Sabbatical in Slavery, Pt. 01
(This story is set in a world where legalized, non-hereditary slavery is commonplace for serious crime, unredeemed debt, or voluntary self-indenture.
All characters who are enslaved or have any intimate/sexual contact with slaves are 18 years of age or older
. This is fiction; no one should ever be deprived of free will nor used sexually without his or her uncoerced permission.)
(Note: This is a spin-off from "Ellie May Pt. 03: Shipboard Slave Whoring." In that story, Professor Sarah Hollister's rival, Lindsay Williams, not only (unknowingly) abused her when Sarah was masquerading as a slave, but repeatedly badmouthed Sarah to slave merchants and investment people. Restored to her freedom and her clothing, Sarah proceeded to undermine Lindsay's chances for tenure as an academic by "putting out the word" that her research was weak. This led to the situation described in this story. Thanks to Joe Doe for his permission and suggestions.)
(
Lindsay Williams' perspective
)
I hate to sound like a whiner, but I've been having a VERY strange time for the past two years. I guess to explain myself, I need to go back a little farther.
I love my Mom and Dad, but they're stuck in dead-end jobs as college professors, in Linguistics and Philosophy, respectively. Reminds me of the greeting card I saw once, where the cover of the card read
"This card is like a career in teaching."
When I opened up the card, the inside message read "There's no money in it." Too true to be funny.
So, OK: In my parents' view, I had to be an academic success and then get tenured as a college professor. The first step just took a lot of hard work and neglect of my social life: 6 years of prep school, 4 years at Bryn Mawr, 5 more years of graduate school (Chapel Hill)--most of it on scholarships, so after five years of college teaching I'd only just paid off my college loans.
I said college teaching, but unlike my parents I wanted an academic field that had the potential for some real money and status. The burgeoning new field of Slave Studies, sometimes referred to by the euphemism of "Human Resources Exploitation," seemed to be my ticket. I'd published half a dozen articles and one uninspiring book on various business aspects of slavery, working my way up to associate professor at U Mass--that's University of Massachusetts at Amherst, to be clear. Next, I needed to be selected for tenure and then full professor, plus develop business contacts to sell my expertise.
One of my problems was that the slave industry is a very chauvinistic world--male slaves may be used as laborers as well as gigolos, but female slaves, regardless of their brains or other skills, are evaluated primarily for their sex appeal, as three moist holes connected to boobs, butt, and legs that exist solely to entertain their masters or mistresses. That means that slave merchants evaluate all women they meet as sex objects and more explicitly as "slave cunts."
I don't want to sound arrogant, but I was (and am) a reasonably-attractive woman: high cheekbones, generous mouth with straight teeth, chestnut hair, 38D bust and narrow waist, everything kept firm with frequent exercise. Even more than other men, slave merchants develop vision and hearing difficulties in the sense that they stare at my chest for 20 minutes and never hear what I'm saying to them. Sarah Hollister, that pretentious blonde biotch who teaches slave studies at "Haavaad," somehow used her appearance to get their attention and then talks just as crudely as do they, in order to convince them she's serious about slave business. To give you one example, one of Sarah's best-selling books on the slave business was titled
Profit Per Pussy
. Need I say more? Somehow, I had to overcome this sexism and show these self-propelled penises that they should listen to what I said, not just stare at how I looked.
Two years ago in the spring I finally got my big break, a chance to impress all the wealthy slave merchants and investors. Sarah Hollister suddenly decided she was too busy to spend spring break with the high rollers on board the "Yo Ho Ho," a specialized passenger ship that, during the ten days of spring break, cruised off Cape Cod. This cruise was an early test of the concept that northern sex slaves--either genuine slaves or skanky young women who enjoyed PRETENDING to be slaves--could be marketed on a no-holes-barred [pun intended] cruise that was, in effect, a floating brothel. Because they were slaves who couldn't refuse to screw free people, these hos (real and pretend) were not technically prostitutes selling their bodies. They could spend the whole cruise servicing the paying passengers--passengers that, in this case at least, included a number of slave merchants and bankers, the people I most needed to network with. And as far as I was concerned at the time, that's all these collared sluts were good for--so many cunts, asses, mouths, and tits all belonging to brainless, horny whores who existed to entertain their betters.
My job was to implement this plan--given an over-supply of well-endowed naked bimbos of various genders, I had to manage the entertainment in a way that amused the guests, impressed the investors, and still turned a profit.
I did pretty well at it, too. I didn't hesitate to show the money men that I could be just as cruel and dominant towards slave bimbos as they were. To be honest, it was kind of fun to belittle and whip a sex-obsessed bubblehead while driving her to an involuntary orgasm. The sense of absolute power I had over these cunts was addictive.
My main plan was to transship and sell off the surplus pussy while we were on the high seas, sending some of these brainless blonde bimbos to be sold to Middle Eastern harems. But somehow, that damn Sarah Hollister found a way to sabotage me even though she didn't even come on the cruise. One of the skankiest slaves on board, a redhead who went by the name of "Flame" and had a tramp stamp and slave brand to match, was on my list to be sold. The problem was that Flame not only belonged to Sarah but somehow had SARAH'S OWN SLAVE IDENTIFICATION NUMBER bar-coded on the inside of her lower lip. That meant that we didn't have clear title to sell her, and (conveniently) Sarah wouldn't answer her telephone to give us permission to dispose of the slut, even at a huge profit for the owner (Sarah). One of the biggest slave merchants in the business, Jake Henry, lectured me about the risks of improper sales, so I lost more ground than I gained in networking with the high rollers.
*****
I came home from this cruise frustrated and embarrassed. And THEN I found out that the U Mass tenure committee had failed to recommend me for tenure that spring, my fifth year teaching and the first of three opportunities I had to make tenure before I had to look for work somewhere else, my academic reputation permanently tarnished by being adjudged unworthy of tenure.
I suspected that Sarah had sabotaged me, but when I politely asked Alistair Buchanan, the silver-haired chair of the tenure committee, what I needed to improve my chances the next year, he turned red in the face and then said that my work "did not show an understanding of the psychology of slaves." He even had the nerve to cite Sarah as an example of someone who DID understand how slaves thought. Because of the outmoded idea that slave whores were still people, anyone who didn't show empathy and understanding for their "plight" was (according to the political correctness police) unqualified to teach the subject.
I had to admit that he had a point. Part of what made Sarah Hollister so effective was that she designed processes, such as the one used by the Big D Slave Market in Dallas, that psychologically manipulated fresh-caught slaves to make them not only docile but eager to act like the brainless sluts they were born to be. The committee was right--if I could better understand and empathize with slaves, I could be far more useful as a business advisor, let alone as a slave studies instructor.
Well, the first step was obvious--consult with a real expert. I actually knew one whom I had met at several conferences--Nicola (Nikki) Sheldon, co-author of the classic text,
Psychological Impact of Slavery