"There you go. All you need now is makeup and you'd make a very pretty gal," Jinx said on a smirk to Cocoy as she adjusted the fucsia and royal blue malong she'd tied off over one of his beautifully muscled shoulders. "That's how women wear the malong. Neat, huh?"
Malongs were the ultimate versatile garment. They could be worn as dresses, used as sleeping bags or blankets, rolled into pillows or as personal changing tents where shelter was sparse. The cloth tubes could be tied over a shoulder, or "straplessly" above the breasts (sarong-style). They could be worn like skirts, by folding the excess width at chest level and rolling the top of the tube down to the waist or until the skirt was the desired length—which is how men wore it.
Jinx never went out of Manila without at least two malongs. It made traveling so much more bearable. Because malongs are usually made out of soft cotton, they also made good makeshift bedsheets or towels, in a pinch.
"I should have packed a
patadyong
," Jinx added for good measure, referring to the native peasant woman's costume. "In red and white ginham, complete with
alampay
. A scarf like that would so suit you, in red, I think, hanging over that oh-so-sexy shoulder. Oh, well, a malong draped the way a woman would wear it is okay, I guess." Her hands were out and framing Cocoy in his malong as if she were studying a scene for a photo.
"Oh, you're so funny." Cocoy said wryly, his words dripping sarcasm by the bucket. "I'm dying from laughter."
"You make a cute girl," Kidlat deadpanned at Cocoy, mirth making his dark eyes gleam like glossy chocolate ganache before his voice deepened into frank appreciation of Cocoy's now-androgynous charms. The outfit underscored the almost feminine thickness and curl of the bayot's eyelashes and the enticingly full redness of his lips. Set against the man's whipcord-lean frame and smooth café au lait skin, Cocoy's gorgeousness swung both ways—just like the rest of him did.
"Actually, you would look good either way, as a man or as a woman. That's a rare thing—and a good thing for a bayot, really."
Rolling his eyes heavenward (or, to the soaring cave ceiling, at least), Cocoy picked up the ritual jar and began stirring its contents with the
sigbinn
tail.
"Let me see that incantation in Baybayin again," he made a quick poke of the lips toward Jinx. "If I'm gonna get this right, I'll need you to hold it up beside the cave wall where I'm painting it. Kid, can you pop your phone flashlight open so I can see what I'm doing? It's pretty dark there."
That said, Cocoy swept past his lovers with chin aloft and ritual jar safely tucked into the crook of his arm. Jinx and Kidlat exchanged mirthful glances and followed him, biting their lips against the laugher that threatened to well up and spew out of their mouths at the show of outraged dignity their bayot was making.
***
The levity of the moment faded as Kidlat turned to Sinukuan, who'd kept silent as they approached the stalagmite where she'd been bound.
"Honored diwata, can you tell me which cavern leads out of this place?" Kidlat kept his head low, beneath Sinukuan's line of sight, as a gesture of respect. This was how his parents taught him to address diwatas while in their domains. He uttered a quick prayer of thanks to the Great Parents that he'd had those etiquette lessons he had once found so boring and pointless.
Bathala, I hope I got that right.
"Your parents taught you well, tikbalang," Sinukuan smiled and answered graciously before turning to walk to the mouth of the cavern on her right. "This is the shortest way to Lupa from here. Paint your incantations on either side of the passage entrance, then step back, well away from the mouth of the cavern."
Sinukuan faced Cocoy and her smile faded.
"You, young man, are going to have to get over your distaste for feminine clothing and movement," the diwata said, her tone scolding as she shot Cocoy a stern glare, her eyes lightening to molten red-gold from the calm, deep brown they had been when she spoke to Kidlat. "You are a bayot, a priest of no small power if what I perceive is true. You need to embrace the divine feminine within you: The nurturer and defender, the warrior as well as the supplicant. Femininity is not about being weaker than the male."
"Look, lady, I'm not acting as if being female is a bad thing, or less worthy than maleness..." Cocoy shot back in anger before Sinukuan cut him off with a slash of her hand.
"Yes, you are,
Taga Lupa
. Listen to me: The divine feminine is the creative force that shaped this world and holds it together—why do you think babies are formed in their mothers' wombs and not their fathers' balls?" She took in an exasperated breath and expelled it with much vehemence.
Cocoy tried to take the moment of pause and interject when Sinukuan silenced him with a glare that shriveled his balls.
"It takes a different kind of strength to access that which in females is divine, son of humans," Sinukuan explained over his attempt to manslpain at her, her scarred face tense about the eyes and mouth. "You need to put that together with that intrinsic maleness you are more than eager to assert. That aggression and brute strength makes you a man, yes, but
just
a man. You need the strengths of both male and female now—not just one set from one sex. Unless you can drop your preconceptions that male dominance is better or stronger, you will not be able to cast that incantation at all. We will all be stuck here. Which is fine by me, this is my volcano. How about you three? Did you even stop to think of your companions?"
The scarred diwata, as weak as she may have looked, seemed to expand and glow brighter with each statement that dropped from her lips. "What is it about the female way that is so abhorrent to you, anyway? You are only male by accident of birth, boy. Embrace your feminine side or don't—it is in your DNA, just waiting to be tapped. I cannot compel you and I will not push you after this, but neither can I open those passages. Only you have what it takes to do that: The strength of male and female working with each other, not at cross purposes."