Author's note: Traumatised by being held hostage in the cafe siege, Chloe has chosen a new direction in her life. She gives up her steady boyfriend and stable job to seek out new thrills in risky encounters. Covalent has laid out his plans to make her disappear and Chloe finds herself spiraling deeper and deeper into his fantasy of total control.
The story contains themes of female submission, edge play and autassassinophilia. Discretion is advised: please check the story tags to see whether this a series you'll enjoy.]
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THE LIGHT BETWEEN THE TREES
The next morning, the entire sky is orange. I wake up gradually, roused as usual by daylight, but this is eerie, draining all colours until the landscape is swaddled in greys and blacks, like we've been transported from Earth to Hell. The door opens, but I've forgotten all about my display pose. So has Covalent. He's looking out, then checking his phone.
"What's going on?" I ask.
He doesn't answer, scrolling through updates on the little screen.
"Cove, what's happening?"
I get up and go over to him, peering at his phone. He stops and then abruptly stuffs it into his pocket, striding back indoors. I turn, looking back at the angry, alien sky. It doesn't look good.
He passes me, jangling keys, opening the flyscreen door and taking the steps two at a time. I trot along behind, following him to the silver all-wheel-drive parked around the side of the house. He unlocks it and turns the ignition.
"What are you doing?"
He doesn't answer me, watching the dashboard. This time I grab his shoulder, and I finally get his attention.
"I'm just seeing how much range we have."
"Why?"
"We need to leave. We're in the path of the fires."
I suddenly remember being in his arms on the rock, finishing the picnic, looking at the tower of smoke on the horizon. The wind was in our faces, blowing up the valley. Oh shit: towards us, blowing the fire straight in our direction.
Covalent is on the move now, back to the house. He goes inside and I wait at the open doorway, watching him. I don't know what he wants me to do.
It takes him five minutes, but he's packed a bag and he hands me a water container to take to the car. I begin to ferry the loads to his vehicle. The rules have gone out the window now. The carefully constructed life he's made for us is gone, just like that. I pack the stuff into the back, and then he's striding towards me, carrying more. He dumps it in unceremoniously and closes the back door, leaving me standing there.
"What about me?" I ask, and he stops.
I can see that he doesn't understand. I need to repeat my question.
"What about me?"
"You need to get in. We need to go."
I can see his frustration, but I need to say it, I need to tell him.
"What happens if we don't?"
"Raven, get in."
I don't move. "What happens?" I repeat.
"If we stay, there's a very likely prospect of burning to death," he replies, and I can hear the tension in his voice, "Get in."
I'm seized by an unreasoning dread, and I remain rooted to the spot.
"Raven," he barks, "We're running out of time."
"I'm the one with the deathwish," I reply, "You should go."
He's stunned. I can see the shock on his face, struggling to formulate the words.
"This isn't a game, Raven, this is life and death. Real life and death."
I get it. I get all of it. It's clear to me now.
"I know. But what happens if we go? I'm not missing anymore. I'm Chloe again, you're Hayden."
"And?" he snaps, not really listening.
I have to make him see.
"Do you know how often I had nightmares, back in my apartment? Do you?"
I can see that he's forcing himself to stay calm. He shakes his head slowly.
"Every night. Every fucking night. And how many nightmares have I had since I got here? Not a single one."
I spread my arms, imploring, trying to encompass the heat, the light, the trees, the little old wooden house.
"I can't leave. I can't go back to that. I won't survive."
Covalent doesn't move, like he's at war with himself, trying to decide our options, our chances.
"Which is ironic," I continue, "Given everything I've said, believe me I know."
He's staring at me. Behind him, the sun has risen, but it's a baleful blood-red eye ascending into the sky, promising more stifling, choking heat.
"Go," I implore him, "It's okay."
I mean it. It's okay. If this is the end of the line, then I'm fine with it. I've discovered that I've finally made my peace, that the siege is behind me. He's shown me a light beyond the darkness, a release from the maddening spiral I was caught in, no longer being sucked down and down.
"Thank you, Cove, I'm good. You need to go."
He closes the door and walks up to me, enfolding me in his arms. I look up into his face, bewildered.
"I need to stay," he tells me, leading me back to the house.
It's all he says, and so we sit on the verandah, on two chairs, looking out at the darkening sky, letting time pass, waiting for news on the progress of the fire front. As we sit there, it's as if night is approaching, though it isn't yet ten o'clock in the morning. He's checking his phone again, like he's been doing every five minutes.
"I want you to go," I tell him.
I must have told him a hundred times, but the answer is always the same: a shake of the head and silence. This time it's different.
"Too late," he says, holding up the phone so I can see the screen, "The fire's cut the road. The advisory is to shelter in place."
He sighs and nods to himself, fatalistically. "I guess that's it. We need to get ready."
Covalent gets up from his chair.
"I wish you'd have just left me here," I whisper.
"Get buckets, whatever you can find. We need to fill them."
"I'm sorry."
"Doesn't matter. Let's go."
---
We work as fast as we can, but I know we're screwed. Covalent's looking up a property fire preparation plan on his phone and it's weeks of work to get this old house ready for what's coming. The cladding is all dry, cracked timber and hasn't seen paint in the best part of a decade. It's going to go up like a bonfire if the flames get to it. He's working frantically, but everywhere I look it's hopeless. The tinder-dry grass runs right up to the front door. My stomach hurts, because I know I've killed us both.
He looks me up and down and then waves me to follow him.