human lips, soft and needy and seeking, pleading with her, and she saw then that the movements of the fish's body were sexual and obscene, the twistings and writhings of a lover's body in desperate need of fulfillment. She realized with a sick feeling that the fish needed sex—needed love—that the fish was suffocating from lack of love, and she felt this cloying, almost nauseating sense of answering arousal of her own...
She woke up in her bed, the shadows of the leaves scrabbling frantically at the underside of the canopy, like things trying to escape. As if shadows could escape.
*****
She raised herself on one elbow and looked about the room, trying to remember where she was and trying to forget the look in the fish's eyes, the obscene writhing of its body. It had some sort of legs, a vagina lined with silvery scales...
She took a sip of water from the glass on the nightstand and brushed her hair back from her face. The room was just a room; the shadows were only leaves. The wind sighed through the beach grass and the surf crashed with reassuring steadiness on the beach below.
Well this is what she got. This is what she got for trying to invoke supernatural dreams on Halloween. She'd taken a room in this old inn just for this purpose; chosen one overlooking the sea where she knew the moon would shine on her and aid her in her foolishness. Candles burned on the dresser, and cups filled with water stood around the bed. She'd put hibiscus and valerian under her pillow, and wore her most romantic nightgown, that laced across the bodice. The clock on the dresser said 12:27, so it was indeed Halloween, although Halloween morning rather than night, but still, it counted.
She didn't really believe in all this, but she didn't really not believe either. In any case, she couldn't very well stay in town because then she'd have to go to Jen's party, and now that she and Tony weren't together anymore, how would that look? And if she stayed home that would only be worse, showing her humiliation at her loss. She'd have to put up with their sympathetic stares and knowing looks. Jen's crowd was like that—like hyenas, waiting for anay sign of weakness or blood. Better to just make up an excuse to get out of town, spend the time walking on the beach, viewing the autumn colors and playing with her tarot and teasing the occult.
She got out of bed and walked to the window. Outside, the dried beach grass bowed before the wind, tossing restlessly down to the cliff that overlooked the sea. Even the clouds seemed to be fleeing the skies. Why do they run, she thought. Why does everything seem to be fleeing?
Far in the distance and away from the moon's path of light, she could see the lights of a ship in the darkness headed out to sea, and she wondered as she often did if there might be a man on board she was destined to love and who was destined to love her—if fate was even then including her in the vast games it played or whether she were still just being ignored. If he was out there, would he understand what she felt when she looked out the window on a night like this? Was he wondering the same things about her as he gazed at the shore? It seemed like there should be some way to tell, some way to capture all these thoughts and missed connections and examine them and sort through them and understand the workings of that hidden world. What happened to those thoughts and feelings? Did they just all curl up and blow away like the dead leaves? Or did they echo somewhere forever, a feeling once felt being like a pebble dropped into a pool—a spirit pool, a pool where all feelings existed forever. Did her imaginary lover feel the ripples from her heart? Did she feel his?
Halloween was Samhain, the night when the crack between the two worlds widened. One world was our world, the world of the everyday. The other world must be like that spirit pool, that's what Leah had decided. A world not just of ghosts and spirits, but of lost feelings and missed opportunities, of unspoken thoughts and loves unrealized, a world where words were never needed.
The fish dream disturbed her. She knew she was the fish and she hated it.
She got back into bed and pulled the covers up. The wind blew harder and the leaves fluttered urgently against the window, as if to tell her something.
Oh, give up,
she thought, turning her back to the window.
Why do you cling to those branches so stubbornly when fall's already here? Tomorrow will be November. Just let go and fly away and die!
But the leaves hung on, still baring autumn's florid colors and not yet dry and sere, and secretly she was pleased.
*****
The waves beat on the beach below. The ship moves on the water, leaving her behind. Something stirs the candles, but when the comforter slips down off her body, Leah doesn't move, and now the shadows of the leaves dance over her sheet and nightgown as well. The room has grown warm so she doesn't miss the heavy quilt. She clings to the cover sheet, only vaguely aware of the darkness that gathers like a thick shadow under the canopy of the bed, a roiling, muscular mist.
Her dreams this time are sweet and sensual—sensual enough to make her smile and stir in her bed as she feels a warm breath upon the inside of her ankle, the lightest touch on the outside of her thigh. She doesn't see the water tremble in the cups or the ripples of light they throw on the ceiling. She barely feels the sheet slipping from her hands and dragging slowly down her body with the whisper of fabric upon silk, over her breasts and her stomach and across the plane of her hips; down across her thighs and her knees, her shins, and up over the hills of her toes to lie in a heap at the foot of the bed.
Her nightgown is silk, the color of moonlight. Three dimples appear on her thigh as if she's being touched, but no fingers are visible. Leah smiles as the dimples slide up her leg then disappear, then reappear and repeat the motion. She sighs.
The dimples appear on her breast. They slide across the bottom fullness, then circle across the top and disappear, as if waiting. She's sensitive there and she smiles, thinking on some level of her mind how typical of her it is that she'd dream of having her breasts caressed before falling back to sleep. The dimples reappear—four this time, two on each breast—and perform the same gesture, circling her nipples, mirroring each other, shadows of invisible pressure moving over her flesh. They finish by copping her breasts gently and squeezing, the fabric bunching between invisible hands.
Leah moans and opens her eyes but she's still asleep and sees nothing, not even the darkness directly above her. She closes her eyes again and falls back into her dream as into the arms of a lover, sighing, her hands on her chest.
The bodice of her gown fastens with a lace. As her breathing steadies and her sleep deepens, the laces begin to move. Slowly, the bow unties. The lace crawls like a snake through the eyelets, slowly slipping beneath her fingers as it removes itself from her bodice. Unconsciously, Leah raises her hands to her pillow, as if to give the laces room to move, placing them on either side of her head. The maple leaves toss excitedly against the window and cast wild shadows over her face, and the moon looks down in hollow wonder as the lace creeps out of the last eyelet and drops silently to the floor.
At that moment her eyes open and she knows she's not alone. She feels the bodice of her gown being opened, exposing her breasts and her eyes go wide with surprise. It's like a dream. She can't speak, can't cry out or move.
she thinks frantically.
It is I.
The voice is rich and masculine and terribly intimate—somewhere in her head, strange and familiar at the same time.
Who are you?
.
You know who I am,