[Originally I had Judy's first role-play taking place in October 1975 as described
here
. Then I decided to write about another one occurring about a month earlier.
The story about Michelle wielding a knife is
here
.]
********
I know from my own experiences that there are women who want to do role-play games involving rape scenarios. The girlfriends who tried these had various motivations and reactions to these events.
Role play can be intriguing, even addictive, as the plots become more complex. Video games didn't exist in the 1970s (well, the first Pong consoles had appeared in bars). Gaming with real people, often in public locations, had an intensity that nothing from a computer would ever match. Sometimes there were real risks involved, even if these were only psychological ones resulting from emotional stress. The lines between playacting and reality could get blurred.
One of my girlfriends at the City College of New York in September, 1975 was a fellow junior, Judy Weinberg. She had heard about some roles I had tried with other women in the previous months and now she had a proposal of her own with me as her co-star.
We were having a late lunch with beer at the West End Cafe near Columbia when she brought up the topic of role playing. I remember saying to her, "Sure, what have you got for me?"
She hesitated for a moment and said, very seriously, "I was thinking of a game where you, or rather your character, rapes me."
I was surprised by that and I said, "Why would you ever want to do that?"
She had given it some thought, "I'm actually very afraid of it but I want to confront my fears, in a controlled sort of way, so I can overcome it."
I thought about it and said, "I don't really get it."
"Didn't you ever want to know about some experience without actually having to be in it?"
I did have something for her, "Well, sometimes I imagine what it's like to be a soldier in a battle but I'm actually glad I've never been in a war."
"That's sort of the similar, it sounds."
"Yeah, but I don't imagine getting killed or wounded."
"No, but do you imagine killing other people, right?"
I thought about my childhood, about the time my dad took me to the movies to see
The Longest Day.
I remembered paintings and illustrations reproduced in
Life
magazine depicting Civil War battles like Chancellorsville and the Crater at Petersburg. The high drama of some of those events had set me to wondering how I would behave myself in those circumstances.
I said, "Okay, yes, sometimes it seemed exciting. But it's not about killing other people. It's really if I would be brave and competent as a soldier. And it's definitely not about being a victim."
She thought about that, "Okay, it's not a perfect analogy. But I do find my fantasy exciting too, in a sexual way."
I had to know more, "Who have you imagined in these things?"
"It varies. Sometimes just a stranger, almost faceless. Sometimes, even you, but as a stranger to me."
That didn't exactly seem flattering. I thought sarcastically,
that's cool,
but I didn't respond directly.
I said, "If I may ask, have you ever masturbated while thinking about this?"
She looked at me levelly and smiled, "Oh yes, and quite successfully too."
I looked at her and I knew most people at the college saw her as a personable but low-key, studious-looking young woman. In fact, she was indeed all of those things. But as her lover I was discovering other sides of her complex and passionate personality.
A few moments later I asked her, "I assume you've got a scenario for us then?"
"That's right, I've got a plan."
That wasn't too surprising. I was finding out that for women role-plays went beyond plot and script; they usually had stage directions too. It was like creating a scene in a movie or on the stage with some improvisations by both participants.
I said, "So what have you got for me?"
"I think this should be done up at school, on South Campus, at night."
I hadn't expected it would be outdoors, "That sounds incredibly risky."
"Not as much as you might think. It will be late; we'll take a cab up there. Probably we can go behind Wagner, in that space between the building and the wall."
I was trying to picture this. She had considered more and added, "Those security guys, the Penn Guards, they just go through the motions." The university had started a contract with a new company and the new batch did seem as inept as the previous ones.
I said, "So who are we?"
"I'll just be a student, someone like myself. You'll be a stranger. Whether you're actually a student or not, I guess that's up to you."
As I sipped my beer she had another detail for me, "I think we'll borrow the switchblade that Michelle has, the one her uncle gave her. You'll have that."
"You're kidding me."
"No, I think it makes it all the more authentic."
I thought,
buying a rubber one from a toy store is not good enough I guess.
Michelle had used that knife on me during one of her role-plays and she had scared the hell out of me. Then Judy had one more specification.
"Can you get a ski mask somewhere?"
"A ski mask? That's so weird." But she seemed to like that idea so I promised I would try.
Judy said, "So does this all sound - intriguing?"
I answered her honestly, "At the moment I can't think of the right adjective."
***********
Around 9:30 on a warm evening I was standing at a corner of Wagner Hall waiting for her. I still wasn't sure I really liked this particular scenario but she had invented it in all its peculiar details. I only had to execute the plan, although I had a couple of my own ideas to add to the game. As I waited I held a paper bag with some of the items I would need. Props were often important in a role-play.
Fortunately she was punctual. As I peeked around the corner I saw a short, plump girl coming around from the front of Finley Hall and walking north along the driveway between that building and Wagner. I put my ski mask on and I also opened the knife. I had been practicing with it because I had no previous experience with them.
I looked again to check on her. Judy was wearing a short-sleeved blouse, a dark blue skirt and black knee socks. A hairband kept her unruly reddish-brown hair in place. I knew with the socks and hairband she was copying her friend Michelle on certain style points to get this "good girl" look from an earlier decade.
I did for a pang of affection for her as she approached. In the last few months I had appreciated this tension between her good-natured sweetness and the intensely sexual side of her that I was getting to know well.
So why does she even want to play this game?
I wondered again.
When she was in line with my position she briefly stopped and I saw her turn her head slightly in my direction. I knew she wanted to check that I was actually in place for this rendezvous. Then she continued north and I stepped out onto the asphalt.
"Don't scream or I'll cut you." I had gotten in front of her and raised my arm with the knife in my hand. Actually I held it away from her because of my lack of experience; I didn't want to hurt her by accident.
"Come on over here with me." I pulled her by the arm towards the rear of Wagner Hall.
"I've got some money, you can have that."
"You stupid bitch, I don't want your money, I want you."
There was a grassy area between the back of Wagner and the wall along St. Nicholas Terrace. "Kneel down." I knelt beside her. There was enough light coming from the light poles on the street for us to see each other.
"Now I'm going to tie your hands together. Just don't do or say anything."
Maybe this was something men learned from their fellow inmates in prisons or jails but I had no idea had to coordinate all of his. The first problem was that I didn't know what to do with the knife while I tied her.
Hold it in my mouth, maybe? What do you think you are, a fucking pirate?
Maybe Jean Lafitte had known how to do it without slicing his own gums, but I didn't. I just dropped it on the ground and started tying her hands.
I had brought a clothes line for this purpose. This brought up a second issue. Even during my Boy Scout days I had no knack for tying knots. Then I realized, it was just symbolic anyway. I did the best I could to secure her hands together even though it was a really sloppy job. I did it so her arms were over her head, which I assumed would be more comfortable than pining them behind her back.
I'm a thoughtful criminal or maybe just an inept one?
During this my "prey" was talking to me in a low voice; her character realized now what was going to happen.
"Please don't do this to me; I'm a good girl."
"You're all good girls when it's convenient."
"No really, I'm a virgin, I swear it."