Sally and her Mistresses 01
Thank you for looking at my story. It is one that I began a long time ago, and have returned to several times, and it occasionally shows its age by, for instance, the characters' choices of television programmes. This is the first section of a full-length novel, and so the initial pace is gentle.
I have placed the story in the
noncon
category, although this section would probably be more at home in
BDSM
or even
Lesbian
, Later sections, however, have more diverse content. I have also tried to ensure that, although they form a series, readers can enjoy the sections individually without reading them all in order.
As always, ratings and comments are very welcome.
A meeting of minds
A more innocent scene than the one to be found on the lawn of the Country Tearoom just outside Green Coppice could hardly be imagined. It was a warm, very early Spring afternoon; the first Tuesday in March. Two ladies, one in her early twenties, the other about ten years older, sat opposite one another at a small wrought iron table, enjoying a pot of Earl Grey and a plate of fruit scones with jam and cream.
They did not quite face one another, but had angled their chairs slightly towards the lake at the bottom of the garden. Their conversation was quiet and continuous, and an acute observer might have detected a slight air of tension or anticipation in the way they both faced the lake when they spoke, each turning her head occasionally to assess the other's reaction to her words. What they said was audible to no-one else; there were no other customers and the house with its single waitress was at least fifteen yards away.
The older of the two was the more striking at first glance; a short-haired blond nearly five feet ten inches tall, with a full but athletic figure, emphasised by a snug red top with a built-in bra that showed her ample cleavage. Brief shorts showed off the legs that were the" envy of many of the women who worked and studied at the university, where she had a half-time lectureship in feminist literature. Though most feminists disapproved of the way she dressed, few had ever dared to say so to her face, which was strong and handsome but nevertheless thoroughly feminine, with a clear complexion unadorned by any makeup. Her name was Maude McCloskey, though she was not Scottish but a native of Cumbria, and a woman of independent means.
Her young companion was also her student, although she was also a graduate in political science. Sally Greenhall was an orphan, and her inheritance had given her only a modest income. After finishing her degree she had felt no immediate urge to seek paid employment, but had signed up as an associate student on Maude's module on
The Literature of Alternative Feminisms
. It sounded intriguing, and she had a vague notion that it might help her in an even vaguer ambition to become a writer herself.
Sally was just as easy on the eye, but in a gentler, more vulnerable way; a busty brunette with dark, melting eyes and full, soft lips. She wore a modest white dress with lacy frills round the top, cuffs and hem, which seemed to belong at an Edwardian garden party, though it was too short for that, a little above the knee. The contrast between the two women was striking; Sally was about four inches shorter than Maude, and had long, slightly wavy hair. She also wore no make-up of any kind and had no more need of it than her companion.
Sally had responded to a casual, after-class invitation from Maude, knowing her to be a controversial figure among the students. Most regarded her as vaguely predatory; the straight girls pretended to be afraid to be left alone with her, and the men looked at her with barely disguised lust. There was much debate in the common room about her sexuality, but the tight-knit core of lesbians in her class clearly thought her at best a bimbo with a shallow but plausible intellect, and at worst a dangerous Pied-Piper figure, misleading the young and naïve. Sally had known her for too short a time to form an opinion, but found her sufficiently likeable and intriguing to think that the half-hour drive into the country might be the start of an interesting friendship.
Maude's greeting had been cordial, and her conversation for the first few minutes was on mundane subjects. After the waitress had brought the tray and retired from sight and earshot, however, she began to reflect with some scorn on the reaction of that morning's class to the novel under discussion; Pauline Réage's
The Story of O
.
"Every year it's the same," she said with a chuckle. "Most of them squirm visibly, caught between the
Scylla
of refusing to appreciate "literature" and "challenging themes," and the
Charybdis
of seeming to enjoy reading the story of a heroine who enjoys being bound and whipped by her lover."
"It's understandable," responded Sally. "Most of the girls have boyfriends, and word gets round quickly. Those who seemed to enjoy the novel might well be re-enacting it even as we speak."
Both women laughed, more relaxed in one another's company now. "What is interesting," went on Maude, "is that most of the class are frightened of seeming to dodge the issues and so feel obliged to say something. Since anything they say will damage someone's opinion of them, they try to say everything to everyone, or nothing at great length. I noticed you today because you just sat there calmly and said nothing. Not many dare to do that. You might be a sphinx without a riddle, but I doubt it. I wondered what you really thought of the book?"
Sally concentrated on spreading jam and cream on a scone while she came to the decision to speak freely. "Apart from being too wordy- her paragraphs are up to three pages long- Réage is too anxious to give O some kind of day-to-day control over events. A woman- or a man- has to be free to make a willing surrender- to give control to another- but that decision, once made, cannot be made over and over again. Her first lover is too weak a character to inspire anyone to surrender to him, anyway." She was warming to the theme, and Maude was looking at her intently, so she went on.
"Authors find it difficult to commit themselves wholeheartedly to this kind of theme. In Elizabeth McNeill's
91/2 Weeks,
Elizabeth clearly consents to being abused, but the novel ends with her recovering from an emotional breakdown. In Norman's multi-volume
Gor
saga, he fills hundreds of pages with tedious pseudo-psychology, and his characters waste even more paper reflecting on and justifying their situations and behaviour. One longs for characters who make decisions that suit them, and live with the consequences. Still, I suppose that authors who address BDSM without making politically correct gestures or in the case of Norman, being explicitly defiant, are regarded as pornographers."
"I could give you some examples," said Maude, leaning more towards Sally now and looking very interested. "I've never known a student so interested in the subject, or at least who admitted it. Do you think that O's position is an enviable one?"
"Not enough good sex, and too many whippings that are cruel but not really erotic. The vaginal rings and the cellar at Roissy are great ideas, but it all gets vague and dull towards the end, and the ending itself is not a real ending at all. Her life, like the novel, is a curate's egg. I suppose most are. I suppose that she didn't have to grow old thinking that she hadn't taken what life had offered her."
"An interesting way of putting it," replied Maude, who was fiddling with her mobile. She looked up, meeting Sally's gaze directly. "Do you intend to take what life offers you?"
"I'm waiting to hear the offer," came the reply, and Maude grinned at the double meaning.
"Watch, therefore, for ye know neither the day nor the hour,
" and as Sally struggled to count the number of possible meanings, Maude looked her straight in the eye and asked: "Are you waiting for the right
man
to make you an offer?"