11. Capture
I arrived precisely at seven o'clock, and found her waiting. I held the door of my Mercedes SL 65 AMG open as she climbed inside, and I fastened her seatbelt snuggly around her. Then I drove her to one of the most exclusive restaurants in the city. I ordered for us both, starting with a perfect wine, one paired with the woman as much as the meal. The time had come to feast.
Sarah was nervous at first. I didn't blame her. She wanted to turn the conversation back to the book, but I turned her deftly away from that subject. Instead, I asked her about her writing, her life, her ambitions. I asked if I could read her writing. She demurred, but she beamed happily. We enjoyed an excellent meal.
We went for a walk after that, enjoying the night air and the cool wind, and the loveliness of the city lights. I asked about her wishes, her dreams. She talked about her writing again, but I stopped her. "Tell me about your secret dreams," I told her. "The dreams you've never dared share with anyone else."
She smiled. "I almost think you know them already."
"I'd like to hear them. From your lips."
"If I told you, they wouldn't be secret."
"Ah, but perhaps they wouldn't have to be just fantasies, either. Perhaps they could be your reality."
"Can you grant wishes, then, Mr. Corwin?"
"You'll never know if you keep silent. My Beauty."
She raised an eyebrow. "Does that make you the Beast?"
I smiled to soften my words, to make them more of a tease. "It makes me the man who made you kneel. Is that your fantasy?"
"I've had enough of fantasy, I think. It's all I've ever had. I am tired of moonlight and shadows. Let's talk about something else."
We did. We talked of books, films, stories she wanted to tell. We walked until the hour was late. And then I drove her home. I walked her gallantly to her door. I think she expected me to try to kiss her, but I simply bowed. "Good night, Sarah. Thank you for a most pleasant evening."
She seemed surprised. She shook her head, and then she frowned slightly. Some of the light was gone from her eyes, and the line of her jaw was hard. She nodded. "Thank you, Mr. Corwin."
She started to close the door.
"Sarah, I should like to see you again. Soon. I don't mean just at the shop. I should like to take you out again. Better, come to my home. Let me cook for you. I'd like to show you my library."
She took a deep breath. Then she closed her eyes and shook her head. "No, Mr. Corwin. I don't think so."
I took a step backward. I made an effort to keep my face composed. I doubt it was successful.
This was unexpected.
For the first time in ages, for the first time I can remember, I found myself at a loss for words.
Only with superhuman effort did I keep my draw from dropping like that of some common, loutish idiot. I felt my eyes narrow, though.
Sarah looked up and met my gaze full on. "After... after the book, after what happened in the store... w...when you... when you made me kneel... I almost didn't come tonight. I... well, I almost fled."
"But you didn't. Are you fleeing now?"
"Now? No. Now, I guess... to be frank, I don't think you're the man I thought you were."
"What? Why, Sarah? Why ever not?"
"Because if you were, Mr. Corwin, I think you would have already taken what you wanted. I am sick to death of pretenders and wannabes. Goodnight."
With that, she closed the door, and I heard the bolt turn in the lock.
This had never happened before. This was utterly new.
Indeed, nothing even remotely like it had happened before.
As I drove home, I realized something.
She'd made me mad.
I realized something else, too. I wanted her. More than ever.
Besides, I had a contract for her. She was pre-sold.
She did not return to the shop that week, or the next. Though every day I paced and watched for her through the window.
Jane called once to check on my progress, and to remind me that we had committed to a delivery date. I hung up on her. Her job is to identify the client and the girl, and to negotiate. My job, and mine alone, is to seduce, capture, and mold. And to determine when the art is finished at last and ready for delivery.