Author's note: This story contains nonconsensual sex and ego death.
The young man looks grim, determined. A hero, probably, not lured here by my siren song (which in any case I haven't been singing) but by the glory of defeating the monster, defeating me. How to approach him? There are rumors that I can read the minds of the men and women who come here, but it's not true. I have to rely on intuition and guesswork. And with a hero? The wrong guess can mean death.
I stop myself. I don't
know
that he's a hero. Is he equipped to kill me? He's holding a torch, but it's night, so that might not mean anything. Is his ax silvered? From this angle I can't tell. He's looking around--is he searching for me? I'm surrounding him on all signs and he
seems
blissfully unaware of that, but that could be a ruse. He draws his ax; I think it
is
silvered. Fire and silver can kill me if he knows what he's doing. Mostly they don't.
I decide to make my first move. I release pollen into the air. The fool isn't covering his face, so he'll breathe it in. And then... then he'll feel disoriented, lost. He'll forget where he is. I watch, expectant, as his face grows puzzled, then afraid.
I wish I could read his mind, could feel the fear and doubt coursing through his veins. He starts to swing the ax around blindly.
I have many voices, taken from prior victims, absorbed from them into my essence. With the voice of an older man, taken decades ago, I speak. "Why have you come here, child?"
He spins around, trying to work out where the voice came from, but it came from all around him because I am all around him. "Who's there? Show yourself!"
Illusions are tricky, but this is always easier with a face. Carefully, I craft an image of the hero himself. That always unnerves them. Sometimes I think part of what unnerves them is that I can never get the image
quite
right.
This time I use a young woman's voice, one of the first I took. "I am here."
In the same moment I release a different pollen, one meant to arouse.
The man turns to face my illusion. He blanches when he sees his own face.
"What do you want?" This time I ask with the voice of another young man, the closest to the hero's voice that I have.
"Get away from me!" he shouts. He raises the ax threateningly.
Time for some more pollen. This time I'm blatant and spray it directly in his face so that he knows he's breathing me in.
"But you don't want to do that," I say with the same voice. "You came such a long way and now what you want is to lie down, to sleep."
He yawns halfway, then stops himself, slaps himself in the face. "No!"
"But aren't you tired, little one?" Now I'm using a much, much older voice, both in terms of age when I absorbed her and in how long ago that was.
He lifts the ax again and charges at me, but the image is only an illusion and the ax passes through it harmlessly.
Time to scare him. I laugh with
all
my voices, the chuckle reverberates through the copse. His face turns pale. But he is not so easily swayed from his quest. His eyes lock onto one of my trunks and he steps forward, ax raised, ready to chop.
It hurts when the ax hits me, but not much. The pollen has weakened him and there's no force to the blow. The touch of silver is unpleasant, but not harmful. And while I don't want it to happen again, my pollen, voices, and illusions are my only weapons.
He raises the ax again and I decide to take a gamble. I