Author's note: Traumatised by being held hostage in the cafe siege, Chloe has chosen a new direction in her life. She gives up her steady boyfriend and stable job to seek out new thrills in risky encounters. Covalent has laid out his plans to make her disappear and Chloe finds herself spiraling deeper and deeper into his fantasy of total control.
The story contains themes of female submission, edge play and autassassinophilia. Discretion is advised: please check the story tags to see whether this a series you'll enjoy.]
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THE LIGHT BETWEEN THE TREES
The next morning, the entire sky is orange. I wake up gradually, roused as usual by daylight, but this is eerie, draining all colours until the landscape is swaddled in greys and blacks, like we've been transported from Earth to Hell. The door opens, but I've forgotten all about my display pose. So has Covalent. He's looking out, then checking his phone.
"What's going on?" I ask.
He doesn't answer, scrolling through updates on the little screen.
"Cove, what's happening?"
I get up and go over to him, peering at his phone. He stops and then abruptly stuffs it into his pocket, striding back indoors. I turn, looking back at the angry, alien sky. It doesn't look good.
He passes me, jangling keys, opening the flyscreen door and taking the steps two at a time. I trot along behind, following him to the silver all-wheel-drive parked around the side of the house. He unlocks it and turns the ignition.
"What are you doing?"
He doesn't answer me, watching the dashboard. This time I grab his shoulder, and I finally get his attention.
"I'm just seeing how much range we have."
"Why?"
"We need to leave. We're in the path of the fires."
I suddenly remember being in his arms on the rock, finishing the picnic, looking at the tower of smoke on the horizon. The wind was in our faces, blowing up the valley. Oh shit: towards us, blowing the fire straight in our direction.
Covalent is on the move now, back to the house. He goes inside and I wait at the open doorway, watching him. I don't know what he wants me to do.
It takes him five minutes, but he's packed a bag and he hands me a water container to take to the car. I begin to ferry the loads to his vehicle. The rules have gone out the window now. The carefully constructed life he's made for us is gone, just like that. I pack the stuff into the back, and then he's striding towards me, carrying more. He dumps it in unceremoniously and closes the back door, leaving me standing there.
"What about me?" I ask, and he stops.
I can see that he doesn't understand. I need to repeat my question.
"What about me?"
"You need to get in. We need to go."
I can see his frustration, but I need to say it, I need to tell him.
"What happens if we don't?"
"Raven, get in."
I don't move. "What happens?" I repeat.
"If we stay, there's a very likely prospect of burning to death," he replies, and I can hear the tension in his voice, "Get in."
I'm seized by an unreasoning dread, and I remain rooted to the spot.
"Raven," he barks, "We're running out of time."
"I'm the one with the deathwish," I reply, "You should go."
He's stunned. I can see the shock on his face, struggling to formulate the words.
"This isn't a game, Raven, this is life and death. Real life and death."
I get it. I get all of it. It's clear to me now.
"I know. But what happens if we go? I'm not missing anymore. I'm Chloe again, you're Hayden."
"And?" he snaps, not really listening.
I have to make him see.
"Do you know how often I had nightmares, back in my apartment? Do you?"
I can see that he's forcing himself to stay calm. He shakes his head slowly.
"Every night. Every fucking night. And how many nightmares have I had since I got here? Not a single one."
I spread my arms, imploring, trying to encompass the heat, the light, the trees, the little old wooden house.
"I can't leave. I can't go back to that. I won't survive."